Bob Odenkirk
'Monty Python' became my religion when I was 10. It led me out of the depths of darkness. I loved 'The Goodies,' too, and 'The Two Ronnies.' I watched those shows on the public television station in Chicago.Collection: Religion
All people are sad clowns. That's the key to comedy - and it's a buffer against reality.Collection: Sad
The alternative scene, for a couple years now, has been taken seriously and that's a cool thing. I don't think it's exploded or anything, but I think it's pretty cool that it still exists, it's still affecting people.Collection: Cool
Humans are ridiculous. We're all pathetic strivers who will fall short. If you can accept that, it's optimistic because you can shoot for the moon and know you're never going to get there, and that's OK.
I always wrote risque comedy and crude comedy.
I have a lot of opinions. I express them in 'Mr. Show' very clearly, I think. I feel like both David Cross and I felt like that show reflected each of us pretty wholly.
I love writing comedy and being a part of it, but as a visual, physical presence in a story, I probably am more impactful in drama. It's not really a tribute to my dexterity and wide-ranging talent so much as it is a person finally getting to where they should've been from the start.
I pretty much live about 10 minutes from my office. I have two kids, and I have about 8 projects that I'm working on, so I basically just get up and go to work, and go home every night and play with my kids, so I don't really know.
I can't really say how big the cult is. But I'm proud of it. I'm proud that it has a life.
David and I got cut out the editing process on that. We were able to affect it more than not. We sent in our notes, we were able to see cuts. We weren't allowed to see dailies and we weren't allowed to sit in the editing room and just work.
I think that cable TV is a great venue to do something interesting.
I actually think there's a potential, a crazy potential, that network TV could become something valuable and worthwhile, just because of fear on the part of the networks.
I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.
I'm about to go to Sundance for my 3rd year, and Sundance has never felt like a real independent festival at all. On the other hand, it might to start feel that way.
It's nice that the independent scene is taken seriously, and has been.
When I go to M Bar there's all kinds of agents there, looking for people who doing good stuff.
It is so weird to be on this side of that, because when you're starting out, and it seems like you're starting out for so long, you look up to the people who have made their mark. And you sort of want to be that.
In America, we can reinvent ourselves - we're encouraged to.
I did often wonder how relatable of a story it was when we started 'Better Call Saul.' It's such a unique character with a unique journey. But the universal drive of trying to earn respect from the people you love and not being able to do that is a common struggle for a lot of people.
There's timing in drama. You have to have a sense of rhythm. But the real thing that lends yourself to drama as opposed to comedy is a sense from the audience of whether there's more to it than you can see.
I remember making 'Mr. Show,' thinking, 'Man this stuff is really funny to me.' I don't know if anyone else will love it, but I know I'm going to still watch it in 15 years if I'm still alive and laugh really hard. Even though we had very high standards, we were trying to excite and please ourselves.
You make you work for yourself. It's the feeling of, 'If nobody ever saw it, that'd be fine, too.'
I went to New York in '87 to write for 'Saturday Night Live.'
I'm hypersensitive to negativity and duplicity, and I want to push it away by writing comedy. Maybe that hypersensitivity comes across and allows me to play dastardly, multi-layered people.
I enjoy crude behaviour and language. I revel in it.
Vince Gilligan is a wizard - and a fantastically hard-working wizard.
To me, great writing - and when you can really make something wonderful out of it as an actor - is when your character has a sense of self-awareness. It doesn't necessarily have to arc. It doesn't have to grow.
The '50s sucked for a lot of people on Earth.
I didn't do so well at 'Saturday Night Live.' It was a very hard experience for me, for a lot of reasons that have to do with the kind of person I am and the personal issues I had at the time. I was very alone in New York, and the show has a lot of stress related to it.
I love making wisecracks.
All those Bob Hope specials made me cringe when I was a kid.
I probably do better when I'm in charge. But it's good to be able to be a part of something and be a supporter and help make a project work.
I've spent most of my career in ensembles, and I'm good with that.
My experience - and it might be just the kind of comedy that I do, which is usually sketch comedy - is that there's a lot more texture and subplot in drama than in comedy.
Drama is more focused, and it reveals itself to you, whereas comedy is just right there when you first read it.
My godfather was a Chicago policeman, and I've always looked at law enforcement as a challenging and interesting job. There are so many decisions that law enforcement officers have to make, and the incident or situation changes so much from moment to moment and day to day. I have a lot of respect for officers and what they go through.
I honestly would tell anyone young to start looking at stories and learning story, because I think that’s the next step after people go, ‘OK, I’ve had enough of that improvisation, I’ve had enough of those short comedy bits. Tell me a story, tell me a more complex story, something that lasts and maybe has a little more meaning to it.’ Don’t ever look at what’s happening now; look at what’s coming next.Collection: Thinking
If you're committed enough, you can make any story work. I once told a woman I was Kevin Costner, and it worked because I believed it.Collection: Stories
We're all real people with moments of intense honesty and pathos and humanity. We all experience that, whether you're comedic or not.Collection: Honesty
My daughter got me a 'World's Best Dad' mug. So we know she's sarcastic.Collection: Sarcastic
You say you're going to be the pope, become the pope.Collection: Pope
Even if people end up doing awful things, you can empathize with their motives when you know them. When you get to know the person, you can understand why they make those choices, even if they're bad. And oftentimes people do have good drives that are sympathetic and can even be seen as selfless and good-hearted.Collection: People
The laugh is what trumps everything.Collection: Laughing
Comedy is tragedy plus timing.Collection: Tragedy
Don't say you're going to stop eating red meat when you like red meat.Collection: Meat
If you surround me with darkness, suddenly, I am "somewhat fun."Collection: Fun
We don't feel constrained by what we did in the past.Collection: Past
Everybody needs some good sketch comedy.Collection: Needs
The world needs less destruction.Collection: Needs
You shouldn't eat red meat, but you shouldn't make resolutions you can't keep.Collection: Meat