When I tried to play characters that strayed from who I am it ended in disaster. People didn't expect me in comedies or musicals.
A lot of actors, and artists in general, never feel secure in love. They always feel everything's going to be taken away from them, professionally and personally; they're extremely emotional and volatile.
You know what I think happened? After 'Rocky,' I was almost set up in the eyes of the media to make a flop.
I used to tweet, but it's an act of futility. You're not really making any impact, and if you find yourself in a mood when you wanna be a bit controversial and you post something, you suddenly realise, 'Oh my God!' because you've opened yourself up to a bunch of criticism from strangers.
Now it really is, believe it or not, 90% of the films are green lit, not by the studio heads, but by the marketing department.
Characters I've played, they used to impact my paintings, like 80 percent of the time, and especially when I was doing an action film.
On the sequel, you've lost the element of surprise. Usually, on the first one you may not go very, very deep into character; the second one you start to explore the character a bit more.
I am not the richest, smartest or most talented person in the world, but I succeed because I keep going and going and going.
Once in one's life, for one mortal moment, one must make a grab for immortality; if not, one has not lived.
If you don't have a mountain, build one and then climb it. And after you climb it, build another one; otherwise you start to flatline in your life.
Don't be gullible, use life before it uses you. Understand there are no free lunches, and for every action you take, there's a reaction.
I was an insecure kid. Once I saw 'Hercules' with Steve Reeves, it completely changed my life. If I had never gone to that film, I wouldn't be here today.
I've been involved in something which was chaotic and insane. All I can say now is that I am, and intend to stay, a single man.
When you're scared, when you're hanging on, when life is hurting you, then you're going to see what you're really made of.
At the end of the day, 'Rocky' is a love story, and he could never have reached the final bell without Adrian.
We're all expendable. We think the world's going to stop when a pope dies, or a king. And then... life goes on.
Most action is based on redemption and revenge, and that's a formula. Moby Dick was formula. It's how you get to the conclusion that makes it interesting.
People assume that 'The Expendables' is old school, but it's only old school because that's the way I know how to make an action film. It's pretty real.
I have all kinds of chest injuries; I tore my vein during 'Rocky II' and had 60 stitches. If you've seen 'Rocky Balboa,' you'll know how bad they look.
The trouble with remakes is that people fall in love with the original. It's like peanut butter. If you try to change the taste of peanut butter, you're in trouble.
All good actors are unpredictable, and a little crazy in a good way, because they feel more secure playing other people than themselves.
Once is a man's life, for one mortal moment, he must make a grab for immorality; if not, he has not lived.
I think kids growing up, if they were picked on and feeling inferior at 12, they're going to feel that way at 72. You just deal with it better. I'm serious.
I was very much into buying contemporary art, but I've just decided I want to get rid of it all. Not that it's not great art, but all of a sudden my mood has changed, and I want to go back to seventeenth- and eighteenth-century masters.
I'm always looking for a new challenge. There are a lot of mountains to climb out there. When I run out of mountains, I'll build a new one.