Donald E. Westlake
Who's a boy gonna talk to if not his mother?Collection: Mothers
I loved it, but social reality impeded. Now I wander in here at 9 in the morning or so, and come back for a while in the afternoon. I am a very lenient boss.Collection: Morning
The tortured similes, the brooding introspection, the jaundiced view of society - nobody ever has any fun in a Ross Macdonald book.
Everybody in New York is looking for something. Once in a while, somebody finds it.
A friend of mine, now retired, was then a major exec at a major bank, and one of her jobs, the last four years, was the farewell interview.
All of the changes in publishing since 1960 are significant. There are far fewer publishers.
I also wanted Parker to operate in the Internet age without losing being Parker. He's always operated in the world without really being with the world, and cyberspace means that the rest of us are more and more living the same way.
I make a note, set it aside, and hope it makes sense when the time comes to look at it again.
I start with the story, almost in the old campfire sense, and the story leads to both the characters, which actors should best be cast in this story, and the language. The choice of words, more than anything else, creates the feeling that the story gives off.
If it weren't for received ideas, the publishing industry wouldn't have any ideas at all.
If you think of movie studio executives, say, as society, then I root for the independent producers.
My work schedule has changed over the years. The one constant is, when at work on a novel, I try to work seven days a week, so as not to lose touch with that world. Within that, I'm flexible on hours and output.
Nothing about it interested me. Or about anything else, except making up stories. If literacy weren't so nearly universal, God knows what I'd be. A drain on the State, I shouldn't wonder.
Once he became a series character, I made the conscious choice that he would never act like a series character, never wink at the reader, never pull his punches. Better for him, better for me.
Seem to be telling this, but really telling that. Three-dimensional writing, like three-dimensional chess. Nabokov was the other master of that. You could learn something from Nabokov on every page he ever wrote.
Sorry; I have no space left for advice. Just do it.
The many magazines, ranging from pulp to slick, that used to serve as both farm teams for writers and lures to readers, with hundreds of short stories every month, don't exist. Most of the doors for new people have been sealed.
When Stark isn't off sulking somewhere, or whatever he's doing when he won't return my calls, I alternate between the two. That usually works well, though occasionally an idea for the wrong guy drifts through my mind.
I started writing when I was 11. In my late teens, I was writing short stories of every conceivable type and sent them to everything from 'Future Science Fiction' to 'The Sewanee Review.'
I love Hammett, never liked Chandler - I'm one of the few.
I did the first Parker novel, in which he got caught, and the editor at Pocket Books took me to lunch and said, 'Is there any way that this guy could get away at the end, and you could do three books a year for us?' And I said, 'I think so.'
A guy named Peter Rabe wrote a batch of books for Gold Medal in the '50s, and he was absolutely the single largest influence on writing style. I was completely in love with the way the man wrote.
Westlake is allusive, indirect, referential, a bit rococo, Stark strips his sentences down to the necessary information.
The critics didn't like it at all. They felt it was crude and violent without meaning, and they dumped on it. 'Point Blank' marked a shift in movie-making, and they weren't ready for it. However, I think those were the last negative words ever said about it.
With writing, I prefer the solo effort, but when a team is working right, as it did on 'The Grifters,' boy, it's exhilarating.
Nobody gets everything in this life. You decide your priorities and you make your choices. I'd decided long ago that any cake I had would be eaten.Collection: Long Ago
As we struggle with shopping lists and invitations, compounded by December's bad weather, it is good to be reminded that there are people in our lives who are worth this aggravation, and people to whom we are worth the same.Collection: Family
Whenever things sound easy, it turns out there's one part you didn't hear.Collection: Art
Publishing is the only industry I can think of where most of the employees spend most of their time stating with great self-assurance that they don't know how to do their jobs. "I don't know how to sell this," they explain, frowning, as though it's your fault. "I don't know how to package this. I don't know what the market is for this book. I don't know how we're going to draw attention to this." In most occupations, people try to hide their incompetence; only in publishing is it flaunted as though it were the chief qualification for the job.Collection: Jobs
The trouble with real life is, there's no reset button.Collection: Real
In the most basic way, writers are defined not by the stories they tell, or their politics, or their gender, or their race, but by the words they use. Writing begins with language, and it is in that initial choosing, as one sifts through the wayward lushness of our wonderful mongrel English, that choice of vocabulary and grammar and tone, the selection on the palette, that determines who's sitting at that desk. Language creates the writer's attitude toward the particular story he's decided to tell.Collection: Attitude
In order to hold your faith intact be sure it's kept unsullied by fact.Collection: Order
I know people who have suffered writer's block, and I don't think I've ever had it. A friend of mine, for three years he couldn't write. And he said that he thought of stories and he knew the stories, could see the stories completely, but he could never find the door. Somehow that first sentence was never there. And without the door, he couldn't do the story. I've never experienced that. But it's a chilling thought.Collection: Block
