John Ratzenberger

Image of John Ratzenberger
[At Conventions] they give me all the photos to sign. Star Wars, Superman. And Hammy the Pig is right up there.
- John Ratzenberger
Collection: Stars
Image of John Ratzenberger
Really, improv is all about creating for what's around you, in the moment, so it fits in a way that you can't see the seams. It's like a great jazz combo. I still do it.
- John Ratzenberger
Collection: Creating
Image of John Ratzenberger
I was a carpenter in Northern Vermont and got this tax refund check that just about covered a one-way airfare to London. So this I saw as a sign from God. So I went over to see Ray [Hussett] for a couple of weeks and ended up staying 10 years. I got work as a stage carpenter at the Oval House in Kennington, South London.
- John Ratzenberger
Collection: Couple
Image of John Ratzenberger
My uniform [in Star Wars] was cool. Not much else I can think of at the moment. You know, you don't know the enormity of these kinds of films until well after you're done.
- John Ratzenberger
Collection: Stars
Image of John Ratzenberger
I mean, Cheers [from the Star Wars] was just a job while we were doing it. All of us were really only hustling to pay the rent, weren't we.
- John Ratzenberger
Collection: Jobs
Image of John Ratzenberger
That was actually Lloyd Phillips who was a Kiwi film producer in L.A. And it was about Gorgeous George, not Haystacks Calhoun. I was in a couple of Lloyd's films and got approached to write the story. People don't realize it, but Gorgeous George had this flamboyant, camp stage persona that had a tremendous influence on other celebrities, like Elton John, Liberace, Elvis Presley, and Mohammed Ali, who all wanted to establish their own outlandish stage personas. The project died because Gorgeous George's wife refused to give up the rights.
- John Ratzenberger
Collection: Giving Up