Van Morrison
A famous person to themselves, they don't get up in the morning and think, I'm famous. I'm not famous to me. Famous is a perception.Collection: Famous
I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.Collection: Famous
You can't stay the same. If you're a musician and a singer, you have to change, that's the way it works.Collection: Change
Music is spiritual. The music business is not.Collection: Business
Being famous was extremely disappointing for me. When I became famous it was a complete drag and it is still a complete drag.Collection: Famous
Every performance is different. That's the beauty of it.Collection: Beauty
The first piece of music that captured my imagination was probably Ray Charles Live At Newport.Collection: Imagination
In order to win you must be prepared to lose sometime. And leave one or two cards showing.
What you see is what you get.
If it's what you do and you can do it, then you do it.
Even today, skiffle is a defining part of my music. If I get the opportunity to just have a jam, skiffle is what I love to play.
Hearing the blues changed my life.
Singing is my profession - there is no plan B.
There's always got to be a struggle. What else is there? That's what life is made of. I don't know anything else. If there is, tell me about it.
These days politics, religion, media seem to get all mixed up. Television became the new religion a long time back and the media has taken over.
I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.
When I started studying tenor saxophone as a kid in Belfast, I did so with a guy named George Cassidy, who was also a big inspiration.
I've never felt like I was born with a silver spoon at all, although I've felt like howling at the moon a lot of times!
It was really strange for me when I started to play concerts in America where the audiences were all sitting down.
I educated myself. To me, school was boring.
You've got to separate the singer and the songs.
I'm very lucky, I'm happy with life because my experiences led me to do what I had to do. I don't have any regrets whatsoever.
There is no black-and-white situation. It's all part of life. Highs, lows, middles.
I went back to Belfast and started a club, the Maritime. No one had thought about doing a blues club, so I was the first.
Large audiences did not suit my low-key approach.
I do see value in music criticism. Most of the criticism I have received over the years has been very good.
The future is keeping you out of the present time.
I always record far more than I can use. There's probably twice as much recorded as comes out.
You take stuff from different places, and sometimes you stick a line in because it rhymes, not because it makes sense.
When I started you were more in touch with the people you were playing to. There wasn't the distance or the separation that there is now.
The point of jazz is, you do something and then you go on.
Skiffle was a name that was attached to what was, in essence, American folk music with a beat.
My ambition when I started out was to play two or three gigs a week. And that's what I'm doing.
If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.
I'm not a rock singer and I don't want to be a rock singer. I'm not interested. It doesn't seem to get across.
I understood jazz, I understood how it worked. That's what I apply to everything.
I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.
I never bought the commercial thing, at any stage of the game.
I learnt from Armstrong on the early recordings that you never sang a song the same way twice.
I don't think nostalgia has to be negative.
As a developing musician, skiffle became a platform for me to start playing music.
I just need somewhere to dump all my negativity.
I write songs. Then, I record them. And, later, maybe I perform them on stage. That's what I do. That's my job. Simple.
I don't feel comfortable doing interviews. My profession is music, and writing songs. That's what I do. I like to do it, but I hate to talk about it.
You learn to read the audiences after a while, and there are all different kinds of gigs.
For a long time, I couldn't actually deal with playing concerts; it was a totally alien concept to me, 'cause I was used to playing in clubs and dance halls.
My thinking musically has always been more advanced - it is difficult to get it down onto paper sometimes, even now.
I put out records to this day that are not necessarily in a sequence of anything. Some could be written a while back, some not. There is no set pattern.
My records do not require a lot of thought of 'What is this?' and 'What is that?' That would be too contrived for me.
I am about the arrangements and the layers of depth in the music.