Those early years in New Jersey were amazing. We lived in a really small town with tons of kids my age. There were fields and woods and a creek - it was a pretty ideal place to be a little kid.Collection: Amazing
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.Collection: Christmas
You can buy $20,000 speakers, but put them in a room that's not right, and it sounds terrible. If you buy $20 speakers and put them in a room that's tuned right, it'll sound great.
I suppose what happened is that I spent my whole life wanting to be cool but eventually came to recognise the mechanism of how coolness works. So it's not really that I don't want to be cool anymore - it's more like I've come to realise that coolness doesn't exist the way I once assumed.
I actually want to write a treatise in defence of pretension. I think the word 'pretension' has become like the word 'ironic' - just this catch-all term to distance people from interesting experiences and cultural engagement and possible embarrassment.
When I want to DJ what I think to be the best-sounding place in the world, I go to this place in Sapporo, Japan, called Precious Hall, which has kind of a custom sound system with a much lower ceiling and a smaller room.
Producing is always really hard, and you can never tell who's going to be easy to get along with and who's going to be difficult.
Ad Rock from the Beastie Boys gave me a present: it's a boombox with a keyboard and a beatbox in it. You can't make that up.
Sound sounds are terrible in the city, but it's great to listen and to walk and listen to people talk to each other. There are birds. You hear spring. I like listening to the city.
It's strangely energizing to have people who don't make music themselves take potshots at you from the Internet.
To me, the band is like one of my homes, in fact. It's not like, 'I've got to get out of this band. I've got to go home.' This band is home in a lot of ways. It's my closest friends; it's a place where I really feel comfortable and happy.
'Somebody's Calling Me' was written in my sleep, and the original was just the piano and the beat and the singing.
Titles are relatively arbitrary to me; they take on meanings that aren't really my meanings. 'Sound Of Silver' was just, like, I made the studio silver, and I wanted the record to sound 'more silver.'
I think that not being all that overwhelmed by good reviews is a luxury. I'm like a rich person who says he doesn't care about money.
Subway Symphony is a little idea I had to change the sound of the subway turnstiles into different pieces of music, depending on what station you're entering.
The Fall was super powerful to me because of their covers. They were intimidating. I bought 'This Nation's Saving Grace' when it came out in 1985, and there was something about it that made me nervous. It terrified me.
With a computer, you have access to so many drum sounds and samples that your snare drum will be unrelated harmonically to your kick drum.
Anything that's resolvable is boring, musically. And if it's too chaotic, you don't feel tension; it's chaos.
When Andy Kaufman performed, he was not just trying to be funny. He was playing with the notion of what it means to try to be funny, of what it means to be an audience expecting somebody to be funny. He was doing a dance and playing a game.
I know it seems like LCD Soundsystem sold millions and millions of records, but we didn't. I'm not a wealthy person.
I've been to Manchester enough to know it's a real place. It's not Factory Records and the Smiths bicycling around. I get it. It's a modern city.
After being in a 'professional rock ensemble,' there's a great joy in making music with friends, without any release plan.
My personality is based on an anonymity and failure. Failure and anonymity, those are my strengths - superiority from below.
In my experience, people looking for progress aren't actually looking to move things forward. They're looking to be perceived in a certain way: as a forward thinker. It's about vanity rather than any altruistic motives for the art.
I wouldn't say I'm a friend of David Byrne, but I guess I'm an acquaintance. I'm obviously an admirer, and we've met, but we don't call and chat about 'Breaking Bad' or anything.
I love rock. I love the music that was born out of the latter part of the 20th century. It means a lot to me.
I'm really focused and obsessed with writing things that are specific. I don't like big rock lyrics - I find them infuriating.
I'm an underdog by nature, and I like to be fighting. I don't make music for myself. I make music to fight.
I'm kind of stunned by hip-hop and R&B's embrace of what is essentially early-to-mid-Nineties Euro pop.
I was always just blown away by David Bowie and how mannered the guy was willing to be. It was so far from what I imagined someone with my confidence to be capable of.