As human beings, we aren't as individual as we'd like to believe we are. And I think that's what makes acting possible. Despite the fact that I have not experienced something, I have it in my human capacity to imagine it and to put myself in someone else's shoes, and to take someone else's circumstances personally.
There have been rumors and rumors and rumors about my love life. That's the one area that I really like to hold close to my heart.
One of the reasons why I went to the Yale School of Drama is because I felt that I was acting off of instinct, but sometimes that is not reliable. When you're not feeling it, what do you do? So, going to grad school was about getting the tools to just use my instrument to the best of my ability.
I feel privileged that people are looking up to me, and perhaps a dream will be born because of my presence.
My immediate family was always very supportive. It was my own fear of the rest of the world not accepting me, the rest of our society not accepting my wish to be an actor.
What fame does is there is an illusion of familiarity that is cast into the world. So it's about negotiating with that illusion because, oftentimes, you encounter people who have encountered you, but you haven't encountered them. It's a little weird to find your footing.
My conscious life has all been in Kenya, and it's my point of reference. But going back to Mexico was very formative.
Steve McQueen is a genius. And I think that word is overused, but I think with Steve it's rightly used. He's a genius.
I love filmmaking, but I decided to go to drama school because I thought that when I'm 60 and looking back on my life, if acting hadn't been a part of it, I would hate myself.
I always envisioned working in film and in theater. Theater and film are not, they're not in any way substitutable. What I love about theater is so different from what I love about film, and I enjoy the craft of both.
My father was a professor of political science and also a young politician fighting for democracy in Kenya, and when things got ugly, he went into political exile in Mexico. Then I moved back to Kenya shortly after I turned one, and I grew up in Kenya.
I spent some time back in Mexico at 16 because my parents thought it would be prudent for me to learn Spanish, because I held a Mexican passport.
All throughout filming '12 Years a Slave,' there was a focus like no other. Everyone took ownership of this film and gave their all.
Drama is my sweet spot, but the thing about being an actor is that you want to do a variety of things. I definitely love fantasy and would want to be in a fantasy project.
When I was younger, I was almost too afraid to admit that I wanted to be an actor. I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
I come from a very close class. I lucked out because drama schools are often very competitive... I have fourteen classmates.
The set of '12 Years a Slave' was an extremely joyous one! We all recognized that we were making a powerful, necessary and beautiful film, and we weren't about doing it without that sense of responsibility, and we recognized that we needed each other to tell this story. We also knew we needed to hold each other up as we told the story.
I was raised in Kenya, and I always wanted to be an actor from when I was really, really little, but the first time I thought it was something that I could make a career of was when I watched 'The Color Purple.' I think I was nine, maybe, and I saw people that looked like me - Whoopi Goldberg and Oprah.
I can speak of actors that I love. I love Cate Blanchett, Viola Davis, her tenacity. I love Charlize Theron. She's so surprising and so exhilarating, the kinds of projects she takes on. Marion Cotillard as well.
I have the opportunity to learn about the fashion world, and I appreciate it as an art form... But I never want it to take over my acting.
I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
I've loved the opportunity to learn about the fashion world and appreciate it as an art form, and I look forward to my continued education, but I never want it to take over my acting.
I am thrilled beyond words that The Academy has recognized my performance in Steve McQueen's '12 Years a Slave,' and I am deeply proud to be in the company of my fellow nominees.
I thought I was going to school to be other people, but really, what I learned was to be myself - accepting myself, my strengths and weaknesses.
I grew up in the limelight and being the child of someone famous. So my relationship with fame is not bedazzled.
I give myself homework when I have an audition. I give myself goals, and that's how I check how I'm doing. It can be something simple like 'listen,' or 'find your feet.' And then afterward it's an assessment, so in a way it's not about booking the job or not. It's about what I learned as an actor about that character.
I never, in my wildest dreams, could I have thought that the first role I get out of school would lead to an Oscar nomination.
It's great to have something to dress up for. You know, I spent three years in slacks at drama school, so now I like putting a dress on.
I never understood who all those people are behind the actors! When you see them on the red carpet on TV, you go, 'Why does that person need such a large entourage?' And then you realize that every single person there has a role to play.
I was born in Mexico because my father was teaching at a school in Mexico City. I was born during the third year he was there. And when I was 16, I returned to Mexico to learn Spanish.
I would love to have a career that's governed by the material; I always want to be part of stories that I feel are worthwhile.
I do my best work when I feel conviction to say something through the character I play. Always I want to have integrity and not compromise that.
I grew up watching foreign programs - American, English, Mexican, and very little Kenyan. 'The Color Purple' was the first time I saw people who looked like me.