According to me, 'Kalyug Aur Ramayan' was my best script. But because it went through a lot of changes it lost its sheen.
Dilip Kumar was meticulous and specific about each nuance of his own character. He imbibed that sense in me too.
Meri Desh ki Dharti' happened when lyricist Gulshan Bawra and I gone to a shrine to pay our respects.
Every film-maker while writing a screenplay comes to a landmark point in the plot where he thinks a scene can be narrated musically.
Gulshan has only gone away physically. He was a wonderful man. He was a friend to everyone, never gossiped.
Shaheed' was the first film to win three National Awards. I was the first writer to get the award for story writing.
I remember Kamini Kaushal had said goodbye to films when I was making 'Shaheed.' But I narrated the story to her and convinced her to do my film.
Keeping the same background and repeating the same shots is not choreography. It means that a song should take the story forward. If you dont know that, you have no right to choreograph a song.
I have no respect for anybody who is not original, irrespective of the fate of his/her product at the box-office.