I would love to give you a more in-depth coherent explanation of my view of the soul, and if I had one I would. The soul and my concept of it are as ephemeral as anybody's, and possibly more so.
I'm never interested in movies where you don't care about the people you're watching, and that's my biggest quibble about horror, that kids have gotten stupider and stupider.
Everybody who labels themselves a 'nerd' isn't some giant person locked in a cubbyhole who's never seen the opposite sex. Especially with the way the Internet is now, I think that definition is getting a little more diffuse.
Sarah Michelle Gellar's made some really good choices. She's had some bad breaks. She goes with the independent, interesting young filmmakers and then they get slammed, like 'Southland Tales.' I'm proud of what she's trying to do. It's hard.
I used to write chronologically when I started, from beginning to end. Eventually I went, 'That's absurd; my heart is in this one scene, therefore I must follow it.'
Kristen Stewart is kind of captivating; she can just stare at stuff and it works because I still want to watch it.
It's only recently women got to be action heroes on TV. Progress is slow, and often non-existent. There's plenty of cool comics with female characters... But all it takes is one Catwoman to set the cause back a decade.
I eat 'The Walking Dead' like its made of brains. Can't even watch the show, I love the book so much.
I respect the rules of TV, the rules of keeping things commercial and interesting and pop-y and fun.
Making 'The Avengers' was very important to me, but it was also extremely arduous. I missed my friends and I missed my home, so I decided to throw them all on camera, which is the only way I seem to know to relate to people.
The two things that matter the most to me: emotional resonance and rocket launchers. Party of Five, a brilliant show, and often made me cry uncontrollably, suffered ultimately from a lack of rocket launchers.
I hate it when people talk about Buffy as being campy... I hate camp, I don't enjoy dumb TV. I believe Aaron Spelling has single-handedly lowered SAT scores.
Personally, the NSA collecting data on me freaks me out. It totally freaks me out. And yet I'm from the generation that wants to put a GPS in their kids so I always know where they are.
I don't want the giant ego. I don't want to become Kevin Costner, singing on the soundtrack to The Postman.
As far as I am concerned, the first episode of Buffy was the beginning of my career. It was the first time I told a story from start to finish the way I wanted.
I love to write. I love it. I mean there's nothin in the world I like better, and that includes sex, probably because I'm so very bad at it.
I love fantasy. I love horror. I love musicals. Whatever doesn't really happen in life is what I'm interested in. As a way of commenting on everything that does happen in life, because ultimately the only thing I'm really interested in is people.
That title, is one of the things I fought for. A lot of people said 'But it's stupid, and it's the title of a comedy movie, and people won't take it seriously,' and I'm sure there are some people who still don't. But for the most part, people do see that we really have a quality show.
When I created Buffy, I wanted to create a female icon, but I also wanted to be very careful to surround her with men that not only have no problem with the idea of a female leader, but were in fact engaged and even attracted to the idea.
I think everyone who makes movies should be forced to do television. Because you have to finish. You have to get it done, and there are a lot of decisions made just for the sake of making decisions. You do something because it's efficient and because it gets the story told and it connects to the audience.
There are two things that interest me - and they're both power, ultimately. One is not having it and one is abusing it.
If somebody comes up to me, it's because they're moved by something I'm moved by. I've never taken a job I didn't love... So when somebody's coming up to me, or they're writing, they're in the same space I am in.
'The Sixth Sense' is fine the second time around, but honestly, the first time around, it's dazzling.
We are, all of us, incoherent text, and just knowing that - knowing that no matter how much you say, 'I am this' and part of you is not that - means that you can say it.
Everything I write tends to turn into a superhero team, even if I didn't mean for it to. I always start off wanting to be solitary, because a) it's simpler, and b) that isolation is something that I relate to as a storyteller. And then no matter what, I always end up with a team.
I think it's always important for academics to study popular culture, even if the thing they are studying is idiotic. If it's successful or made a dent in culture, then it is worthy of study to find out why.
The way a musical can make us feel is unlike anything else, in song and particularly in dance. I think people fly through plate-glass windows when they get shot because movies don't have dance scenes any more. This is what we do instead.
If somebody is in a story, they need to be there for a reason, and not just to set up somebody else's story.
I still believe that even though 'The Empire Strikes Back' is better in innumerable ways than 'Star Wars,' 'Star Wars' wins.
Writers are completely out of touch with reality. Writers are a crazy person. We create conflict - for a living. We do this all the time, sometimes on a weekly basis; we create horrible, incredible circumstances and then figure a way out of them. That's what we do.
I don't tend to write straight dramas where real life just impinges. But because I don't, when I do, it is very interesting to slap people in the face with just an absolute of life.