Yes, he wanted me to do Funny Games before, which I didn't want to do because the film was very theoretical - the way people experience violence on screen. There was very little space for fiction, it was more like a sacrifice for the actors than anything else.Collection: Space
Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.Collection: Space
My mom's a Catholic, and my dad's a Jew, and they didn't want anything to do with anything.Collection: Religion
Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug.
For me, making films is like being on vacation, it's a nice walk. But theatre is like mountaineering. You never know whether you're going to fall off or make it to the top.
For a long time I have compared cinema to music, I think cinema has a lot to do with the rhythm of music.
But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people.
It really helps you to go through difficult situations by just thinking about it as being a big amount of work which you have to solve how to do. For example, I don't feel very inspired when I act, I just act. That's it.
Once you have made the decision to do the film, once you have identified the desire and all the deep and personal, intimate, artistic reasons why you want to do the film, then it's more a matter of how to do things.
In a very complex way, things have improved in the dramatic field. Before you had the good and the bad and you couldn't mingle them. Now it's more ambiguous.
The Greeks already understood that there was more interest in portraying an unusual character than a usual character - that is the purpose of films and theatre.
I think being an actress is more how to cope with the fact that you can't do anything else than to express a talent. It's a way of being untalented for anything.
I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal.
I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way.
For an actress there is no greater gift than having a camera in front of you, listening to the most beautiful music in the world and just being looked at!
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.
I always thought that's the exact metaphor, the perfect metaphor for acting. To go blind, to ignore the danger, and to totally trust.Collection: Perfect
We all pretend to be very strong, and then in a fraction, you can just break down, at least for me.Collection: Strong
I don't have time, because I still have so many films to see.Collection: Film
A film is the reflection of the soul of its creator.Collection: Reflection
If I seem detached or distant, it's because I think this is a more exact reproduction of life, where you hide as much as you show. When I see a scene in which feelings get loudly exteriorized, I say to myself, 'Well, at least this never happens to me.' I very rarely go through this type of expression. Most of the time things are hidden or at least much more subdued.Collection: Thinking
Sometimes over the years, you know, things come to surface.Collection: Years
When you're an actress you are in a very specific position, cerebrally, I would think you know. You are a thinking person but you are in a certain perception of the world between really being conceptual and completely stupid. So you are in between, with a lot of intuition and instinct. And that's not completely being intellectual because I think intuition is more blurred. It comes from intuition. Instinct. More than really reasoning.Collection: Stupid
I think movies say a lot [about real life], even more than theater. It says a lot about the invisible, that movies are so fascinating. The camera lens is like a microscope that goes beyond the surface. It's like you're exploring a secret, so you explore the director's secret, you explore the actor's secret, and therefore you explore the universe's secrets.Collection: Real
Balzac, you know, our great Balzac, he wrote interesting things about how in literature you keep distance in order to express great feelings. You have to keep a distance - and it's exactly the same with acting.Collection: Distance
To be "here and now," in principle, is just for once. And then you have to repeat that.Collection: Principles
Some roles are easier to choose, some roles are more difficult because they are more daring. Sometimes you have to dare.Collection: Roles
Am I an intellectual? I don't think so. Less than people sometimes think, I have to say. But more than some others think.Collection: Thinking
Sometimes you don't really understand the characters you do. I don't need to. Most of the behavior is obscure and I don't mind that. On the contrary, it's a fuel for me, to find out who the character is. As the spectator is finding out, I find out about the character myself.Collection: Character
By definition, acting is improvisation, even if you follow the lines. You invent what you do, when you do it.Collection: Acting
When I hear myself, I don't know how I sound.Collection: Sound
What people think improvisation is and non-improvisation is, it's nothing to do with what you like or dislike. It's all about how it happens with certain directors and certain scenes. That's the way it works. It's not something, in general, that you can decide.Collection: Thinking
To me acting and doing movies is really strongly about the present time. It's all about when you do it. It's to create this feeling of extreme awareness and concentration. Because it doesn't happen without an extreme concentration, when you are completely immersed and focused on that.Collection: Feelings
Sometimes, an actress maybe knows how to think.Collection: Thinking
I've done many, many French movies and many, many English movies. I think it frees something when you don't talk in your mother language, but I also think you withdraw something as well. I'm a French actress, and sometimes I speak in English-speaking roles. For me, being an actress was always being a traveler. It goes together.Collection: Mother
Like all school students, I think I did a play in my school. The common things, I would say. Nothing really exceptional.Collection: School
A script is a very rough material in a way. Whatever questions you might have regarding the script, you might find the beginning of the answers in the book.Collection: Book
I don't think I'm that intellectual.Collection: Thinking
Well, my mother, she made me apply for a school where I was supposed to learn how to type. She said, well, instead of going to demonstrate she should at least [learn], because, everything was on strike. So we had to learn something in the meantime.Collection: Mother
I was the youngest of five, and I think my mother always knew I was meant to be an actress.Collection: Mother
It was sometimes 60 degrees [Celsius], but it's very strange, cinema makes you forget reality most of the time. You are more concerned about your inner feelings, or your work.Collection: Reality