Generally, studios are adverse to making films about war in the Middle East. They'd much rather make a film with a superhero or an alien or a robot.
I was very impressed with Davis Guggenheim's 'An Inconvenient Truth.' He's inspired me as one of the newer, cutting-edge documentary filmmakers. I see those films, and I'm just instinctively drawn to them.
Clear eyes, full hearts, can't lose.Collection: Eye
Be really picky with your hiring, and hire the absolute best people you possibly can. People are the most important component of almost every business, and attracting the best talent possible is going to make a huge difference.Collection: Differences
Hollywood is not stupid, contrary to popular belief; it's really a lot of intelligent people trying to figure things out.Collection: Stupid
It's always funny to me how your movie becomes no longer yours and people interpret it how they want and react how they want to react to it, and it's fun to kind of watch that happen.Collection: Fun
I'm much more collaborative than I probably was when I was first starting, much more willing to say, "I don't know the answer to that." I have really talented people and let them do their jobs and not try to control everything as much as I did when I was starting. I was a bit more insecure.Collection: Jobs
We're both [with Mark Wahlberg] capable of being sarcastic, vicious, violent lunatics, but we hold each other in check, appeal to the best aspects of each other.Collection: Sarcastic
Working with composers often is a really frustrating experience because you speak a different language and, oftentimes, they take two or three jobs, at the same time. They're difficult and pretentious and they're tormented artists.Collection: Jobs
You look for inspiration, I do, that got me going.Collection: Inspiration
Every movie has its own unique series of challenges.Collection: Unique
I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.Collection: Good Friend
I tend to not have to handle things that are probably gonna end up being irrelevant, that aren't gonna have much to do with the film. I have probably a better understanding of really what does matter, when to pick my battles and when to kind of let them go.Collection: Understanding
I think I've been fortunate enough to have a fairly long career and hopefully I'm at the middle of it now. And I think I'm starting to develop a certain amount of experience and a certain amount of wisdom about kind of what really matters and what doesn't matter.Collection: Thinking
One of the challenges assembling the film was that gun fight went on for three and a half hours and we obviously couldn't spend three and a half hours of the film with one gun fight. It was trying to figure out the balance of how much an audience could take before they either became repulsed or desensitized or bored or just overwhelmed.Collection: Fighting
I try to preload as little as I can. I like to come to the set with minimal preparation.Collection: Preparation
I've been a big believer in musicians turned actor, going back to Sinatra winning the Oscar for 'From Here To Eternity.' David Bowie in 'Man Who Fell to Earth,' Kris Kristofferson's been great in a bunch of films. Liza Minnelli, Barbra Streisand, Mariah Carey, I thought was great in 'Precious.Collection: Winning
You're in the middle of making a movie and this part of the process is always very interesting. Because you think what you're making your movie is and then you start putting it out there, and then people tell you what your movie is.Collection: Thinking
I like films that are about two hours not more.Collection: Two
I was in New York 9/11. Mark's [Wahlberg] from Boston, flew there immediately after. I was in Nice Bastille Day when the truck drove through and killed all these people. It's the new reality, unfortunately. The idea of trying to explore how we process this kind of event, how we survive emotionally, what we tell our kids: That was the movie [Patriots Day] we wanted to make.Collection: New York
There's no hidden agenda, no political agenda [in Patriots Day]. The only politics we were really talking about was the politics of community, the politics of social love.Collection: Talking
I think the biggest challenge was being aware of a certain audience that was going to see this film [lone survivor]. There's a big difference from a typical movie, journalists and critics and film goers that go see it find that, that's the general experience you have as a filmmaker. So that just kind of proves my point that there's a really different audience.Collection: Thinking
One of the things that's fascinating about making movies is a movie when it's done and you start showing it to people, it reveals its impact, which is often times not what you thought.Collection: Impact
The big fun in Battleship is that there are no current battleships in the Navy today. The battleships are about 1,000 feet long and they have huge guns. They were what you saw in WWII. The last battleship that was used was the Missouri, which is what the Japanese surrendered to...Collection: Fun
The way you set up for a sequel is by having a successful film. The focus is on making a successful film, and making a film that travels around the world, and that people enjoy and have fun with, and that people are able to escape with.Collection: Fun
To get audiences to go see a film is a completely separate issue.Collection: Issues
The big fun in ‘Battleship’ is that there are no current battleships in the Navy today. The battleships are about 1,000 feet long and they have huge guns. They were what you saw in WWII. The last battleship that was used was the Missouri, which is what the Japanese surrendered to.Collection: Fun