Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.Collection: Christmas
I don't like anybody to be angry with me. I'd rather have friends.Collection: Anger
Cotton was a force of nature. There's a poetry to it, hoeing and growing cotton.Collection: Poetry
The beautiful thing about learning is nobody can take it away from you.Collection: Learning
I have a nice car, a Mercedes. And then I have an old El Camino truck that I'm crazy about. I like to get in that truck and go up in the hills near where I live, in Vegas, and take my camera. That, to me, is Heaven, being out in nature, taking pictures of the wildlife.Collection: Car
I've said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed.Collection: Music
Jazz is the big brother of the blues. If a guy's playing blues like we play, he's in high school. When he starts playing jazz it's like going on to college, to a school of higher learning.Collection: Learning
The blues was like that problem child that you may have had in the family. You was a little bit ashamed to let anybody see him, but you loved him. You just didn't know how other people would take it.Collection: Family
I'm trying to get people to see that we are our brother's keeper. Red, white, black, brown or yellow, rich or poor, we all have the blues.
People all over the world have problems. And as long as people have problems, the blues can never die.
When we went into World War II, I was a tractor driver then. I drove tractors on the plantation. So when they start calling people my age, 18, up, I was one they called.
Growing up, I was taught that a man has to defend his family. When the wolf is trying to get in, you gotta stand in the doorway.
Growing up on the plantation there in Mississippi, I would work Monday through Saturday noon. I'd go to town on Saturday afternoons, sit on the street corner, and I'd sing and play.
If T-Bone Walker had been a woman, I would have asked him to marry me. I'd never heard anything like that before: single-string blues played on an electric guitar.
I don't feel that no big stone should be put over my head, saying he did this, he did that. Unless there's something that I really did do. I believe I'm just ordinary. And I'd like for people to think of me that way, as just a guy that tried. Wanted to be loved by other people because he loved people.
It seems like I always had to work harder than other people. Those nights when everybody else is asleep, and you sit in your room trying to play scales.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
I developed in my head that I'm never any better than my last concert or the last time I played, so it's like an audition each time. You get nervous just before going onstage. I still have that, but I think it's more like concern. You're concerned about the people - like meeting your in-laws for the first time.
I was born on a plantation, and things weren't so good. We didn't have any money. I never thought of the word 'poor' 'til I got to be a man, but when you live in a house that you can always peek out of and see what kind of day it is, you're not doing so well. And your rest room is not inside the house.
I don't have a favorite song that I've written. But I do have a favorite song: 'Always on My Mind,' the Willie Nelson version. If I could sing it like he do, I would sing it every night. I like the story it tells.
'She's Dynamite' was a 100 years ago, and I recorded that song because the company thought that it was a great song and it was hot. That was the beginning of rock n' roll, and I guess they thought it would be a BB King version of rock n' roll.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
I think of guitar players in terms of doctors: you have the doctor for your heart, the cardiologist, then one that works on your feet, your leg. But I believe George Benson is the one that plays all over. To me, he would be the M.D. of them all.
My wife Martha used to call me Ol' Lemon Face because of my facial contortions when I play Lucille. I squeeze my eyes and open my mouth, raise my eyebrows, cock my head and God knows what else. I look like I'm in torture, when in truth, I'm in ecstasy. I don't do it for show. Every fiber of my being is tingling.
I was a regular hand when I was 7. I picked cotton. I drove tractors. Children grew up not thinking that this is what they must do. We thought this was the thing to do to help your family.
Sometimes I just think that there are more things to be said to make the audience understand what I'm trying to do more. When I'm singing, I don't want you to just hear the melody. I want you to relive the story, because most of the songs have pretty good storytelling.
I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson, and a few others.
I started to like blues, I guess, when I was about 6 or 7 years old. There was something about it, because nobody else played that kind of music.
I didn't want to disrespect my parents, so I never played blues around the house. But I knew then, same as I know today, that I wasn't doing anything wrong. I think that before they died, they both felt very proud of me.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
When I was in the country and I was trying to play, nobody seemed to pay too much attention to me. People used to say, 'That's just that ole blues singer.'
When you don't have much money, you worry that they'll just put you in the ground someplace and your loved ones won't know where you are.