Rufus Wainwright
Life is a game and true love is a trophy.Collection: Life
My cheeks explode when I smile. That's why I have to look so nonplussed.Collection: Smile
I'm very much a romantic. I'm highly attuned to an older sensibility, which I believe is alive and well. We're not that far ahead of the Romantic Age in society.Collection: Romantic
The Germany I was enthused with was more old fashioned and kind of romantic. I just got there, and the next thing you know, I had this huge gilded album. It was kind of an amazing experience because I didn't intend it to be that way.Collection: Romantic
Being uncool is being pretty much the coolest you can be.Collection: Cool
Premiering a new opera is probably one of the hardest things in the world to do, and opening nights of any opera are always pretty stressful.
I love being not cool.
I've always gravitated towards opera, and the Royal Opera House is quite possibly the greatest opera house on earth.
After years of hotels, I'm horribly inept at cleaning up after myself.
My mother had a lot of parties when I was a child. There'd always be a moment when she would place me on the upright piano and have me sing Somewhere 'Over the Rainbow'.
I think we could all be a bit more elitist.
When I wrote the opera, I made a deal with myself that for at least an hour a day I would work on it, even if it meant just sitting on my piano bench, staring into space and thinking about it. It's about keeping it regular, like your bowel movements - let's get real: it's your bodily artistic movements! It comes from the same place.
I am under no illusion that I will ever be the greatest opera composer in the world, with Wagner and Verdi and Strauss before me. I think my work could fit very nicely into musicals, though.
I was reared on folk music.
I basically have needed to go to the piano and give voice periodically to, you know - I'm always afraid to describe it as a kind of therapeutic process, but nevertheless it was a type of unloading that had to occur due to my personal life with my mother's health or just my professional trials and tribulations.
I definitely try to broaden the scope of music. I don't know if it's pop or classical or what, but I'm religiously challenging myself all the time, for better or for worse.
I wish I could just relax sometimes and make some money, but I always feel like I have to prove some kind of big, profound point.
In retrospect, I'm really shocked at how far I put my heart out there on the line with 'Prima Donna'. I seem to have this knack for being able to accomplish that.
I very much faced my mother's death with hard, arduous and time-consuming labor. The more I would do, the less I would feel.
I have earned hundreds of thousands of pounds, but I can't seem to get to grips with money.
I am ridiculously high-maintenance.
I have never cooked a meal in my life and always end up paying for dozens of people to eat with me.
Every video I do is over budget by the time I walk on set. I am massively extravagant in my personal habits.
To me, songs come of their own volition - and with an open-ended philosophy.
I made the decision to take on board the critical feedback. Reviews are something you can easily ignore as a performer or writer but I chose to not ignore them here and I think that I benefited. I think I'm stronger for it - and I have a tougher skin as a result.
Writing an opera and premiering in England, you could say I was going right into the eye of the storm and I came out successfully. A little tattered and bruised, but so what, I made it.
Arguably, the relationship between Liza Minnelli and Judy Garland is one of the great mother-daughter sagas of all time. Certainly, for certain people, and a lot of them, Liza is the bigger star. Liza is the more kind of viable legend, shall we say. Then there's the other camp, where Judy is the one.
New York is not the centre for American culture and art that it once was because of the forces of conservatism. Giuliani, capitalism - and then there was 9/11. I really believe that if I leave, it will suffer! Maybe that's why I love it here, because I feel wanted.
In the present world, this technological, psychotic, politicised, nonsensical world, you have to believe that the good guys are going to win! That evil will be banished somehow!
I still believe that love is the most powerful force in the world, even though I am yet to experience it fully.
Places that have experienced great defeat experience a kind of rebirth, which I think America has to do - unless we want to get more decrepit. I don't think we have to destroy the place totally.
I definitely consider 'Poses' - the whole album in fact - to be kind of a miracle. Like the last breath of that moment when decadence is healthy, 'Poses' encapsulates that feeling. It's a kind of song and a kind of album that I'll never be able to repeat.
For better or worse, I've always been curious musically. Whether it's opera or Judy Garland or pop, I've deliberately sought those things out. I've never wanted to do the same things over and over. Some think I've accomplished what I set out to do, and others consider me a dilettante.
I like to try new things.
Some people go to Berlin to get more cutting edge; I went and started wearing lederhosen and going to visit baroque palaces.
The moment something happens to one you love, it's twenty times more intense. You experience pain and enlightenment on a much vaster scale.
I've written songs for Shirley Bassey, Marianne Faithfull, and Linda Thompson. I sort of focus on these wonderful, aging divas. But maybe that's because I think I'm Christina Aguilera.
I think the minute you mention death, people run for the hills - unless it's heavy metal. People do not like death.
I have a good face for what I do.
I find so many songwriters today are missing an element... either the production is amazing but the songs aren't, or it's the other way around.
I am regarded as a usurper, as an imposter and dilettante, because I do technically come from the wrong side of the tracks in musical terms.
As an artist, you put so much into what you do and it can all be torn down in a nanosecond.
When it comes to sitting down and composing, there is no hesitation, no concern, no critics breathing fire down my neck. For me, writing a song is the purest part of all. No one can mess with that.
My mother's songs are really turning out to be masterpieces. I have inherited this incredible legacy and am so fortunate to bathe in her sensibilities. It is tinged with tragedy. I'd much rather she was here in person, but there is still a positive force to come out of her death and that is having the gift of music that she gave.
Let the little fairy in you fly!
I'm definitely a fan of juxtaposition. Using the most beautiful line to say the most horrific thing - I think one of the main things in songwriting is definitely friction between the words and the melody.
My love of maple syrup. I've been known to knock back a can over a couple days: A swig here, a swig there, and next thing you know it's gone. It's a habit I have to stave off. I don't want to lose all my teeth.
There's prejudice everywhere. I don't think the music industry is as bad as the movie industry. But I have taken a few hits over the years for my sexuality, and for being honest about my life. In the end, it's the music that rules the roost.
The thing I hate most is false modesty. The artists who are, like, 'Oh, you know, I'm really not that good. Oh, I can't believe I'm here.' I find it vaguely sinister, even.
I have managed to eke out a good and substantial existence. I'm not shoveling gold bricks or anything, but I do very, very well.