Top Photography Quotes Collection - Page 12

Discover a curated collection of Photography quotes. Find inspiration, motivation, and wisdom from the best quotes in this category. Page 12 provides more Photography quotes.

Image of John Szarkowski
To quote out of context is the essence of the photographer's craft.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
Photography is a system of visual editing. At bottom, it is a matter of surrounding with a frame a portion of one's cone of vision, while standing in the right place at the right time. Like chess, or writing, it is a matter of choosing from among given possibilities, but in the case of photography the number of possibilities is not finite but infinite.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
Photography is a contest between a photographer and the presumptions of approximate and habitual seeing. The contest can be held anywhere.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
The very best pictures adapt themselves to many changes in meaning.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
Photography is the easiest thing in the world if one is willing to accept pictures that are flaccid, limp, bland, banal, indiscriminately informative, and pointless. But if one insists in a photograph that is both complex and vigorous it is almost impossible
- John Szarkowski
Collection: Photography
Image of John Szarkowski
The simplicity of photography lies in the fact that it is very easy to make a picture. The staggering complexity of it lies in the fact that a thousand other pictures of the same subject would have been equally easy.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
The invention of photography provided a radically new picture-making process - a process based not on synthesis but on selection. The difference was a basic one. Paintings were made - constructed from a storehouse of traditional schemes and skills and attitudes - but photographs, as the man on the street put, were taken.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
Photography is choosing where to point your eye-cone.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
Pure photography is a system of picture-making that describes more or less faithfully what might be seen through a rectangular frame from a particular vantage point at a given moment.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
A camera has interesting ideas of its own.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
Like an organism, photography was born whole. It is in our progressive discovery of it that its history lies.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
What's happening is that people are making a billion photographs a year of their cats, frequently with the cats wearing costumes. Do you think I should be doing shows of cat photography?
- John Szarkowski
Collection: Photography
Image of John Szarkowski
Whatever else a photograph may be about, it is inevitably about photography, the container and vehicle of all its meanings.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
The central act of photography, the act of choosing and eliminating, forces a concentration on the picture edge - the line that separates in from out - and on the shapes that are created by it.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
Photography's central sense of purpose and aesthetic: the precise and lucid description of significant fact.
- John Szarkowski
Collection: Photography
Image of John Szarkowski
They were ... pure and unadulterated photographs, and sometimes they hinted at the existence of visual truths that had escaped all other systems of detection.
- John Szarkowski
Collection: Photography
Image of Asa Butterfield
I do photography and I studied film at school. So I've always really enjoyed that and I've got an eye for camera angles I guess. I've never taken that into filming wildlife.
- Asa Butterfield
Collection: Photography
Image of Richard Misrach
To me, the work I do is a means of interpreting unsettling truths, of bearing witness, and of sounding an alarm. The beauty of formal representation both carries an affirmation of life and subversively brings us face to face with news from our besieged world.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
The one thing that seems to be consistent through all my work that I like, and I experimented a lot, is the viewer is allowed to meditate on something that normally we don't stop and stare at, whether it's people or a cactus.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
Whatever else a photograph may be about, it is always about time.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
The desert ... may serve better as the backdrop for the problematic relationship between man and the environment. The human struggle, the successes ... both noble and foolish, are readily apparent in the desert. Symbols and relationships seem to arise that stand for the human condition itself.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
People have responded to the pictures I make as mystical things, and they somehow carry the illusion further thinking that the place is this mystical, magical place. The desert is also a very barren place, a very lonely place, a very boring, uneventful place.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
I'm not interested into victim photography. Photographing people suffering and putting it on a museum wall is too weird.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
Our experience with knowledge, the way we know things, is not that neat. It doesn't fit into a grand narrative, the way we've been taught to read.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
I think this is the most exciting time in the history of photography. Technology is expanding what photographers can do, like the microscope and the telescope expanded what scientists could do.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture, the 'discovery' of found narratives, deeply compelling.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
I am not unaware that I have the mindset, as contradictory as it may sound, to discover in the world what I am in fact looking for. Perhaps the best pictures are a seamless hybrid of discovery and construction.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
The very act of representation has been so thoroughly challenged in recent years by postmodern theories that it is impossible not to see the flaws everywhere, in any practice of photography. Traditional genres in particular-journalism, documentary studies, and fine-art photography-have become shells, or forms emptied of meaning.
