Forest Whitaker
I think the only consistent thing is that I like projects that explore different social themes. 'Our Family Wedding' is a comedy, but it deals with two different cultures coming together. It's also about people letting go.Collection: Wedding
I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.Collection: Money
When I was a kid, the only way I saw movies was from the back seat of my family's car at the drive-in.Collection: Movies
When children and youth are deprived of their right to education, their community is deprived of a sustainable future. It is all the more true with refugees.Collection: Education
We're supposed to be an example of freedom, and if we are doing things that are injustice to people, then what is our statement?Collection: Freedom
As human beings, we all have reasons for our behavior. There may be people who have certain physiological issues that dictate why they make certain choices. On the whole, though, I think we're dictated by our structure, our past, our environment, our culture. So once you understand the patterns that shape a person, how can you not find sympathy?Collection: Sympathy
Stereotypes do exist, but we have to walk through them.
I am just back from South Sudan, one of the world's most fragile nations. For years, I have been moved by the kind people who maintain hope that they will live to see peace. My heart has ached for them, as they have endured pain and violence that make such hope feel out of reach.
In life, there's a ladder sometimes, and maybe at the top, there's a mirror. You take a step up, then maybe three steps down... just because you don't want to face the decloaking in the mirror.
There's a molecule inside of you that is connected to everything - every person, every energy, every thing. You look for it, and when you find it, then you allow it to magnify and grow and be the dominating chemistry inside of you.
I was a curious child. I'd debate with anyone who came to the door - people from the Islamic community... Jehovah's Witnesses... anyone.
In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.
It's a contract of connection to be in the same space and watch and listen to stories and be caught in them. When you're in a theater, your brain expands because somebody in the theater may do something or respond to something that you wouldn't have.
I'd been reading Eastern philosophy since I was a kid. And I meditated. I did it on a daily basis. It's the one thing I do with any consistency. Meditation gives you a different kind of mindset. It's very powerful.
I always try to remain aware that what affects others affects me, too.
College football, acting, opera singing - I approached them all in the same obsessive way.
I stay true because whatever the project is, I'm still looking for inside of that character. It's the thing that connects him to me and to everybody else. So, the search is the same. It's to unveil the truth, and that's how I stay true, because my purpose isn't altered.
I try to be like a forest, revitalizing and constantly growing... Kids would tease me, calling me 'Little Bush.' But... I thought being called Forest helped me find my identity.
I see a deep connection between peace and change: peace always starts from within, for communities and people alike. The same is true of change: real change starts from within.
It is possible for a kid from east Texas, raised in south central LA and Carson, who believes in his dreams, commits himself to them with his heart, to touch them and to have them happen.
As an actor, I've always wanted to do characters that would help me find my connection with others and connect all of us together. You always want the energy of the character, the spirit of the person, to enter you. I've been doing this for 26 years and some of the things I've done are always with me.
I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
I care about people. In the end, I think they feel it. It comes across, regardless of the character I'm portraying.
I really wasn't even sure if I should continue acting. I would like try and figure out if I could be good enough to do it. It was like 10 or 12 years into my career before I felt like maybe I can do it. It was such a different time than now.
I've been trying to understand conflict and violence ever since I was a kid. You know. There were a few things that happened even on my block - the Black Panthers used to be right around the corner from where we were.
I think I didn't know whether I wanted to keep acting deep into my career. I kept trying to see if I would be able to do it well enough to make that part of my destiny or part of what I was supposed to do.
I liked 'Star Wars' as a kid. I liked science fiction.
I always stand up for what I believe and what I want to.
I was asked if I would play President Obama in 'My Name is Khan.' I didn't feel comfortable with doing it. Partly because he was still in office, but mainly because I felt that there were other people who were better suited to doing the role.
I can't say I follow it, but I've watched 'Downton Abbey' a couple of times and loved it.
Poitier opened the doors to so many artists, not just black artists. There is a line that goes from black to Latin to Asian with regards to roles.
If there is inequality, and that equates with colour, then I'm going to deal with it.
The first time I ever went out of the country, it was to London. I was with the choir from my college, and we were touring around all these different churches. I loved it so much I tried to find a way to stay there.
May we remain connected in love. We are one.
You have to ask if the country would have been ready for Barack Obama if we hadn't been prepared by Colin Powell and Condoleezza Rice. If they hadn't already been in positions of enormous power and influence - secretary of state, secretary of defence - you know what I mean?
I'd spend every summer in Longview on my grandfather's farm. It was a tiny little town divided by a river, which was the segregation line: that side white, this side black. And meanwhile, I lived in Compton - basically, another whole world sealed into 10 square blocks. It's interesting how insular an environment can be.
You try to pull away the experiences until you get to the core of humanity, and you find that light that exists in everybody. It's that light that I'm searching for in all of my work - is that connective thing, that ether that enters all of us - you know what I mean? That's a part of God.
I try to live my life in a holistic way, show that all of it intersects because I'm coming from the same place. Now, at the core of it, I'm just trying to connect and be there, so I'm trying to be there for my family, my wife, my kids, my friends.
I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
I had been playing really interesting roles before I got great roles. Little ones - 'The Crying Game' I loved working on, and then 'Bird,' 'Ghost Dog,' so many films.
It's hard for me to judge my own films as an artist sometimes. But as an artist, I did feel a fulfillment working on them, you know?
The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
I think I've made some choices that maybe I wasn't so sure about for some reason or another. But I'm one of the lucky ones. Even when I was young, I played Bird, and that's a role people wait for their whole lifetime.
I'm always surprised when an actor goes so deeply into the truth that they shake you to your core.
My eye? It's a genetic thing. My dad had it, and now I have it. You know, I just found out that it may be correctable a little bit, because it does impair my vision. When I look up, I lose sight in this eye. I think, maybe for other people, it informs the way they see me.
Ultimately, all human beings fulfill their patterns. We're set in a certain archetype, and we fulfill that destiny.
It's all about destiny. That's why people look at the zodiac or the I Ching - because there's a certain order to life, and that order has been lived since the beginning of time. No matter what you do, you're going to live inside of it.
If I go to a reunion in east Texas, my mother's side or my father's, one out of ten is a preacher or a teacher. That's just the way it is in my family.
Good science fiction is always based in contemporary truths.
I've had many incidents in my life of racism. I've been thrown on the ground. I've been frisked. I've been arrested so many times I couldn't tell you. I have no need to talk about it.