William Friedkin

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The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.
- William Friedkin
Collection: Communication
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I tend to be attracted to characters who are up against a wall with very few alternatives. And the film then becomes an examination of how they cope with very few options. And that's, I guess, what interests me in terms of human behavior.
- William Friedkin
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Style is something that's extremely important, but it must grow naturally out of who and what you are and what the material calls for. It cannot be superimposed.
- William Friedkin
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I really think that sex always looks kind of funny in a movie.
- William Friedkin
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Violence is not funny.
- William Friedkin
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Technique is of less interest than character and story.
- William Friedkin
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I don't know about the rest of you, but I feel pressed and tense almost every day of my life about something or other. And I think it's the one thing, as I look into people's eyes, that I think I share with almost everybody.
- William Friedkin
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The informing idea of what you want to say and do, that's what will take you from film school to professional - the idea. That's what is original to you.
- William Friedkin
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Ive never seen a more terrifying film than 'The Bababook'. It will scare the hell out of you as it did me.
- William Friedkin
Collection: Scare
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All of the films I have made, that I have chosen to make, are all about the thin line between good and evil. And also the thin line that exists in each and every one of us. That's what my films are about.
- William Friedkin
Collection: Evil
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I believe it's true that there's good and evil in everyone and it's a constant struggle to have your better angels prevail.
- William Friedkin
Collection: Believe
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One of my themes is that there is good and evil in everyone. I was not out to make these guys heroes. I really don't believe in heroes. The best of people have a dark side and it's a constant struggle for the better side to survive and to thrive.
- William Friedkin
Collection: Believe
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But the audience is right. They're always, always right. You hear directors complain that the advertising was lousy, the distribution is no good, the date was wrong to open the film. I don't believe that. The audience is never wrong. Never.
- William Friedkin
Collection: Believe
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The art of movies is to allow the audience to suspend their disbelief. They need to use their imaginations.
- William Friedkin
Collection: Art
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With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
- William Friedkin
Collection: Distance
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To me, the art of movies is to take a two-dimensional image and give the illusion of depth.
- William Friedkin
Collection: Art
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If Star Wars had failed, you wouldn't have 90 percent of what's out there today.
- William Friedkin
Collection: Stars
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We all wind up the same way, no matter what our goals or ambitions are. We have nothing at all to say about how we got into this world or how are going to leave it.
- William Friedkin
Collection: Ambition
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To me, the art of cinema is the same as the art of painting. The artist takes a 2D medium and gives you the illusion of depth. If you look at any of the great paintings, you have the illusion of depth. Which is part of the art. The same with the great movies.
- William Friedkin
Collection: Art
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There is a thin line between the policeman and the criminal. The best cops are always crossed. The best cops are the ones who are able to think like criminals. But for a quirk of fate, they might have been criminals.
- William Friedkin
Collection: Fate
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There are many untalented people making millions of dollars in the film business.
- William Friedkin
Collection: People
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Directing is a nice job. It's the best job for me. If I had to pay money to do it, I would do it... Directing is playing. Acting.
- William Friedkin
Collection: Jobs
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Directing is a nice job. It's the best job for me. If i had to pay money to do it, I would do itIt's problematical. It's disapointing often. It's very challenging. It's frustrating as hell. It's extremely demanding and totally satisfying work. And if I wasn't doing this, I would have to do legitimate work for a living. There are guys out there really working for a living, cleaning streets or coal mining, teaching. Directing is playing. Acting.
- William Friedkin
Collection: Jobs
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I believe today that there is no film and no shot in a film that is worth a squirrel getting a sprained ankle.
- William Friedkin
Collection: Believe
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There are certain things that happen during the production of, I think, every film, that you didn't plan, and often it's better than what you did plan. There's the question of either going with it or not.
- William Friedkin
Collection: Thinking
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Even with some of the best action films like 'The Bourne Ultimatum,' which is a great action film with a great chase sequence, so much of it is computer-generated. But that doesn't bother me. I think it works. It's fantastic.
