The most evocative thing to me is probably when a writer and a group of performers can collectively put together something compelling that asks the really simple question: 'How do we live?'
When you do a really good play, the audience and the performers are looking into the same looking glass, the same microscope. And the specimen they are looking at is human life and that's why I do it, that's why I like it.
A dog that has rabies probably will do things it wouldn't do if it didn't have rabies. But that doesn't change the fact that it has rabies.
I can see how, given a certain degree of sensitivities, proclivities and rage, I could have ended up differently.
Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
I probably have more female friends than any man I've ever met. What I like about them is that almost always they're generally mentally tougher, and they're better listeners, and they're more capable of surviving things.
Most of the women that I like have a haunted quality - they're sort of like women who live in a haunted house all by themselves.
I have driven school buses, sold egg rolls and painted houses, and I have often wondered what my life would have been like if I hadn't gone into acting. Mind you, it's a great life, going around pretending you're other people and getting paid ridiculous sums of money for it.
I love Chicago, but in a lot of ways it's a disappointment. You can work there for years and years, and because you're in Chicago, you don't get the recognition. It has some of the best theater in the country, but when they shoot a movie there, they bring in all their actors.
I'll never be the biggest kind of star; I'll be like Bob Duvall, respected as an actor but a lot of people can't identify the face. I don't have the personality of a big star, or the looks of a Mel Gibson or a Paul Newman, or the style of a George C. Scott.
I know for a fact that a lot of actors are desperate and unhappy if their careers are not progressing at what they think is the correct rate. They just go crazy if they're not working. I don't feel I'd be that way. You can always get a few people together and put on a play. Maybe not in New York or L.A., but in a lot of other towns, you can.
If I had spent as much time in the weight room as I did designing football uniforms, I probably would have had a free college education.
I have at times spoken with my peers and the head of the actors' union about why we're not paid when we appear in, say, a 'TMZ' production, but there seems to be no real interest in combatting it.
I just start with a pencil and paper. I don't want something too trendy, too fashion-forward. I don't want to make something I consider a regular person couldn't wear with blue jeans. But I don't want to make something that other people make, either - like a skinny black suit in a shiny material that you can buy anywhere.
People always say life is short. I've never been convinced of that - mine seems to have a tendency to go on and on.
I'm more likely to lose my temper on a film set than almost anywhere. Often the level of idiocy is so exalted that it's impossible to comprehend.
I'm not a Method actor. I don't believe acting should be psychodrama. I look within myself and see what I can find to play the role with. If I'm playing a blind man, I don't go around blindfolded for days. A lot of good actors would, but I don't go in for that very much. I like to just make it up as I go along.
You can't work in the movies. Movies are all about lighting. Very few filmmakers will concentrate on the story. You get very little rehearsal time, so anything you do onscreen is a kind of speed painting.
I wouldn't describe myself as lacking in confidence, but I would just say that - the ghosts you chase you never catch.
Imagine how asleep or utterly unperceptive and clueless you would have to be not to see yourself as absurd for the most part.
Fashion is chaotic, and it can be an aggravation, too, but it is at its best when it allows you to express yourself.
It's tough to figure out how do we compete in Europe and North America, when obviously a living wage for us is very different than a living wage in Indonesia.
I was a very good baseball and football player, but my father always told me I was much more interested in how I looked playing baseball or football than in actually playing. There's great truth in that.
I wouldn't say anything I ever did in film would be something I'd use the word proud about. I've done better work in the theater.
I've permitted myself to learn and to fail with some regularity. And that is probably the one thing I was given, and that I'm still grateful for.