I went to private school in Manhattan, and at a young age, they made us do public speaking. For some reason, I was good at standing in front of the class and speaking.
Even when I'm alone, my life revolves around film. I think that's why I live in New York, not L.A., where it's so concentrated.
Sometimes I think your intellect can get in your way as an actor or an artist. When you come from a world of improv and comedy, you're able to let it flicker and fall out.
When you repeat yourself so many times, even if you're speaking the truth, the repetition starts to feel false. Sometimes, you just feel like the words you're speaking, even if they once had meaning, have lost it. And that makes you feel kind of silly.
People think memorizing lines is hard, when that's the last thing you worry about. You get that done, and then you've got to worry about the internal stuff, which is the challenging part.
I think control is a two-way street; sometimes people want to control things to keep them safe if they are afraid of life.
I started acting pretty young, so I haven't had too many odd jobs. But I used to sell candy out of my locker in middle school.
There's a lot of people that I would love to work with. There's a lot of different kinds of parts I wanna play. As your career progresses, you hope that you get some more opportunity or some more choice.
One thing you notice is, there's a lot of people with raw talent, and then there's people who take that talent and work hard.
I really don't want to go to work every day convincing myself of what I'm saying. I want the material to make me a better actor; then I try to return the favor to the material.
As an actor, the toughest thing is being subject to circumstance. Meaning: What scripts are out there that are available?
There's that thing that if you want to have any kind of lasting love, I think you have to love the whole person and not just the parts of them that you choose.
With somebody like Harrison Ford, they're so commanding and confident, and you know, he does have a certain power or charisma, and those are things that are sort of ineffable.
I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.
People have asked me about playing outsiders. I don't consider myself an outsider. Maybe that's why I'm interested in that. I'm not really sure.
I don't want my learning curve to be stunted by just all of a sudden doing work all the time and not being careful about the work that I'm doing.
You try to get to know your character as best as you can before you start filming - what's written and not written.
I've seen people, where if they have to wait around the set for three hours, and they call you at the wrong time, and they're not ready for you, some people don't like that.
I love filming in New York. I love New York movies, too. I just like it when people can take New York and make it their own, because there are so many different New Yorks.