- William Friedkin
Collection: Thinking
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With all of my films that are on DVD and Blu-ray, I have spent weeks with them in a color timing room. Just changing or enhancing them. I have been desaturating the color. Sometimes I will make a scene bluer or redder. I do use the new medium. I believe in it.
- William Friedkin
Collection: Believe
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And it was only a week later that I realized a close up of Steve McQueen was worth the greatest landscape you could find.
- William Friedkin
Collection: Landscape
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I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it.
- William Friedkin
Collection: Scene
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I'm not a fan of 3D. But I am a huge fan of digital imagery. Because it allows a filmmaker much more latitude to appreciate their own visions and dreams.
- William Friedkin
Collection: Dream
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You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
- William Friedkin
Collection: Antiques
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The thing that interests me is the good and evil in everybody. I don't have conventional heroes in the films that I directed, because I believe there's good and evil in everybody.
- William Friedkin
Collection: Believe
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The digital process gives me total control over how I want the film to look. The films look like they did when I was first looking through the viewfinder.
- William Friedkin
Collection: Giving
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I have seen lampoons of my work. And I have really enjoyed them. But I would never do another version of The Exorcist.
- William Friedkin
Collection: Exorcist
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I'm not a fan of Star Wars. That is not for me. That is for my nephews and nieces. I don't get it.
- William Friedkin
Collection: Stars
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The Blu-ray is the real cinematech of world cinema. That's how it's being preserved. All of these guys that are trying to preserve 35mm negatives? They are wasting their time. There are better ways to see and project this stuff. It's called digital.
- William Friedkin
Collection: Real
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'Star Wars' gave birth to all the computer-generated superhero films.
- William Friedkin
Collection: Stars
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I had absolutely no focus as a kid. I never paid attention at school, I never went to college. Not because we were too poor; we were. But if I wanted to go to college, I would have found a way.
- William Friedkin
Collection: School
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I can't sit through the superhero films. But I watched Draft Day, and it was kind of sweet in an old-fashioned way.
- William Friedkin
Collection: Sweet
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All the great countries are at odds with one another over something, and yet if they don't cooperate they're going to blow up.
- William Friedkin
Collection: Country
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When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
- William Friedkin
Collection: Creative
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Sam Jackson is a director's dream. Some actors hope to find their character during shooting. He knows his character before shooting. Sam's old-school. I just got out of his way. I never did more than two takes with Sam.-william friedkin
- William Friedkin
Collection: Dream
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Edgar Allan Poe is considered the great writer of horror stories, perhaps the greatest - I will say the greatest
- William Friedkin
Collection: Horror Stories
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The only gay people who remain in the closet are those who choose to, who don't want to publicly declare their sexuality, which is true of heterosexual people as well. I don't walk around with a button or a T-shirt that says "I am a heterosexual." I don't think sexuality defines a person. It's one small part of who you are, in my view. You are many things, and I never felt that people were defined by their sexuality solely. Although God knows, as a minority, gay people have taken serious lumps for their sexual preferences. As has every minority.
- William Friedkin
Collection: Taken
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If you're a movie star, the studios don't want you to act. They just want you to show up and look good and chase girls and have a lot of laughs.
- William Friedkin
Collection: Girl
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I don't think sexuality defines a person. It's one small part of who you are, in my view. You are many things, and I never felt that people were defined by their sexuality solely.
- William Friedkin
Collection: Thinking
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The studios are making fewer films. They are making more expensive films. Profits are tougher to come by. Not only because of the expense of production. But also because of the expense of promotion and hype. To boil that all down, it's more about hype than it is about filmmaking.
- William Friedkin
Collection: Hype
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We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.
- William Friedkin
Collection: Powerful
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If you call yourself a non-believer, you're referring to disbelief in something, and you're acknowledging that there is something to believe in or not.
- William Friedkin
Collection: Believe
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Star Wars is one of a handful of films that changed the zeitgeist forever.
- William Friedkin
Collection: Stars