Steve Dildarian
I'm pretty strict with anyone on our crew when people start to draw too well or draw some in-betweens in the animation.Collection: People
If I ever wanted to pick someone's brain, like Larry David would obviously be the most relevant.Collection: Brain
If I was ever to ask advice, it could be from any actor or showrunner or writer. I wouldn't necessarily ask an animate. I don't want to say that the wrong way, but animation's not really my world.Collection: Advice
I don't necessarily consider myself part of the animation world.Collection: World
I'm not honestly a real student of animation. I never was into it all that much. I don't really watch any animated shows.Collection: Real
I'm a slave to the beats of the story, not to the words we use to tell the story.Collection: Stories
If improv gets reckless, you can feel it. A lot of shows try to do that, I find. When improv is done sloppily. It betrays the story. It can slow down the energy of the story you're telling.Collection: Trying
I was never able to analyze my own performance that way I can now. I've realized why certain actors work. I think I'm very in control of what I do in there now. I know how to listen, how to make it real and how not to go to jokes, but to go for a sense of reality.Collection: Real
I was never an actor. I had done one or two random projects in my advertising career.Collection: Careers
No matter what happens, the world can be pretty ridiculous and people be pretty ridiculous, but how would you react? That's an easy filter to put any story through.Collection: People
The nature of the writing and the nature of the animation meant that it had to be short.Collection: Writing
I found a lot of animators bring a lot of baggage to the party, just that there's a certain way of doing things in that world that's a little hard to unlearn.Collection: Party