Hands have a major presence in flamenco, and when your hands are decorated, it adds power.
We come from Spain, from Barcelona. We could perform in many places around the world, and it's been amazing to bring our music to so many people in so many different places. That's been amazing.
There are times when your ego has to contract.
If something is too perfect, it doesn't speak your language. If it's imperfect, I understand it.
The more people I can reach with my work, the happier I am, but I'm not going to stop making the music I want to, just because I'm looking for a specific response.
No one in my family plays music. But since I was very little, I would go around the house singing and dancing. And when I was 8, my parents asked me to get up and sing something at a family meal. I had my eyes closed, singing - la la la la la - and when I opened them, the whole family was crying.
Milionaria' is the first song I've composed and I published in Catalan, it's also the first song I do inspired by Catalan rumba. I started it in Seville while I was waiting at the airport and I finished it in Barcelona.
My music pulls from flamenco plenty; it wouldn't make sense without that genre. I also have a lot of love for flamenco and I'm very happy if I can be an ambassador for it.
As a teenager, I remember Missy Elliot: seeing how she carried herself, made her music, and presented herself as an artist. That strength inspired me. If my work can do the same for others, I feel very grateful and proud of that.