Those 4 guys in the late 60's who attacked a jewel merchant on New York's West 46th St. on the sidewalk, so they could steal his jewel-filled station wagon, which they abandoned 2 blocks later because none of them could drive a stick shift. Where would I be without such people?Collection: New York
I don't think I would have been a good architect. Really, I have thought about this from time to time, and I might have wound up like my father, who never did find that which he could devote his life to. He sort of drifted from job to job. He was a traveling salesman, he was a bookkeeper, he was an office manager, he was here, there, there. And however enthusiastic he was at the beginning, his job would bore him. If I hadn't had the writing, I think I might have replicated what he was doing, which would not have been good.Collection: Father
The fictioneer labors under the constraint of plausibility; his inventions must stay within the capacity of the audience to accept and believe. God, of course, working with facts, faces no limitation.Collection: Believe
There are a couple of writers I admired who were very good at giving the character's emotion without stating what that emotion was. Not saying "He was feeling tense," instead saying, "His hand squeezed harder on the chair arm," as if staying outside the guy. I wanted to try doing that. I wanted to have a really emotional story in which the characters' emotions are never straight - out told to you, but you get it.Collection: Couple
Parker wasn't supposed to be a series. He was supposed to be one book, and if he was only going to be in one book, I didn't worry about it. And then an editor at Pocket Books said "Write more books about him." So I didn't go back at that point and give him a first name. If I'd known he would've been a series, I would've done two things differently. First, I would've given him a first name because that means for 27 books, I've had to find some other way to say, "Parker parked the car."Collection: Book
Christmas reminds us we are not alone. We are not unrelated atoms, jouncing and ricocheting amid aliens, but are a part of something, which holds and sustains us. As we struggle with shopping lists and invitations, compounded by December's bad weather, it is good to be reminded that there are people in our lives who are worth this aggravation, and people to whom we are worth the same. Christmas shows us the ties that bind us together, threads of love and caring, woven in the simplest and strongest way within the family.Collection: Christmas
Years ago, I heard an interview with violinist Yehudi Menuhin. The interviewer said, "Do you still practice?" And he said, "I practice every day." He said, "If I skip a day, I can hear it. If I skip two days, the conductor can hear it. And if I skip three days, the audience can hear it." Oh, yes, you have to keep that muscle firm.Collection: Firm
Science fiction is a weird category, because it's the only area of fiction I can think of where the story is not of primary importance. Science fiction tends to be more about the science, or the invention of the fantasy world, or the political allegory. When I left science fiction, I said "They're more interested in planets, and I'm interested in people."Collection: Thinking
The thing that I prefer, when I'm working on a book, is to do a seven-day week, because it's easy to lose some of the details of what you're doing along the way.Collection: Book
Santa Claus is a god. He's no less a god than Ahura Mazda, or Odin, or Zeus. Think of the white beard, the chariot pulled through the air by a breed of animal which doesn't ordinarily fly, the prayers (requests for gifts) which are annually mailed to him and which so baffle the Post Office, the specially-garbed priests in all the department stories. And don't gods reflect their creators' society? The Greeks had a huntress goddess, and gods of agriculture and war and love. What else would we have but a god of giving, of merchandising, and of consumption?Collection: Prayer
In a funny way, the stories keep themselves alive by emerging from one another. I like that.Collection: Emerging
I'm one of the narrative-push people. I don't outline, I don't plan ahead. So I'm my first reader, telling myself the story as I'm going along. Since I haven't designed it ahead of time, each day I have to be sure that the footing is solid before I make the next step. I think you could be more intricate if you work it out ahead of time.Collection: Thinking
One of our continuing myths was summed up in Huckleberry Finn: Our escape, what we think of as our escape, is that we can always light out for the territories. Well, we really can't, not anymore, but that's part of the American character - that belief that at any moment, I could just drop the coffee cup and disappear. And it makes for a different self-image and a different story, in a way.Collection: Coffee
If your subject is crime, then you know at least that you're going to have a real story. If your subject is the maturing of a college boy, you may never stumble across a story while you're telling that. But if your story is a college boy dead in his dorm room, you know there's a story in there, someplace.Collection: Real
Writing is flat, so if you only have part of one eye working, you still can do the job. It's just that you sit there and you're angry, which doesn't help.Collection: Writing
It's so difficult, particularly with an antisocial character. It's much easier if he's already a blank page, but once you've written on him, it's hard to keep him that stripped down.Collection: Character
The British were doing crime stories first, but the British thing is a very different thing. There, the stories are about restoring a break in the fabric of society. The American thing has never been worrying about breaks in the fabric of society, but about people doing their job, whether it's police procedurals or criminals or whatever.Collection: People