If you're making films in New Zealand, you can't avoid the landscape. It's certainly more handsome than I am.
I met the most extraordinary people all over the Pacific, but especially the people in Vanuatu who, in a material sense, are the poorest people I've ever come across. They own nothing, but in a well-being sense, they are easily the wealthiest people that I've come across.
I think you need brains to do any Shakespeare with any authority. I could do Shakespeare, but not with any authority.
I can tell you where I was when Kennedy was shot - which was in the common room at school. I heard about it on the old valve radio. At the time of Armstrong's landing, I was at university rehearsing a play.
I enjoy some physical stuff. But if I had a choice between playing a scene where it's raining, it's terribly cold, I'm wet and I'm being drowned and playing a scene with dinosaur eggs in a laboratory, I'd probably take the latter. It's warmer and generally more comfortable!
I go by the role pretty much. And I think the only genre I haven't gotten to do but I'd love to is a western, but no one has ever asked me to do that. Unfortunately they are very few and far between these days, but that is one type of film I'd love to do.
I'm not big on Champagne, but I'd take along a bottle of Cristal to pop for when the boat comes to the rescue.
I can never really remember what I look like. I'm just sort of neutral. I don't think I'm sort of, you know, hideous.
I understand acting and I understand actors. I don't really understand the world of celebrity. That's just bizarre. Those sorts of elements I'm at sea with.
When I left university I was working for a documentary film company for six or seven years to the great relief of my father whose greatest waking fear was that I would become an actor.
It took me 30 years, but I finally bought myself the Patek Philippe watch I'd always wanted. It's ridiculous how much I love it.
I always want to be as good in the part as I possibly can. But I make no pretensions of being the greatest actor in the world.
I certainly don't want to die playing a round of golf. And I don't want to die like Elvis. That's all they remember about him - the most beautiful man on the planet.
If you're making a horror film, it's very important that you have lots of quiet, suspensey, don't-know-what's-happening stuff before you get the big fright.
I'm not sure it's affection for Australian or New Zealand films or not. I think it's just that there's something about 'Wilderpeople' that has really struck a chord.
Do you know, I'm not as much of a moviegoer as I should be, and I do end up - because I'm travelling so much - I end up seeing movies on aeroplanes, which is the worst possible way to see a movie!
I have taken a bit, when I find the time, to the odd television binge. Because television has improved so much, it's worth binging.
I like Taika Waititi a lot. I thought 'Boy' was a really wonderful film, had great resonance. Very sad but also very funny. I thought 'What We Do in the Shadows,' the vampire film, was fantastic.
It makes the day considerably more enjoyable when you're working with people you think are good, and it makes your job easier, too.
We always have to remind ourselves of how fragile life on this planet is and what responsibilities we have.
I'm conscious that there's only a limited amount that I'll get done before I get shuffled into retirement, but I certainly have no desire to retire.
If it looks like fun, and it looks like quality, then I'll do it. I don't feel compelled to work - or not to work.
Whilst filming 'Jurassic Park,' I watched a hurricane approaching the beach in Hawaii. My co-worker Laura Dern and I thought we might die, but we managed to laugh about it later.
I think so much of your energy when you're growing up is about becoming independent of your parents. And the older you get, the more you realise you're actually so much part and parcel of the same kind of material.
Failure is never quite so frightening as regret.Collection: Regret
Where we're going, we won't need eyes to see.Collection: Eye
Wines are like women in that it's often the imperfections that fascinate.Collection: Wine
Big budgets don't necessarily give you big films.Collection: Giving
[Hunt for the Wilderpeople] people seem to be just finding it hilarious in Sundance. I would think that judging on the feedback I get; it's a very warming film. It's not sentimental, but people are sort of heart warmed by a message that's pretty rare.Collection: Heart
The core of the film [Hunt for the Wilderpeople] is that relationship. Whether they're getting on or whether they're not. If that relationship works, then everything else works as well. And you kind of almost, sort of, gives into a realm of something like New Zealand magic realism... There is no world in which social work is actually pursues some kid into the woods in this manner.Collection: Kids