It isn't about being or not being a thug. It's about being real. I think that is how street respect is earned.Collection: Respect
Fudgery Fudge was a minimum-wage job that we had in Baltimore before we got into the music industry, where you make this candy and sing songs simultaneously.
The kinds of things that business partners want you to do to promote your music - a lot of times, it takes precedence over the music itself.
On one hand, you want your peers to continue to respect you as an artist, you want people to buy the music, but you don't want to, quote/unquote, sell out. So I've been doing the best I can to walk that line of creativity and trying to sell the music.
Music is alive and as an artist and as a musician, you want to do the best you can to grow with music.
You know, I'm from Baltimore; nobody has anything. When somebody had talent, I was hiring my uncle, my cousin, you know? Getting people that I knew to run the studio.
I design all my own clothes with a guy named Jonathan Logan. He works with everyone from Marilyn Manson to Usher.
The Dragon is fully confident in anything he can do, fully believes that he's the best entertainer out there.
I was that guy that, when the police would come, I would continue to wild out. I had no self-control.
We came out of high school into the music industry. And doing the best you can to break as an artist is a full time night and day kind of job so you gotta grow up really fast.
That's the thing with Dru Hill. We've always tried to be good musicians and not be pigeonholed into one type of music.
I've had international success so whenever you may not have seen me in America, I may have been in Dubai doing something. Technically I never really stopped doing music. I just did it in different places.
Actually, there was a lot of tension, a lot of friction going on while we were together with Island.
In America, there are some artists who are more of an image than music; if your star status goes down there, you're finished.
That's why I try to stay away from the big-name producers, so I can prove that it's not about the producer, it's about the artist.
A lot of R&B artists have gotten away from being artists and are just chasing after the next hot producer and it all starts to sound the same.
My videos, the ones I produced and co-directed and came up with a treatment from scratch - those are my babies.
I was doing the best I could to be a visionary. There were things I had done that people looked at sideways. Like, who is this black kid with blonde hair?
At the end of the day, the core of what I want is to make good music. But I think you can get to a level where the business interferes with the music.
My mother and father were middle-class, and my grandmother lived in the ghetto, so I used to spend my summers at her house.
What happened was, we were in the middle of shooting the 'Wild Wild West' video, and Woody decided that he wanted to do his solo project.
The facts are, when anybody says anything about me selling out, you don't see me in mainstream because I didn't sell out. I'm one of the ones that went to the top of the mountain, got the jewels and brought it back to the hood.