With all due respect, I have a job to do, and that is to try and make 'Endeavour' the best it can be.Collection: Respect
Loner heroes do appeal to that part of yourself that feels as though your genius hasn't been recognised.
My brother and I loved 'ThunderCats' and Robin Williams coming out of an egg in 'Mork & Mindy.' At the time, I thought it was funny, but looking back, it was a crazy concept!
I don't understand 'The Only Way Is Essex' and 'Made in Chelsea': the way they pretend there's no camera. I cannot fathom the attraction.
As a kid, I was always more interested in watching others than being the centre of attention. I've always felt that you can see a lot more and learn a lot more when you're standing on the edge.
While I try and give as much energy, enthusiasm and detail to any work I do, if I keep coming back to it, to the same people year after year, there's an attachment. But you don't want anything to become comfortable.
I watch Channel 4 News every day. I love it. I rarely watch any other news programme. There's just something about it - and I'm not talking about Jon Snow's ties and socks, but I appreciate those, too.
I just don't really like starting a job if I don't know where it finishes. I want to know where something begins and ends so that you can invest something in it.
I think it's a falsehood to think you can have some kind of plan. Acting isn't like that, it's more vocational, I think.
You can make films, and often, they get released on four screens in the U.K. Although it's been interesting and good for you, if no one's seen it, what's the point?
I don't think you can work properly if you have anxiety about something; it stops you doing the work you're paid to do.
Acting is an amazing job. I'm very lucky to do it, and when you're working with terrific people, telling stories you care about, and know it reaches an audience who care about it, too, there is an escapism in that.
When I was in my late teens, I discovered 'Fawlty Towers' and 'Monty Python,' and they still make me laugh.
In Liverpool, where I live, we have a brilliant library which has been refurbished, and I like going there.
I think until you reach your mid-30s, there's either a real acceptance of where you are or a resignation of where you are.
I'm delighted to be working on 'Casualty.' It's a terrific cast and crew, and I'm very grateful for the opportunity.
I think when you're in the middle of a piece of work, there are things that bleed over into your life. You're spending a large portion of your day pretending to be somebody else, to tell somebody else's story.
If you put too much pressure on the idea of people watching you, it stops you being able to watch people.
It helps to be more interested in other people than you are in yourself. Inhabiting other characters is what I do.
If I can be dead honest with you, when I first see the script for a new episode of 'Endeavour,' if anything jars, I say, 'What's this? Has it got a place in our story?' And if it hasn't, it has to go.
Everyone brings their top game to Endeavour. We're very lucky. I'm glad people love it because that's our intention.