I don't understand why you have to wear a wedding ring to warn people off. You should be able to be faithful to that person without anything on your body to show that you are with someone.Collection: Wedding
I believe in God, but I don't know what it is - if it's a he, she, a he-she, or anything. Who knows what it is. All I know is that I feel like there's something else there.Collection: God
I find short, fast romances romantic. There's a beauty to dark imagery.Collection: Romantic
I don't go to celebrity parties a lot. I don't really enjoy them because I really like going for it in parties. And sometimes at celebrity parties, there is no dancing on tables because people... it can be a little judgmental at times. So I tend not to go unless it is Taylor Swift's birthday party; then it's amazing.Collection: Birthday
When it comes to age, I just feel like puberty is, like, the most horrible time of anyone's life.Collection: Age
When I write sad songs, I feel like I'm sewing up a scar in me, and the outcome always feels so much better than when I write happy ones.
My cross earrings are a mini statement; I wear them every day! My whole dream is to be iconic, and the way you dress yourself is so important.
People say, 'He doesn't want to be a spokesperson for the gay community.' I do, of course I do, but I want to be a spokesperson for everyone. Ya know, straight people, gay people, bisexual. I don't want it to be limited.
I personally think Beyonce's a strong feminist. What she's done in music and for women is unprecedented. I love her. She definitely makes me feel like more of a woman.
I get really self-conscious about people staring at me. It sounds so weird. As a performer, as an artist, these should be the things that I'm used to. But that's not the case. When people stare at me, I freak out.
Anything's possible. If I turn round tomorrow and say I want to be a spaceman, I could do that. You can do whatever you want to do.
Just because you're selling out shows doesn't mean you deserve better treatment than the person next door.
When I write music, it's very strange: maybe it's normal, but I see things in songs in different colors.
My plan is just to love harder than I've ever loved before, hide nothing, and embrace that I'm an imperfect human being. Oh, and sadness - sadness is everything.
Even now I doubt myself. I don't understand what people hear in my voice. I can't hear it myself, if you know what I mean.
Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
I used to get very angry as I was getting older, because my voice was breaking. So I've trained my voice so religiously through my teenage years, because I wanted to be able to hit the notes that those females hit. And I can, which is great.
I don't want to think about what I'm doing in 20 years. All I want is I want to be happy, and I hope my family are healthy. And that's all, really.
'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
As a youngster, when I started writing and stuff, I did actually write more from other people's perspectives. When I hit 18 and something happened to me that hurt me, I discovered that writing the truth is really therapeutic and amazing.
I miss the days when girls would wear full long dresses and just stand onstage and sing. That's what I'm trying to bring back: that timeless element. I want to create music that people will be listening to in fifty years, you know?
I'm a very ambitious person. I've been like this from a very young age. As early as 12 years old, I used to have panic attacks because I needed to know my life plan.
If we're going to go really deep, we're all trying to live forever. My music is my way of doing that.
I'm just very body-conscious. Sometimes I'm really proud that I don't look like other pop stars. But there's also moments where I'm like, 'Ugh, I wish I had abs like Bieber.'
I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.
Food is my favourite thing in the world. I always say if I ate what I actually wanted to eat I'd be in one of those electronic scooters because I'd be too big.
I can't relate to skinny, perfectly sculptured, tanned men singing about gold chains and Ferraris because I'm not that way.
The idea of having a house, a kid, a husband, and a dog... I love that. I also really want to open a coffee and flower shop one day, probably in Italy.
I've never been in a relationship before. I've only been in unrequited relationships where people haven't loved me back. I guess I'm a little bit attracted to that in a bad way.
I've made my music so that it could be about anything and everybody - whether it's a guy, a female or a goat - and everybody can relate to that.
I did musical theatre for about four years. One time, I did six shows in one year whilst juggling school.
I don't sit there writing songs, thinking, 'This would be good for Rihanna.' I don't want to be pitching out like that.
Some artists get so comfortable now after even one or two albums and think, 'I'm the biggest artist in the world,' but it's like, yeah, you are for now, but you've gotta work so that you're remembered further, and that's what I'm trying to do.
We want people to listen to records, to a whole body of music. I want you to buy into my life, not just one subject in my life.