Wesley Morris
In movies, there are some things the French do that Americans are increasingly incapable of doing. One is honoring the complexities of youth. It's a quiet, difficult undertaking, requiring subtlety in a filmmaker and perception and patience from us.Collection: Patience
I don't like turkey. I mean, I do. But I don't like it on Thanksgiving. I don't need it. There are about 20 other dishes that get put on a table or a counter or that stay warming on the stove that I'd rather eat than turkey.Collection: Thanksgiving
A week before Thanksgiving, my mother bought the turkey, frozen. Then she froze it some more. Then she let it thaw and cleaned it - and I mean really cleaned it, because nobody wanted a 'dirty bird.' She salt-and-peppered the turkey, buttered, paprika-ed, and nominally stuffed it.Collection: Thanksgiving
My mother very rarely skipped a Thanksgiving turkey. And yet, none of them ever tasted quite the same, landing somewhere on a sliding scale of succulence. She'd try new methods.Collection: Thanksgiving
'In Bruges' featured two hit men on a chatty stroll in Belgium, and certain people's passion for it is fit for Valentine's Day. But it was Tupperware Tarantino to me.Collection: Valentines
Computers are scary. They're nightmares to fix, lose our stuff, and, on occasion, they crash, producing the blue screen of death. Steve Jobs knew this. He knew that computers were bulky and hernia-inducing and Darth Vader black. He understood the value of declarative design.Collection: Computers
There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask, 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally, the movies hide all of that.Collection: Failure
When Oliver Stone and Woody Allen came forward to express sympathy for Mr. Weinstein, everybody rolled their eyes at them, too.Collection: Sympathy
Sometimes a movie knows you're watching it. It knows how to hold and keep you, how, when it's over, to make you want it all over again.Collection: Want
Movies are visual, aural, they involve people, and life, and ideas and art, they are so elastic. They can hold anything, withstand everything, and make you feel anything. Other arts can do that, but movies are the only ones that can incorporate other media into cinema.Collection: Art
The problem with a lot of movies when it comes to race is that they want to be moral, and they want to make the audience feel good about something that a lot of people don't feel good about.Collection: Race
Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.Collection: I Love You
Computers are scary. Theyre nightmares to fix, lose our stuff, and, on occasion, they crash, producing the blue screen of death. Steve Jobs knew this. He knew that computers were bulky and hernia-inducing and Darth Vader black. He understood the value of declarative design.Collection: Jobs
Most Pixar films are better than most live action films.Collection: Action
I just have to be able to follow and enjoy the writer's voice and the writer's point of view. Liking what the person has to say is not really important to me.Collection: Views
The Dictator' lands somewhere between wan Mel Brooks and good Adam Sandler, whose 'You Don't Mess With the Zohan,' about an Israeli Special Forces soldier at a hair salon, manages to strike better contrasts with vaguely similar culture differences - it's a nuttier movie, too.Collection: Hair
The bravery of Stanley Kramer's 'Guess Who's Coming to Dinner' amounted to two Hollywood legends - Katharine Hepburn and Spencer Tracy - telling the world that a black son-in-law is something they can live with, and so should you, especially if he looks like Sidney Poitier and has degrees.Collection: Son
Anything produced and then exhibited for public view is open to interpretation.Collection: Views
Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era.Collection: Stars
Sidney Lumet's chief preoccupation wasn't art. It was right and wrong in the American city, nearly always in New York.Collection: Art
Poor decisions and bad luck are contingencies of most horror films.Collection: Poor Decisions
I definitely have a kind of Stockholm Syndrome for superhero movies because it's very clear that's the era we're in. It's like Christianity in the Middle Ages.Collection: Superhero
Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller.Collection: Cheer
In the Mac vs. PC ads, Apple bills itself as the antidote to Microsoft. To love Apple wasn't to sell out. It was to buy in. Most people use PCs, but Apple has the mindshare.Collection: Apples
The enormous success of 2009's 'The Blind Side,' in which Sandra Bullock makes a black teenager one of the family, demonstrates that America isn't post-racial. It is thoroughly mired in race - the myths that surround it, the guilt it inspires, the discomfort it causes, the struggle to transcend it.Collection: Teenager
I don't see a lot of studio executives caring at all about what the culture is telling us. They think they make the culture. They're not out taking the temperature of things and using the results of whatever sort of cultural surveying they're doing to make movies. They're interested in doing things that people are already comfortable with, and taking those properties and filling them.Collection: Caring
Ultimately the social change has to come from the people who make the movies, so the people who make the movies have to look at the landscape and say to themselves, "Well, you know, these things are changing, and I'm okay with their having changed, and I think it's okay to start reflecting those changes through the movies we make."Collection: Thinking
'Brokeback Mountain' is a sad love story about two people who can't be together, and the reason that they can't be together is because being gay is a stigmatized thing. It would be interesting to have the same movie in which the two guys weren't in the closet and there was no shame about them being gay and they couldn't be together for other reasons. I still feel like we're a long way from that happening.Collection: Sad Love
I like Nora Ephron. She wasn't a critic in the strictest sense of the word, but she did a lot of social criticism. She was so funny and so in the right place at the right time.Collection: Criticism
I don't need the audience, but sometimes it's nice to have a gauge - not so I know how I feel, but so I get what is or isn't working for moviegoers.Collection: Nice
Everybody brings their thing to their criticism. I bring this wealth of opinions and feeling and knowledge about race and gender and sexuality. I feel like I have it, I may as well express it, and if it's applicable to what I'm writing about and I'm not forcing it, I should try to use it, because it's interesting. It speaks to more than some people.Collection: Writing
If I like a movie, I'm definitely advocating for it, but it's not "you should see this" or "you shouldn't see this." I try to take a longer view about what the movie is doing and where it fits in the context of other things, in the way that certain good literary criticism tries to do the same thing.Collection: Views
A movie is just like a work of art or a book or a piece of music. The intent of its maker is one thing, but its interpretation by an audience is something else. I don't stop at what the filmmaker wanted to do.Collection: Art
I love to go to the movies with people, but a lot of the time it's me in a room with a bunch of other movie critics, which is fine.Collection: People
I do feel a responsibility to address things that are problematic, but I don't have to go out of my way to do that.Collection: Responsibility
All critics have the responsibility to tease out the social ideas and social problems in a movie. I don't feel an obligation to do that because I'm black.Collection: Responsibility
I'm a human who is aware of the history of humanity and the ways in which the movies touch on those things.Collection: Humanity
Straight white males: that's the predominant moviegoing category, and the persistence of that is a dismaying maintenance of the status quo.Collection: Persistence
I have a pretty good sense of when to express misgivings. And white critics are just as capable of pointing those things out and noticing them as people of color.Collection: Color