There's a generation of people I think without a strong connection to family, to religion, to civic duty. They have a real disassociation from the problems of the world.
When I was a kid I went to Catholic school, and they used to drag us out to pro-life rallies and stuff full of crazy people.
I'm very wary of doing political stuff for a lot of reasons. One of the big ones is that the shelf-life for them is not very long, and the joke becomes old news very quickly.
In a crazy world where he would get nominated, I'd like to see Obama run against Herman Cain. That would be fantastic. If Herman Cain became president, there'd be a certain sort of morbid curiosity for me.
I don't really know, I was thinking about that the other day that there aren't a lot of younger up and comers that I'm that interested in, in the comedy world. Everyone seems to be trying to play it safe.
Sometimes laughing isn't the best judge of what's funny, 'cause I think there's a lot of things that are really funny that don't make you laugh, that don't make you physically, audibly make a noise, but is something that is much more powerful than that.
Everyone's heard the same joke a million times and knows the setups. They are tired of the mass-marketed entertainment served on the networks.
Back in high school, there was something fun and dangerous about inhabiting a different personality.
I think the great sketch shows, like 'Python' and 'Mr. Show,' they didn't stick around for very long. There's something kind of cool about that.
I'll go to see movies, but I also love being at home on my couch and pausing every 10 minutes to pee.
The scariest thing about screening a comedy... if you screen a drama, you know, there's no real way to tell in real time if people are enjoying it or not. But in a comedy, it's like, if people aren't laughing, it's sort of scary.
I think there's a fine, healthy tradition of, you know, the people on the fringes satirizing the process of Hollywood.
I want people to think about movies and how we watch them. Let them know it's okay to question the structure or how we're sometimes duped into a false sense of normalcy. Most of all, I want people to question the old standard practices of, 'This is how the structure of something should work,' or, 'This is how a character must behave.'
The idea of trust-fund guys who live in Brooklyn in their 30s is really interesting to me. There's a time and a place where that kind of bohemian lifestyle is appropriate, soon after college, in your 20s. But there are people still living that many years later; they haven't evolved to the next phase.
I have been skeptical and not trusting of traditional models of the entertainment industry. I never got a manager.
When I was in college in Philly, there was a lot of post-punks... hardcore... like, rock. Sixties, retro, proto-Strokes kind of bands.
I was in a band in high school and college and I always had a love for music, but I didn't go to a conservatory or anything like that. I was fairly self-taught.
At Temple University, and I'm sure this was the way in a lot of film classes, comedy was not an option, and not considered a serious form of expression. You had to make a film about an issue.
My dad is a very quick-witted, sarcastic, dry, humorous guy, whereas my mom's very silly, and that side of the family is very musical.
There's a lot of dopes in life, and in film school. The interesting people are usually easy to find.
On movies, you have a lot of stylists that get things too pretty. Everything gets steamed and ironed. It's just not the way we really behave.
If you go to Sundance, the experience that I've had there as a viewer is... there's like a hundred movies there, and you've got to figure out what movies are sold out, what can you see. Sometimes you go to see movies that you don't know anything about because it just works into your schedule.
Nothing impresses the ladies like a clean, pressed pair of khakis and a large pattern shirt featuring either classic cars, mojitos or men playing golf.
Online piracy needs to be dealt with itself, because people are just wholesale stealing people's work and not paying for it. It's very hard to figure out a way to fix it.
I sort of fell out of new music. I'm old, I like what I like, and that's that.Collection: New Music
There's probably some buried conservative inside of me, coming out like a little gremlin in my belly that I've suppressed. This is a sort of character I've done before: He's kind of dumb and he's kind of arrogant, and a little seedy. A little coke-y. He's gotten into the cocaine or he's had too much coffee. It's been pretty fun. Not all the songs are like that but it sort of creeps in there.Collection: Song
We use all the takes that no one would ever use and often the moments before we say action, or before we say cut. No one's ever called and complained or anything like that. Everyone's just so grateful to get the work and to be on TV and all that.Collection: Grateful
When I was in college in Philly, there was a lot of post-punks hardcore like, rock. Sixties, retro, proto-Strokes kind of bands.Collection: College
Just because we can shoot something that looks like a movie doesn't mean we should. Sometimes if something looks too good, it's not funny. Some things need to look good, because we think it's funny that you'd spend so much time and be so precious about such a stupid idea.Collection: Stupid
A good example of a lyric that makes me laugh but might not hit anybody right away is, "Sit behind the guitar and play the chords," just because it's such a lame image. It's not rock'n'roll at all to be sitting behind a guitar.Collection: Rocks
Most of the time, we write something and then figure out who would be best to do it.Collection: Writing
We, the comics that we like, we're all, like, post-humor.Collection: Posts
When you travel, specifically for our show, you get inspired by rest stops, Cracker Barrel. Middle-America people are perfect.Collection: People
The thing that struck me is so many people that said, "Hey, I've been watching you since I was 12, and I'm 25 now." It was a weird shift, because you start off fighting for an audience based on doing something so strange that only you find funny, and it's weird when other people find it funny. Those people aren't always ready to laugh yet, and there's a sort of standoffish quality to it.Collection: Fighting