You look at 30 Seconds to Mars, and you don't think, 'Ooh, I bet they're angry.' No one really does anger these days. I suppose it's a turn-off.Collection: Anger
My father was always Labour, and my mother was always Conservative, so I tended to sort of go in the middle.
America stopped making vinyl and phased out the single but Germany held out and refused. Warner's never phased out vinyl in Germany. Now America imports it!
I think people expect mud at festivals, I think you'd be asking for your money back if you didn't get it.
But then I quite enjoy when something goes wrong, because when I watch DJs that take it very seriously, it's nice when you make a mistake and laugh about it.
It's quite ironic I suppose, it's that thing about being in a group when you all start out as friends and then invariably end up hating each other. So I just thought they needed telling really, in case they were labouring under the apprehension that they were still friends.
Actually when we stopped New Order I was busier than ever. The only gaps have been while we've been writing.
When you balance it against New Order, New Order don't work or tour relentlessly. We definitely work in our own way and sometimes it's a bit too slow for me, so I like to plan ahead and fill my time up.
It's the same misconception I used to have. I meet people and think they're millionaires and they're not.
I think that you have to bear in mind that music is about escape, and it's not unreasonable to think the music business would be based around escapism.
The scary thing is when I did my set in Texas everyone was excited. The show was great. I was done and the next DJ put something on vinyl and the difference! The quality!!
They amaze me most of those remixes. Some of them are crap. But every time I complain, someone comes up and says they are for a different market that you don't understand. Some of the New Order ones are really great, though.
We've had a problem finding a vocalist. We have not been lucky yet to find the one. I think the problem is that the three of us have such a pedigree of vocalist, that if we come out with someone that's not good we'll obviously be slated!
We don't to be some kind of rock supergroup for the sake of being a supergroup. You want to change things and say something fresh and new so you appeal to people as a new group.
To me, New Order split up when Bernard and I stopped writing together. We started Joy Division together; we started New Order together.
I don't pretend to be Joy Division or New Order. What I do is very straight forward: it's an interpretation and a celebration of the music, with different people. Everyone looks at it and knows exactly what I'm doing.
I prefer it when I can intimidate the audience rather than the audience intimidate me. I've been lucky in my career to have both.
Once you made that decision to split New Order up, you were like, 'Woo-hoo! I better get out there and get a job.'
My mother used to always say to me, 'Do naught, get naught.' It's an adage that I hold by. If you don't do anything, you can't really expect anything.
I read one too many books about Joy Division by people who weren't there, and they always seem to dwell on the dark, the intense, the miserable image of Joy Division.
Music was such an important part of everyone's life in the '60s and '70s, but everywhere you played, the music was dreadful.
The thing with Joy Division's music is that each member was playing like a separate line. We hardly ever played together; we all played separately. But when you put it together, it was like the ingredients in a cake.
To be in one band that changed the world musically is pretty good, but to be in two bands that changed the world musically, that's amazing.