I sing, but I'm not a singer. I'm just a producer who sings on her own songs because I can't find anybody else who sounds like me.
For me, I'm just trying to keep it fun, keep it interesting, not get stuck on the same sound, the same wave for too long.
I think everybody goes through times where they're vulnerable and then times where you're confident and cocky.
I feel like I'm real honest in my music. Even if it ends up being an exaggeration or a fantasy, it's a fantasy that's real to me.
I'm kind of shy when it comes to women, so I don't really approach them. I'll just admire them from afar, and if they happen to say something to me, then maybe I'll find the courage to say something.
I've always been conscious not to take advantage of my sexual orientation because I don't think it's fair, and it shouldn't matter.
I'm not ashamed in the least bit of being gay or being a lesbian. I just prefer to call myself gay for some reason.
At the end of the day, I represent myself first and foremost, and I'm not going to ever purposely try and misrepresent myself.
Everybody in Odd Future is their own artist - they have their own friends and their own ideas for things - so we all spent quite a lot of time separated.
When I was 14 and I wanted to buy stuff, I didn't like asking for stuff from my parents, so I started a couple companies, and the last one ended up being my studio.
I lived in a pretty big house, and we had a guesthouse, so when I was 14, I built a studio in my bedroom, which was pretty big. It was two rooms connected, so I turned the second into a studio and ran the mic in my closet.
I don't even start singing anything until the mic is on and recording, because my first ideas are usually my best ones. So I'll just press record; I'll freestyle a whole three minutes.
Studying James Fauntleroy, I learned it's okay to write a bad song. Just write another one the next day and hope that it's better.
I, for one, am, like, the most ordinary person. Like, people look past me all the time because I'm just so blending in.
I use Logic or Reason and a midi keyboard for beats. If it's gonna have all live instruments in it, I'll probably use Pro Tools and have the band lay stuff down.
For Odd Future, I only made beats for Mike G. With the Internet, I'm part of a production team making tracks for me to sing over.
I think my first client other than my brother was this kid named Tallent. I was charging him eight dollars an hour to record in my room. He kept coming back, then I went up to ten dollars an hour.
Once we got signed, I moved out of my house because I was having teenage issues with my mom. It really wasn't my fault, looking back. You know, I'm gay; it's weird. It was one of the things. She has no problem with me being gay, but she had a problem with me dressing the way I do at first.
I think that's what I learned a lot from Odd Future. I learned a lot of great things from them, but one of the mistakes that they made was that we didn't stay together, and we didn't communicate. We never had meetings. Everybody had issues with everybody else and wouldn't talk about it.
I go through stages with all kinds of stuff. There'll be a couple of months where I'm reading, you know, like, fiction mystery novels, and there'll be a couple more where I'll be redecorating a room in my house.