I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight.Collection: Attitude
However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
Linguistics is very much a science. It's a human science, one of the human sciences. And it's one of the more interesting human sciences.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
Science fiction isn't just thinking about the world out there. It's also thinking about how that world might be - a particularly important exercise for those who are oppressed, because if they're going to change the world we live in, they - and all of us - have to be able to think about a world that works differently.
A number of things in 'Dhalgren' are just meant to function as mysteries. They're mysteries when the book begins, and they're mysteries when the book ends.
The idea that certain things in life - and in the universe - don't yield up their secrets is something that requires a slightly more mature reader to accept.
'Dhalgren' is the kind of book in which you can look for pretty much anything you want. I tried to put as much into it as I could at the time.
The reason for privacy is not so that people will not know you go to the bathroom. It's to allow certain things to go on that you don't want other people to know about, when all is said and done. But the things I don't want other people to know about are not my sex life.
All too often, when creative people pick out someone else's creative work as an inspiration, what they end up with is very, very far from the original.
How we treat our invalids - our mad, our physically or mentally compromised family members - does tell you something about who we are politically, historically, culturally.
I think a 23-page ordinary comic is an investment for the artist, but if you're doing something 60 to 104 pages, that's a really big investment for an artist. So unless you've got someone who wants to pay you while you're doing it or up front, it's kind hard to get someone to do that with you, unless you're the artist yourself.
I think of myself as someone who thinks largely through writing. Thus I write more than most people, and I write in many different forms. I think of myself as the kind of person who writes, rather than as one kind of writer or another.
I shall always be able to come up with new fantasies. As long as there are people walking around in the street, as long as I have books to read and windows to look out of, I'm not going to use them up.
I grew up in Harlem, a block away from what was then the most crowded block in New York City, according to the 1950 census. Something like ten thousand people lived in one city block.
One of the more depressing things about reading your fiction 25 years later, or 10 years later, is you realize the only things going on are things you made go on. Strange and interesting and new and wonderful things don't happen. It's the book you wrote; that's all.
My family trained me to be polite to people I had just met, and that included strangers. You speak when you're spoken to. You look people in the eye when they address you and when you address them back.
I'm not about either entertaining or instructing. The entertaining and instructing are secondary fallout from the fundamental thing, which is basically to create an aesthetic object.
The only important elements in any society are the artistic and the criminal, because they alone, by questioning the society’s values, can force it to change.Collection: Important
Science fiction isn’t just thinking about the world out there. It’s also thinking about how that world might be—a particularly important exercise for those who are oppressed, because if they’re going to change the world we live in, they—and all of us—have to be able to think about a world that works differently.Collection: Exercise
The problem isn't to learn to love humanity, but to learn to love those members of it who happen to be at hand.Collection: Hands
There is no articulate resonance. The common problem, I suppose, is to have more to say than vocabulary and syntax can bear. That is why I am hunting in these desiccated streets. The smoke hides the sky's variety, stains consciousness, covers the holocaust with something safe and insubstantial. It protects from greater flame. It indicates fire, but obscures the source. This is not a useful city. Very little here approaches any eidolon of the beautiful.Collection: Beautiful
It’s a very new, not to mention vulgar, idea that the spectator’s experience should be identical to, or even have anything to do with, the artist’s.Collection: Artist
The truth is always multiplex.Collection: Truth Is
Don't go chattering to the stars if you're going to do it with your eyes closed.Collection: Stars
Science fiction doesn’t try to predict the future, but rather offers a significant distortion of the present…We sit around and look at what we see around us and we say how can the world be differentCollection: Trying
Endings to be useful must be inconclusive.Collection: Inspirational
Reality must prove itself again and again to questioners ... it is the fantasy which goes on without contradiction, without having to prove itself.Collection: Reality
The past is what makes now like now makes tomorrow.Collection: Past
Babes, I am so bored here that I don't think, since I've come, I've ever been more than three minutes away from some really astonishing act of violence.Collection: Thinking
It is easier to argue that something nobody believes in actually exists than it is to argue that something everybody believes in is unreal.Collection: Believe
The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectator's experience should be identical to, or even have anything to do with, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic.Collection: Art
Apocalypse has come and gone. We're just grubbing in the ashes.Collection: Ashes
I still believe pattern fascinates on its own. And three-sevenths of a pattern, or even a smaller fragment, can fascinate still more--get us really hunkering down, trying to tease out the whole of the figure in the carpet.Collection: Believe
It's only ... when we're stripped of purpose that we know who we are.Collection: Purpose
Good writing is clear. Talented writing is energetic. Good writing avoids errors. Talented writing makes things happen in the reader's mind - -vividly, forcefully.Collection: Writing
But I realized something. About art. And psychiatry. They're both self-perpetuating systems. Like religion. All three of them promise you a sense of inner worth and meaning, and spend a lot of time telling you about the suffering you have to go through to achieve it.Collection: Art
It is not that love sometimes makes mistakes, but that it is, essentially, a mistake. We fall in love when our imagination projects nonexistent perfections on to another person. One day the phantasmagoria vanishes, and with it love dies.Collection: Falling In Love
It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind.Collection: Real
Breathing is a fascinating thing to watch in a woman.Collection: Breathing
Dictators during the entire history of this planet have used similar techniques. By not letting the people of their country know what conditions existed outside their boundaries, they could get the people to fight to stay in those conditions. It was the old adage: Convince a slave that he's free , and he will fight to maintain his slavery .Collection: Country
You meet a new person, you go with him and suddenly you get a whole new city...you go down new streets, you see houses you never saw before, pass places you didn't even know were there. Everything changes.Collection: Travel
Suggestion is a literary strategy.Collection: Suggestions
As a prose writer, I work with language; and those who work with language turn to poetry for renewal.Collection: Language
Historically, I guess that's how science fiction works: you start by using aliens to think the unthinkable and then, eventually, another writer, having grown a little more comfortable with the earlier notion, brings it into the human.Collection: Thinking
There is a sense of decency that's like a barometer to a man's or a country's health.Collection: Country