Rob Sheffield

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When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.
- Rob Sheffield
Collection: Teen
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In their heyday, the Pet Shop Boys were the Interpol of the Eighties, dressing up to sing really weird pop songs about lust and loneliness in the big city. They're low-pro now, not retro-worshipped in the manner of Depeche Mode, New Order, or The Cure, but you can hear the reason why - these guys are too sad.
- Rob Sheffield
Collection: Pet
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You can't beat the beehive for glam punkette attitude.
- Rob Sheffield
Collection: Attitude
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Every moment of my life has a soundtrack, so I never know when some song is going to jump me by surprise and bring the memory alive.
- Rob Sheffield
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'Revenge' is a shameless soap in the style of Eighties shoulder-pad slap-offs like 'Dallas,' 'Dynasty' and 'Falcon Crest.' Yet there's no wink-wink camp.
- Rob Sheffield
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'The Queen Is Dead' is not merely the Smiths' best album, but it is one of those timeless, perfect, inexhaustible artifacts that could only have been made by a gang of sullen, sun-deprived rock & roll boys fighting off adulthood tooth and nail.
- Rob Sheffield
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That's the secret of 'True Blood' - all the creatures that roam Bon Temps become a metaphor for our insatiable lusts and inner desires. Humans craving what they can't have and those secret appetites transforming them into beasts, or even killers.
- Rob Sheffield
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That's the rub about 'Community' - for all the high-concept cleverness, it really comes down to vulgar humanism, the dumbest kind of sentimental identification. We watch it because we like these people and we miss them when they don't show up. They become part of the stories we tell ourselves.
- Rob Sheffield
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Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.
- Rob Sheffield
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Lots of people like Seth MacFarlane. Many other people like watching the Oscars. But nobody likes both, not even Seth MacFarlane, who has no idea what the Oscars are.
- Rob Sheffield
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Donna Summer would be remembered as a ground-breaking artist today even if she'd retired the day after she recorded 'I Feel Love' in 1977.
- Rob Sheffield
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At an incredibly divisive point in pop history, Donna Summer managed to create an undeniable across-the-board experience of mass pleasure - after 'Bad Girls,' nobody ever tried claiming disco sucked again. It set the template for what Michael Jackson would do a few months later with 'Off The Wall.'
- Rob Sheffield
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Julia Louis-Dreyfus is just perfect in 'Veep.' She gets to show off the spiky claws beneath her patrician finesse. The obvious way to play 'Veep' would be to make Louis-Dreyfus a folksy heroine, one with more common sense or populist heart than her enemies. But she isn't one.
- Rob Sheffield
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Every American wants a clean slate, but nobody wants to lose what they've got.
- Rob Sheffield
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Davy Jones was the grooviest of the Monkees, which makes him one of the grooviest pop stars who ever existed. He was the best dancer in the Monkees, the Cute One, the one with the coy English accent, the bowl-cut boy-child who shook those cherry-red maracas and always got the girl. He was also the guy who stole David Bowie's original name.
- Rob Sheffield
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Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss; Liz Lemon just works here.
- Rob Sheffield
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We all get as miserable as Erika M. Andersen sometimes, but we rarely approach her musical-ideas-per-miserable-minute ratio.
- Rob Sheffield
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One of the billions of things I love about Beyonce: The harder she tries to come on crazy, the less crazy she sounds.
- Rob Sheffield
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Ron Swanson is more than the MVP of the 'Parks and Recreation' squad, more than just the funniest character on TV - he's the perfect depiction of aggrieved American manhood at the twilight of the empire.
- Rob Sheffield
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Most of an award-show host's job is showing up and keeping a cool head and soldiering through it, whether it's the Oscars or the Hallmark Channel's 'Hero Dog Awards.'
- Rob Sheffield
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It's easy to see why 'American Horror' is freaking people out. The ultraviolent hallucinations never pause long enough to make sense. In terms of coherence, it makes your average David Lynch movie look like 'Burn Notice.'
- Rob Sheffield
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'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
- Rob Sheffield
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'American Horror' is the debasement of the suburban family, the way a lonely kid would have imagined it in the Seventies.
- Rob Sheffield
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'Drive,' that's the one. I love dozens of songs by R.E.M., but that's the one, even though it took me 7 or 8 years to start liking it.
- Rob Sheffield
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Thanks for existing, R.E.M. It's hard to overstate how much these guys changed everything, creating an entire rock audience in their own image.
- Rob Sheffield
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It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.
- Rob Sheffield
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Hardly anyone liked R.E.M. who didn't like them way too much, so part of being an R.E.M. fan meant getting wildly overinvested and then feeling vaguely disappointed by whatever they did next.
- Rob Sheffield
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The 2000s were the time when bromance became a kind of love that dared to speak its name. As a high-water mark of bro culture, nothing can ever top the MTV series 'Bromance,' with Brody Jenner and his search for a new BFF.
- Rob Sheffield
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'The Voice' has lots of singers who fit the 'Idol' mold of young, innocent ingenues with psycho stage moms. But it also has long-suffering adult pros, with a whiff of thirtysomething despair in their voices. That adds an edge of realness.
