'Castle' is a guy living in a fantasy world. He's in his imagination, writing these stories of murder.Collection: Imagination
You want to put out a TV show? If you have the money to do it on your own, by yourself, and you have a TV network, you can do it by yourself. But the nature of the beast is, art needs finance. That's how this industry works. So until the Internet becomes our source of entertainment - and watch it, I believe it will - this is how things go.Collection: Finance
I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.Collection: Imagination
I got amazing training both with Theatre Sports... back in Edmonton, Alberta - I can't give those people enough credit - and the daytime drama I did. Incredible training, both of them.Collection: Amazing
I kind of fell backwards into acting. I was studying to be a high school teacher. I look now and I understand completely, or actually barely, how much work it is to be a teacher. It's an incredible amount of work.Collection: Teacher
I was attending the University of Alberta. I was going to be a high school teacher, like my parents. I failed - no, I didn't fail a class, I just barely passed. I really didn't try. It was Canadian history, through the plays of the time. My God, those were boring plays.Collection: Teacher
I'm comfortable only when there's a mutual attraction. That's what anyone wants. If I find out she's not attracted to me, it brings down my level of attraction to her. If I'm interested and find out she's not, I tend to cool off.
Oh, boy. I'm still in touch with about 90 percent of my exes. They would describe me as being unlucky in love.
If I got $300 million from the California Lottery, the first thing I would do is buy the rights to 'Firefly', make it on my own, and distribute it on the Internet.
When I go to a sci-fi convention, oh God, it's the closest thing to being a rock star I will ever know in this life. I want to be a rock star, don't you? It's a good thing to be, a rock star.
It's so great in Hollywood now. You have people past 40 sitting and talking about serious stuff, writing and making movies and TV, but there's laser pistols and superheroes and alien monsters involved. It's viable and mainstream.
I remember when TiVO first came out I was all about TiVo. I came home and that thing was frozen, and I thought 'This is awful. This is the end of the world'. Then I unplugged it, and I plugged it back in, and still frozen. It was paralyzing. I called them. They said, 'Just unplug it longer.' Fixed. But it also taught me I'm an addict.
I had an Indiana Jones fedora that I loved. I don't know what happened to it. I don't know where it went. Wish I had it back. Whoever's got it, you suck.
Karaoke is something that's near and dear and very close to my heart. I was a karaoke host when I was working my way through university. I was a full-time student and karaoke was my night job.
I thought what would be really just choice for a revamp and a reboot is 'The Greatest American Hero.' I think I'd be just that kind of perfect not prepared for this kind of thing, but thrust into circumstances he's not prepared for... that's another niche of mine. Unpreparedness. Not knowing what to do. I'm good at being that guy.
My guiltiest pleasure? 'Untamed & Uncut'. Videos of people being attacked by animals. Yeah. I don't know why. I just love seeing guys who say, 'I'm gonna stick my hand in that crocodile's mouth and see what happens.' And then it snaps down on them. There you go - that's what you get! It's a wild animal, my friend.
My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.
You have a dramatic portion of your television program and you treat it dramatically, and then you have a comedic portion of your program, and you treat it differently. Why do you change who are between the two pieces? You're the same person. Just go.
It's a trap I've fallen into earlier in my career - trying to be liked. Don't do it. When I watch TV and I see someone trying to make me like them, acting cute or quirky or goofy, I'm not impressed. Don't act like America's watching you. Just latch onto your character. Characters are flawed. Be unlikeable. Be flawed. Be a person.
What I know of Steve Trevor is everything that I learned from 'Wonder Woman,' the television series with Lynda Carter. And I don't remember much. I do remember his uniform, though.
My brain is like a hard drive. Once you start adding new information, you start cutting off old information.
Improv as an actor makes you present in the moment. You listen, you're attentive. You're not acting so much as reacting, which is what you're doing in life all the time.
In all my characters, I try to find an iota of myself, and in Castle, I found a lot. He gets away with a lot, so that's fun.
I've always fantasized about being on TV. And I was. Then I fantasized about being in the movies. What could be better than captain of a space ship? I get to ride horses, shoot guns, have adventures.
You know, Castle's the kind of guy that when he meets somebody, that's a connection for him. He remains connected to the people that he meets. That's the kind of guy he is, be they criminals, gangster rappers, mafia guys, art thieves, whoever it is, he nurtures those relationships.
I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house.
Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
I like to say there's certain things you can't take back: One of them is 'I love you,' and one of them is bullets.
I'm constantly pitching one episode where we see life through Castle's eyes. I think Castle's just a little off as far as his perception goes. A very, very clever man, but I want to see the world as Castle sees it - kind of a rose-colored glasses, all the women find him irresistible, all the guys find him super cool and do whatever he says.
I'll tell you what I really enjoy. We all go to the movies, we all watch television, we know what they're about, how they work. When the main character is a cop or a spy, it's very exciting, but I also very much enjoy when the main characters are nobodies - a trucker.
I have a lightsaber at my front door for home protection. I have an 800-watt electric skateboard that I use to run errands in my neighborhood. It can go about six, seven miles, so depending on how much time I have, and how much I have to carry home, I'll take it really far. I love that thing.
I tell you, 'Firefly'? Best job I ever had. Heartbroken when it was canceled, but had it not been canceled, I never would have gotten 'Serenity'. I think 'Serenity' is the most incredible thing I've ever been able to actually get my hands on and do. I can't even tell you how much love I have for that project.
Thank God there is a such thing as hiatus. We got the first 'Dr. Horrible' done in six days, we banged it out.
I had a Ford F-250. It was a big ol' farm truck, but it wasn't a rig. That's about the biggest I've ever driven. That's what I drove back and forth to high school. I was a poor guy, and it was a truck that my uncle owned and let me drive because I had no money.
I've kind of learned this about Joss Whedon. Never say never. I've learned that. I also have another rule about Joss Whedon. Never say no. Just... whatever Joss Whedon wants to do, just do it.
'Desperate Housewives' is an ensemble cast, where I played a tertiary character. I made a lot of great friends, but that show didn't keep me very busy.
I want my job to include a little adventure, a little more of a heightened reality than what I'm actually living. And 'Castle' has that. He gets this opportunity to tail these homicide detectives, and he's driven by that. He's a little immature, but he's obviously loving life.
I kind of found a niche for myself after 'Firefly'. I found something that I enjoyed doing and that I did well, but as far as how I seek out a part, it's always different. It's always something that lights you on fire when you read it. It might be just one scene, it might be one line that defines the character for you.
I don't spend a lot of time online. My mother's really good at picking out if she sees a really great review, and she'll forward it to me. She's like my little Internet filter. It's always nice to see something going up; if I want to find something on Nathan Fillion, I do know where to look, but I've got a nice little delivery system in my mom.
Being in the industry, I've seen many situations where someone will get the call from the network where they say 'You guys have 5 episodes to wrap it up.' Then all your long-term story arcs gotta get wrapped up in five episodes because that's how many episodes you got left. I would hate to see that happen to 'Castle'.
I think I've been really good at surrounding myself with really talented people. I've picked the right coattails to ride on.
I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
I've had a long line of failed television programs, pilots that were never picked up, series that didn't go very long. I've learned that there's really nothing you can do. If it's not in my control, I try not to worry about it.