How can we have our privacy? How can we have our independence now in these times with these cameras? Because I think privacy and our solitude is really important.Collection: Independence
I find myself listening to Talk Talk on repeat while I'm doing gardening in upstate New York. Their music is so languid, and I just love his voice.Collection: Gardening
When my parents were dating, they were very poor, so my dad couldn't take my mom out. They would go to the grocery store and pick out funny looking vegetables. When I grew up, we'd still go and find the ones with personality.Collection: Dating
I traveled to Morocco once, and I only saw one television when I was there, but I did go into this dirt cave and I saw this kid chopping tomatoes and pita, and he had a picture on the wall of Jean-Claude Van Damme holding a gun. That connected with him on the other side of the world, so no wonder these big movies are made - they have a mass appeal.Collection: Movies
My grandmother is this amazingly theatrical woman. She acted like a movie star, as far as looks and attitude, kind of like Susan Hayward.Collection: Attitude
You know, it's a really adult thing, for some people, to choose to not be with the one that you love.
Indie movies got co-opted by the studio system. The studios insisted that only stars could make movies successful.
Sometimes I go to movies, and it's just a bombardment, and I'm not entertained by them - I'm assaulted by them! And I know I sound like such a drama queen, but I find that really strange.
I feel like there's such a responsibility, when you make a film, to enlighten people, to make them think, to make them laugh, or even just to be entertaining.
It's really weird to be taken seriously for what you're wearing. It makes me want to wear a uniform.
I like finding things in locations where I've worked and things from down South and things from flea markets or even the sidewalks.
I have a brass bed that's very 'Bedknobs and Broomsticks.' I got it on eBay. It's from the early 1900s.
I'm a good girl, you know? But I'm from the South, and there are some powerful women down there, and very theatrical.
It was just such a demeaning thing to do, being in silent movies. They'd call you up and tell you, 'Hey, jump off this building!' and they'd give you a hundred bucks, and you'd do it.
They love putting me in the 'indie queen' box. I had some high standards in my 20s that I don't have anymore.
Chris Guest has his own form. It's a way of working that is really intense, and you can commit a lot, and you focus a lot. You get to bring a lot. You get to bring things maybe you haven't seen before. You're asked to care a great deal for these people who you're playing and create heart and empathy.
I love playing a woman suffering, thinking about the choices that she's made and obviously wanting more. It's classic.
I thought I'd have a career playing women in the vein of Ruth Gordon, and we've seen that type almost disappear.
Louis C.K. was able to make it happen. His producers don't bug him. He's able to go into his cave and write exactly what he wants to write, and there are no decisions made by committee, and you have a singular voice, and everyone's like, 'Oh my God! We love this.'
We shot 'Party Girl' on film, and I remember being told, 'We need to get this in two takes because we don't have a lot of film in the mag right now!'
I like the two worlds coming together in the Internet space, which is so up for grabs... It all struck me when I heard about Twitter and Instagram, how it's like notes you pass in class. If someone's passing you a note, you really should be doing something else, and instead you're like, oh, 'What are you doing?'
How movies are financed, it's a world market now... I feel like, you know, the independent film way of working is something that was in my bones. It's like being a part of a punk band, but no one's singing punk rock anymore. Only a few bands are able to play, and Woody Allen is one of them.
The culture is eating nature; it's overpowering storytelling. Movies are turning into games - it's abut the image, not nuance.
I love the romcom. I thought I had a career playing the best friend. What happened to that? It's really sad to me.
I get to enter into the world the director has created: to live these different lives on top of my own life.
When I did 'Guffman,' it was terrifying. I didn't know what to say. I started talking, and it just came out.
Do you know why I don't like doing press? I have trouble condensing things. I'd rather have a conversation.
I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
I sang in 'Waiting for Guffman,' and I sang in 'A Mighty Wind.' I can carry a tune, but I don't like that Broadway singing.
I think people probably think I self-start, but I don't... I'm an actor, and I like to be of use to the director. To be a muse.
They're like a weird couple. If you were to personify the artichoke and the oyster, they would have a great date. They would totally get along.