- Rob Sheffield
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In the old days, when a star left a still-thriving hit show, they'd celebrate by killing him or her off. But 'The Office' dispatched Michael Scott in a crueler and more final way: they made him normal. Since we're talking about Michael Scott, 'normal' might be stretching it, obviously.
- Rob Sheffield
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Watching the evening news in 2011 is a strange time-travel experience. 'The CBS Evening News,' 'ABC World News' and 'NBC Nightly News' haven't changed their style over the decades, still going for that old-fashioned mix of voice-of-authority pomp and feel-good fluff. The difference is that people aren't watching.
- Rob Sheffield
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You'd think if anyone could charm America into caring about the evening news, it would be Katie Couric, the Tri Delt from Virginia who became America's sweetheart on the 'Today' show. But her ratings have been dismal - she comes in last place every week.
- Rob Sheffield
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The main job requirement for a network-news anchor is thinking it's the only important job in the world. This is a field where solemn gravitas isn't a drawback; it's the whole point.
- Rob Sheffield
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The key thing about LCD Soundsystem is that people always wanted this band to exist. For years, it was glaringly obvious that a band like this should exist, and people were impatiently waiting for them to show up.
- Rob Sheffield
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Rebecca Black might sing like a robot, but that's just proof she has evolved beyond us. Her vocal is just a slightly exaggerated version of the robot glitch-twitch stutter that's been mainstream pop vocalese for the past 10 years or so.
- Rob Sheffield
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You can hear the Celtic heartbeat all over Europe and America, from Bing Crosby to Jack White, from the Smiths to My Bloody Valentine, from House of Pain to Marky Mark and the Funky Bunch.
- Rob Sheffield
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Do you believe in Madonna? Because Lady Gaga has got something to say about 'Express Yourself,' and she's turned Madonna's fourth-best single of 1989 into her own instant-classic club anthem, 'Born This Way.'
- Rob Sheffield
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It goes without saying that 'Buncha Losers' comedies speak to tough times. The massive unemployment of the Reagan years gave us 'Taxi,' 'Cheers' and the genre-defining 'Night Court,' a show you could never admit to watching without making people feel sorry for you.
- Rob Sheffield
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The first season of 'Community' stumbled a bit because the plotlines too often veered into realism, but that is not a problem anymore. Not when prize episodes concern a campuswide blanket fort, or a secret garden with a magic trampoline.
- Rob Sheffield
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'Buncha Losers' comedy is one of those homegrown American art forms, up there with infomercials and Elvis-shaped soap carvings. No other civilization could have invented it. The French took a stab with Sartre's 'No Exit,' but then they had to ruin it with a lesson at the end.
- Rob Sheffield
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The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
- Rob Sheffield
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The hottest trash-disco star in the world: Ke$ha! She has a lot in common with Kiss, actually, even spelling her name with a dollar sign the way Gene Simmons probably always wanted to.
- Rob Sheffield
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When Ke$ha tries to rap like L'Trimm, she sounds like any ordinary lonely teenage girl stuck in a nowhere town, singing along to her radio and dreaming of a party where she's the star. Ke$ha's greatness is that in her voice, you can hear both the loser girl and the star. All hail the Queen of Noi$e!
- Rob Sheffield
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Every now and then, Prince decides to try being a normal rock star. You know, the kind who does a professional arena tour where he plays the hits. But part of what makes him such an eternally fascinating star is that he lives in his own private purple world, even when he sets out to make the house quake.
- Rob Sheffield
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On 'Idol,' Steven Tyler will be sitting at a table with two other judges, and part of his job will be keeping his yap zipped while they talk. This makes no sense at all, since Tyler has zero yap-zipping skills.
- Rob Sheffield
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Hometown Aerosmith fans are different from other Aerosmith fans, and that mainly has to do with Joe Perry. It's tough to overstate his strange grip on the local psyche. Tyler is a star who belongs to the whole world, but Perry, that dude belongs to Boston.
- Rob Sheffield
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But MTV relishes its vestigial role as a star maker, so every year it puts all its clout into making the VMAs the biggest, splashiest, loudest show-biz extravaganza of the year, honoring all this music for existing, after a year of paying barely any attention to it.
- Rob Sheffield
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One of the best moments of any Liars show is hearing the crowd squawk 'We're doomed! We're doomed!' on cue during 'We Fenced Other Houses with the Bones of Our Own.' Maybe not the most uplifting audience sing-along in the indie rock world, but one of the most reliably entertaining.
- Rob Sheffield
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One of the things that make Liars so fascinating after five albums, each one so completely different from the others, is that even though they play around with all the classic tropes of art-damaged angst-noise perv-rock, they exude a totally cheery and boyish enthusiasm onstage, goofing around with their keyboards and beatboxes.
- Rob Sheffield
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Baseball's Opening Day is full of time-honored traditions: the President throws out the first ball, the Cubs' starting pitcher walks away with a 54.00 ERA, the Royals get mathematically eliminated from the pennant race.
- Rob Sheffield