Growing up, I was always trying to catch a great show. And that's where I learned an artist gets respect. That's what makes people talk.
I think marriage works for some people, but I just don't think it could work for me. I don't see it.
If you think of any strange fusion with bachata, most likely, we've done it. It's bachata mixed with different elements. We don't follow any style.
You can have the best product, but if you don't have a plan - a label pushing it, the support of a network - you can't make it big with a product. It's all about distribution.
Many artists would want a major label. But, if someone made you big, it doesn't mean they're no longer good enough when you get big. If you want to add, add. But don't get rid of your original team.
I believe that if each one of us have successful solo careers, it can only help the group's growth. It will allow the fans to see individual talent and make them appreciate us more. After all, we are in this for the long run and have every intention of returning with another album as Aventura.
I wanted to show people I'm like a modern Romeo. I'm romantic, but I can also be seductive. I can be cool and charismatic, swagger-type.
This Romeo character is something I decided to create, like my alter ego. So the name Romeo was invented from the original Romeo and Juliet. I wanted to show people I'm like a modern Romeo.
My fans love me; they've made me this sex symbol. I don't feel I am, but they feel that way. They find me attractive, like I'm a sexy dude. I try my best to make them believe the illusion.
I make them all my girlfriends. I just express to each and every one of them every chance I get that I have millions of girlfriends, my fans.
If I'm performing in the United States, I'm able to speak Spanglish, and the crowd comprehends. If I'm in the Dominican Republic or Puerto Rico, then I'm completely Spanish. I feel like a New Yorker that represents all Latinos.
My biggest tunes - 'Eres Mia,' 'Llevame Contigo,' 'Propuesta Indecente' - they aren't featuring anyone but me.
That's my goal: to get the world to know who Romeo Santos is. His music. My music. Even if they don't like it, I want them to know who I am.
The way Aventura became successful was so weird. We didn't have a major label. They say everything has a reason, but it's not easy to find. The only thing that was right was the music.
I've been so private. That's part of the reason they've said, 'Is Romeo gay?' No. I just don't want to show you my girl - if I got a girl.
I've got a superstar like Usher singing bachata, a tune featuring Lil Wayne. I'm offering people more than just bachata. That captures a new audience that would listen to bachata because Usher is singing.
I've learned that you can do something great, but you have to continue reinventing yourself as an artist. So by the time someone else is copying your style, you have something else to offer your audience.
What happened with reggaeton is that many artists kept recycling the same sound. But there are a lot of reggaeton artists that are still in their prime - like Daddy Yankee - because they've chosen to continue growing, to offer people more than just reggaeton. That's where I learned to always be able to try something new and not be afraid.
I think people look at me different when they see I'm dressed well. They pay attention. They know I'm about something.
We have a really cool relationship because I talk to my son like he's my little homie. I try to be the cool dad, like, 'What's up? How many girls you have?'
When I begin working on a production, I don't really think about my previous album or albums. I try to have a real creative process.
I always want people to expect the unexpected, to hear me in records that have nothing to do with bachata. 'Golden' is the golden opportunity for them to appreciate me on other records.
When Aventura began, there was a lot of salsa and merengue, and we said, 'Let's just do what we do.' Then Aventura blew up, but urban was in its prime.
I would always talk with my friends in English and Spanglish, but it was more like slang. It was more like, 'Yo, what's up, dog?' But in Spanish, I know what's proper, and what's ghetto. I know the difference.
When we started Aventura, I think a lot of - the reason why we became so successful besides, you know, doing good music, was also the fact that it was unique and different and never done.
I feel like, as an artist and a songwriter, I have to reach certain audiences and give people a little bit of everything.
You see a lot of talented people, but you usually don't see talented people who, behind the scenes, know how to conduct themselves on a higher level.
I think you have a crossover when you are known to a wider audience and a different market. I've been able to sell out stadiums all over the world by doing my music. I'm lucky to be in that list without having done an official crossover. Now, will you hear me doing a little bit of R&B? Sure.
I'm not taking for granted being managed by Roc Nation. They have a lot of relations, and they have a reach that I clearly could benefit from.
This song 'All Aboard,' that tune allowed me to expand and kind of offer my audience something totally different because it's not bachata - I'm singing English, and that was really fun.