Val McDermid
Walking by water frees your creativity. I don't know how it works - there's something about it that's liberating.
I think that crime is a good vehicle for looking at society in general because the nature of the crime novel means that you draw on a wide group of social possibilities.
The condition of rage is one in which I find myself starting my day - once I see the news headlines.
If you don't make the best-seller list, if you don't get shortlisted for any prizes, it's goodbye.
I am the despair of my accountant; I am the plastic bags of receipts.
It was a bit unimaginable when I began that I'd ever get to 25 books. But it was also unimaginable how much crime-writing would have changed.
We weren't dirt poor, but there was no spare money kicking around. While it was very much understood that the way to a better life was through education, books were a luxury we couldn't afford. But when I was six, we actually moved opposite the central library, and that became my home from home.
I've never wanted to live in a ghetto or write in a ghetto. I want to write about a world that reflects the one most people live in. Gay people are just one aspect of that.
I came from a working-class family, but I was supported by a grant system and had my fees paid, so I came out of Oxford with a debt of something like £200.
I said to Ruth Rendell, 'When you've written as many books as you have, it's easier.' She said, 'No dear, it gets harder'.
On one hand, you've got 'decent' men, and on the other you've got neanderthal misogynist bawbags - and the middle ground is what's disappearing.
I was thinking things had changed: that the next generation of men weren't as institutionally misogynist as the previous were. And then, suddenly, the Internet came along and gave them a platform to voice their feelings anonymously. And boy, did the bile come out.
There is still a funny notion that women should not write violent fiction.
I spent a lot of time at my grandparents in the school holidays, and the only books in the house were a copy of the Bible and Agatha Christie's 'Murder at the Vicarage.' I developed a taste for murder mysteries and then later discovered libraries, second-hand bookshops, and jumble sales.
I don't think of myself as Scottish or lesbian when I sit down and write. I am glad I have broken out of that limited audience.
I did want to be Joni Mitchell for quite a long time.
I'd like to be more spontaneous.
I have a vernacular house on the seaside in Northumberland and an Edwardian semi in south Manchester. They're both exactly as big as they need to be. I can't be doing with an ostentatious, big house - you can only be in one room at a time.
Growing up in Fife, you were aware that there were these creatures called lesbians, but it was in the realms of complete freakishness. And I didn't feel like a freak.
The thing is that quite a few of my books have ended up as they are because of conversations I've had over the years with forensic scientists.
One of the reasons we all still read Jane Austen is because her books are about universal things which still matter today - love, money, family. They haven't gone out of fashion, so it's not throwing the baby out with the bathwater to rework her in a contemporary style.
I won't be attempting to write Jane Austen-style prose - that would be suicidal. But I will attempt to bring the highest level of my own prose, and to make it sparkle.
I think Jane Austen builds suspense well in a couple of places, but she squanders it, and she gets to the endgame too quickly. So I will be working on those things.
The contemporary crime novel is, at its best, a novel of character. That's where the suspense comes from.
It seems to me that one of the things that happened with a lot of literary fiction in the 1980s and 1990s was that it became very concerned with the academy and less with how people live their lives. We got to a point where the crime novel stepped into the breach. It was also a time when the crime novel stopped being so metropolitan.
We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
I was always writing the books that I wanted to write, books that demanded to be written at the time. But, like most writers, you start off feeling your way.
Back in the day, when I started, you were still allowed to make mistakes. You got to make your mistakes in public, in a way. I think the world was a more forgiving place when I started my career, in the sense that we got time and space to develop as a writer.
I don't think many of us launched ourselves into the world of writing books fully formed.
Sometimes fear is used as a way to control.
Why do the police need to know where I am? In the hands of a benevolent government, they could be looking after your interests, but what if the next government isn't so benevolent?
A lot of reality TV is repellent, but that doesn't diminish the qualities of some of the people who take part. There are decent people in there who have no alternatives.
A society gets the criminals it deserves.Collection: Criminals
It's not magic that takes us to another world - it's storytelling.Collection: Magic
That was the trouble with moving houses; no matter how carefully you packed the books, they never ended up on the new shelves in quite the right place.Collection: Moving
Not even a hand-stitched suit could hide a body gone ruinously to seed. I was tempted to offer some fashion advice, but I didn't think he'd welcome the news that this year, bellies are being worn inside the trousers.Collection: Fashion
He frowned as he struggled to remember. It was like watching an elephant crochet.Collection: Elephants
Time for the likeliest story since Mary told Joseph it was God’s.Collection: Stories
When all else fails, go for the ego.Collection: Ego
No woman is a heroine to her dentist.Collection: Dentist
Steve Mosby has become one of a handful of writers who make me excited about crime fiction.Collection: Fiction