Michael Bierut

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Not everything is design. But design is about everything. So do yourself a favor: be ready for anything.
- Michael Bierut
Collection: Design
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Simplicity, wit, and good typography.
- Michael Bierut
Collection: Creativity
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The problem contains the solution.
- Michael Bierut
Collection: Motivational
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Good typography, first, makes words readable. At its best, it does something more: it helps express the animating spirit of the ideas behind the words.
- Michael Bierut
Collection: Ideas
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Graphic design is the fiction that anticipates the fact.
- Michael Bierut
Collection: Design
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BE PURPOSEFUL AND THOUGHTFUL IN THE CHOICES YOU MAKE WHEN THE OPTIONS ARE NEARLY INFINITE.
- Michael Bierut
Collection: Thoughtful
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If typography is calling attention to itself, it's taking that attention away from what the words are saying.
- Michael Bierut
Collection: Attention
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Part of maturing as a designer is discovering what you're good at.
- Michael Bierut
Collection: Mature
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Most processes leave out the stuff no one wants to talk about: magic, intuition and leaps of faith.
- Michael Bierut
Collection: Business
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No one loves authenticity like a graphic designer. And no one is quite as good at simulating it.
- Michael Bierut
Collection: Authenticity
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If you do good work for good clients, it will lead to other good work for other good clients. If you do bad work for bad clients, it will lead to other bad work for other bad clients.
- Michael Bierut
Collection: Design
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The truth about logos is that they are not that hard to do.
- Michael Bierut
Collection: Logos
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I'm always conscious of the context, the history, the specific environment of anything that I design and what it is going to be operating within.
- Michael Bierut
Collection: Design
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It's a cliché, but typefaces are really just ingredients.
- Michael Bierut
Collection: Ingredients
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Every little job counts. Design counts.
- Michael Bierut
Collection: Jobs
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If you can announce the Higgs Boson in Comic Sans, clearly anybody can do anything.
- Michael Bierut
Collection: Comic
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The Nike swash that cost $30 and was designed by a Portland State University art student was probably worth that when she first showed it to them. At that point it had no equity at all. None of the guys commissioning it particularly liked it, they all wanted the Adidas three stripes and they thought that was a good logo.
- Michael Bierut
Collection: Nike
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I'm not sure about my design work every time.
- Michael Bierut
Collection: Design Work
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I think that you could design a terrible logo for a good company with great people and they could build it into a great program. Alternatively you could design what seems to be a brilliant logo for people who are not smart or energetic or are incapable of associating with anything positive and it would become a terrible logo.
- Michael Bierut
Collection: Smart
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Target for example, is just a dot with a circle around it, that's all it is, so if you want a logo like Target, you don't need to hire a designer, you barely need to know how to operate a computer program, the logo may as well be anything.
- Michael Bierut
Collection: Circles
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I have a bunch of calendars I used before I went digital. Every once in a while, I'll open up one from 1991 and look at all the names and appointments and things that, at the time, seemed so important. Meetings that I was really worried about, things that I was getting calls four times a day about, and I wonder, "Where did it all go? Where are they now?" It's so strange, everything has disappeared. The only thing that stays behind is the work.
- Michael Bierut
Collection: Names
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Everyone can have an opinion on a logo.
- Michael Bierut
Collection: Logos
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A good cook can make something amazing out of even the blandest ingredients. Still, you don't want to eat the exact same dish every day.
- Michael Bierut
Collection: Ingredients
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I actually don't think that brand new logos are worth that much or mean that much in and of themselves. So why not have a class of third graders compete to design your logo?
- Michael Bierut
Collection: Mean
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I had a lot of enthusiasms that were very contradictory, I was never very doctrinaire in the type of design I wanted to do.
- Michael Bierut
Collection: Design
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I've never really acquired any facility for working on the computer, though one day I think I would like to. My generation just barely missed it, which I don't think is a good thing or a bad thing.
- Michael Bierut
Collection: Thinking
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For instance, I assume those "carrots" we have on our keyboards were there originally to express "greater than" and "less than." Then they were adopted by coders, and now they show up all the time in the way email addresses are constructed. At least I think that's what happened.
- Michael Bierut
Collection: Thinking
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The design of the notorious Palm Beach County "butterfly ballot" in the 2000 Presidential election is certainly one of them. But I would say most of the time this is less about a conscious attempt to manipulate an outcome, and more about pure ineptitude.
- Michael Bierut
Collection: Beach
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I have half a dozen designers who work for me, they 'realise' most of the design work, and I act as the design director and the main point of client contact on each project.