- Richard Misrach
Collection: Photography
Image of Richard Misrach
One of the things that was really influential early on was Ezra Pound's Cantos, one poem he worked on for 50 years. It's epic. I had a great deal of difficulty understanding it. One of the problems was you'd be reading along in English and he would move to a Chinese ideogram or French-he actually used seven different languages in a given poem. And for somebody who's not fluent in different languages it has the impact of rupturing your way of understanding something.
- Richard Misrach
Collection: Photography
Image of Cole Weston
To see color as form means looking at the image in a new way, trying to free oneself from absorption in subject matter.
- Cole Weston
Collection: Photography
Image of Keith Carter
How do you find a way to say what an extraordinary experience it is to be alive in this world? That is the kind of subject matter I try to work with.
- Keith Carter
Collection: Photography
Image of Keith Carter
I like small things, I like small moments that are almost elliptical, that are not necessarily linear; they're natural things that happen in the world, but if you look at them from a slight angle there's more than meets the eye.
- Keith Carter
Collection: Photography
Image of Keith Carter
I'm fond of implied narratives, oblique angles, and leaving a little room for the viewer to finish a picture.
- Keith Carter
Collection: Photography
Image of Keith Carter
I like what Wallace Stevens said: "Poetry must almost successfully resist intelligence." I just change the word "poetry" to "my photographs".
- Keith Carter
Collection: Photography
Image of Keith Carter
I don't just look at the thing itself or at the reality itself; I look around the edges for those little askew moments-kind of like what makes up our lives-those slightly awkward, lovely moments.
- Keith Carter
Collection: Photography
Image of Keith Carter
I like to work in the real world, so I do a lot of searching or just simple looking. But I'm not above tweaking reality and making something up. I don't think there are any rules in art. It's not so much what you see as it is the significance you, the artist, see in it.
- Keith Carter
Collection: Photography
Image of Keith Carter
The raw materials of photography are light and time and memory.
- Keith Carter
Collection: Photography
Image of Keith Carter
Sharpness is overrated.
- Keith Carter
Collection: Photography
Image of Keith Carter
Making these photographs has often seemed to me like a kind of dance. Often I have danced badly and the world has fallen apart at my feet. But sometimes the dance has gone well and my subject and I have moved together as if with shared purpose.
- Keith Carter
Collection: Photography
Image of Keith Carter
Poetry at least in my own life, is really about your own mortality. Everything in poetry makes me think of my mortality. It is not a dark thing in life; it prepares you for the graceful things that happen in your life. It gives me a license to make any kind of picture I want with great courage.
- Keith Carter
Collection: Photography
Image of Keith Carter
When I started using the extreme short depth of field and single point of focus, I was trying to replicate my changing eyesight. We have binocular vision; one eye perceives space from the other. I don't experience a scene visually at F32. It's more like F1.4.
- Keith Carter
Collection: Photography
Image of Keith Carter
I think there is an element of magic in photography - light, chemistry, precious metals - a certain alchemy. You can wield a camera like a magic wand almost. Murmur the right words and you can conjure up proof of a dream. I believe in wonder. I look for it in my life every day; I find it in the most ordinary things.
- Keith Carter
Collection: Photography
Image of Keith Carter
I want to be made better personally. That is the gig.
- Keith Carter
Collection: Photography
Image of Keith Carter
Your ideas come out of the way you conduct your life.
- Keith Carter
Collection: Photography
Image of Keith Carter
You are lucky if you have one or two epiphanies in your life, particularly a creative one.
- Keith Carter
Collection: Photography
Image of Keith Carter
I don't think science is necessarily incompatible with mystical or spiritual sensibilities. I often weigh them equally in my thinking, which sometimes finds itself into the work.
- Keith Carter
Collection: Photography
Image of Keith Carter
I think the equipment you use has a real, visible influence on the character of your photography. You're going to work differently, and make different kinds of pictures, if you have to set up a view camera on a tripod than if you're Lee Friedlander with handheld 35 mm rangefinder. But fundamentally, vision is not about which camera or how many megapixels you have, it's about what you find important. It's all about ideas.
- Keith Carter
Collection: Photography
Image of Keith Carter
At a fundamental level photography is much like pointing, and all of us occasionally point at things: look at that, look at that sailboat, look at that tree, etc. etc.
- Keith Carter
Collection: Photography
Image of Keith Carter
I don't know if I can articulate how I feel. Never in my wildest dreams did I think I would make it here.
- Keith Carter
Collection: Photography