- Michael Bierut
Collection: Design Work
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A lot of times, you design a logo to be timeless, but with something like the Olympics, timelessness is maybe not something you should be going for. Maybe you should be trying to come up with something that will really become associated with a moment in time, a few weeks, that happened, period. Then you look back, think about it and connect it with that time. It may look dated later but it will be still be evocative.
- Michael Bierut
Collection: Thinking
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Australia has always put out some good design, particularly environmental graphics. I associate that with Australia, more so that a lot of other places. Whether that has anything to do with the landscape, who knows?
- Michael Bierut
Collection: Australia
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People in the UK will say that the design community in the US is much more coherent than other countries. It has no government support at all, so it's really like a grass roots thing.
- Michael Bierut
Collection: Country
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Australia seems to strike a balance between big and small. It's big enough to have that diversity, but not so big that it disintegrates into something that is not connected.
- Michael Bierut
Collection: Australia
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Most people have no idea how much goes into designing a typeface. Twenty-six letters in the alphabet, usually with two versions of each, upper and lower case. Punctuation and alternate characters and numbers - let's not forget numbers - can add another 40 or so.
- Michael Bierut
Collection: Character
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I'm not an expert in typefaces that serve scientific writing, but I'd guess that's another dozen or two.
- Michael Bierut
Collection: Writing
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It's hard to predict what will happen as reading on screen becomes more of a universal norm, and when the formats dictated by social media - Twitter's 140-character limit, for instance - start to influence what we're used to.
- Michael Bierut
Collection: Reading
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I actually think it almost works the other way sometimes: making a college textbook, say, look really "user friendly" tends to also make it look less "serious," even if nothing changes other than the design treatment.
- Michael Bierut
Collection: College
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The studies I've seen about readability and legibility tend to focus on a specific set of metrics: size, not just the point size, but things like the size of the lower case letters as a proportion of the overall letter height, and line length. People simply can't read really small type set in really long lines.
- Michael Bierut
Collection: Long
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I grew up in a Cleveland suburb called Parma, Ohio. Somewhere along the way I fell in love with a typeface called Bodoni. It turns out that Giambattista Bodoni had his foundry in Parma, Italy. So I pick Bodoni because us guys from Parma have to stick together.
- Michael Bierut
Collection: Ohio
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We get used to things, and we like reading the way we're used to reading.
- Michael Bierut
Collection: Reading
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We use the word typography to describe two different things: the design of letterforms, and the layout of typeset passages on a page. Both of those experiences are really important to communicating information, especially when that information involves complex ideas.
- Michael Bierut
Collection: Ideas
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I think different designers have different points of view and different strong personalities can influence the way certain cities are perceived.
- Michael Bierut
Collection: Strong
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Australia is one of the few places that I can think of where the cities, at least those I've been to, seem to have strikingly different characters and visual textures. To an American like me, there's basically Melbourne, Sydney and Brisbane and the rest is all bush.
- Michael Bierut
Collection: Character
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Certain kinds of typeface design and typographic design are designed to persuade: we can make this company look modern if we use a crisp sans serif typeface, or we can make this restaurant look like its been around forever if we use typefaces and layout styles that have been around forever too. But there are other categories, and ballot design is one of them, where the goal should be to be purely functional. There have been notable failures in this category.
- Michael Bierut
Collection: Goal
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A lot of times, you design a logo to be timeless, but with something like the Olympics, timelessness is maybe not something you should be going for.
- Michael Bierut
Collection: Design
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The scientists at CERN were actually surprised that people commented on this. Reportedly Fabiola Gianotti, the coordinator of the CERN program to find the Higgs Boson, was asked why she had selected Comic Sans. She simply said, "Because I like it."
- Michael Bierut
Collection: People
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I think once the artistic world of the type designer merged with the scientific world of the computer programmer, you began to see this crossover.
- Michael Bierut
Collection: Thinking
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I have a really shallow idea about what Australia is.
- Michael Bierut
Collection: Ideas
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A simple MS Word document, or a Powerpoint presentation, has its limits, particularly the unpredictability in how the page will actually display. With a PDF, you are locking down all those variables.
- Michael Bierut
Collection: Simple
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Compared with now when almost everyone knows what graphic design is and has some sort of access to the tools to make it, back then, it was really esoteric, you had to quantify it as being 'like commercial art', as one still does in certain circles. It was a strange thing to want to do for a living.
- Michael Bierut
Collection: Art