There's definitely healing properties to being in proximity to the ocean and that breeze. There's something about that Caribbean climate and humidity.
Simplicity - that's what I want. It's been a rare commodity for me for a number of years, but I enjoy being able to hang out with my girl, read the newspaper, and sit back and start to read a book by someone I admire, like Lawrence Krauss or Christopher Hitchens. And that's it - simplicity, where the game of Hollywood doesn't exist.
I pretty much try to stay in a constant state of confusion just because of the expression it leaves on my face.
I like the challenge of trying different things and wondering whether it's going to work or whether I'm going to fall flat on my face.
With my kids, they're told 75 times a day that they're loved. One thing I know is they feel loved and secure and happy and needed and necessary and a part of something.
I don't know if I can relax. Relax, I can't do. My brain, on idle, is a bad thing. I just get weird. I mean, not weird. I get, I get antsy.
For me, it's always more difficult and slightly exposing to play something that's close to yourself. I always like to try to hide, just because I can't stand the way I look.
I always wanted to be a character actor rather than the poster boy that they tried to make me 100 years ago. An actor has a degree of responsibility to change for the audience, to give them something new each time, to surprise and not bore them.
The only gossip I'm interested in is things from the Weekly World News - 'Woman's bra bursts, 11 injured'. That kind of thing.
I remember in that red leisure suit I sort of felt like a Pizza Hut employee, and the white one was the ultimate, with the white turtleneck collar, that was the ultimate in bad taste.
When I can focus on something like guitar or painting, I do. I started painting people I admire, like Kerouac, Bob Dylan, Nelson Algren, Marlon Brando, Patti Smith, my girl, my kids.
I'm just an actor, and if I can leave something behind that my kids will be proud of, then that's what I want. I don't want my kids to be embarrassed by anything I've done.
When you have children, there is no room for lies, no room for anything but the truth. Anything other than that is a bad example, I believe.
'Edward Scissorhands' was tough to let go of because I found real safety in allowing myself to be that open, that honest. To explore purity. It was a hard one to walk away from.
Here's the thing - if Donald Trump is elected president of the United States, in a kind of historical way, it's exciting because we will see the actual last president of the United States. It just won't work after that.
I made odd noises as a child. Just did weird things, like turn off light switches twice. I think my parents thought I had Tourette's syndrome.
On a film, you start to get closer and closer with the people you're working with, and it becomes like this circus act or this travelling family.
I've had the honor and the pleasure and gift of having known Elizabeth Taylor for a number of years. You know, you sit down with her, she slings hash, she sits there and cusses like a sailor, and she's hilarious.
When kids hit one year old, it's like hanging out with a miniature drunk. You have to hold onto them. They bump into things. They laugh and cry. They urinate. They vomit.
With Ed Wood, it was this sort of blending of Ronald Reagan, the Tin Man from 'The Wizard of Oz,' and Casey Kasem.
The thing is, even if you're playing sort of a heightened character and playing inside sort of a heightened reality, you can still apply your own truths to those characters.
I did do a film that I refer to as 'The Unpronounceable' by a guy named Yvan Attal with Charlotte Gainsbourg. I had a bit part in there. That was quite fun, doing scenes in French.
After I had done the first 'Pirates' movie and 'Secret Window,' I went on vacation to escape with my kiddies and my girl, and someone said that there was an island down the road for sale. I said, 'Oh well, let's go see it.' I looked at it, I walked on it, and I was done. It had to be.
When I played Tonto in 'The Lone Ranger' and was playing the older Tonto, I would just leave the makeup on and go to sleep because it was a four or five hour job; it was, from the waist up, all over me.
The commercial flight thing, it just gets a little weird when you're standing in line and suddenly you're not just a guy standing in line anymore - you become sort of 'novelty boy.'
Lily's really together - she's a sharp kid and one of the smartest human beings I have ever met. Whatever she is doing, if she needs any advice, I'm there for her. Kids are going to make their own decisions, but I guess that the only thing you can do as a parent is to offer support. And I do.
Anything I've done up till May 27th 1999 was kind of an illusion, existing without living. My daughter, the birth of my daughter, gave me life.
I went through various stages in my childhood, as we all do, various stages of obsessions with people and things. And I did. I wanted to be the first white Harlem Globetrotter.
I think, as an actor, it is good to feel the fear of failing miserably. I think you should take that risk. Fear is a necessary ingredient in everything I do. But if I do 'Hamlet,' it will probably be in a small theater on a small stage, and it will have to be very, very soon because I'm getting a little long in the tooth for it.
America is dumb. It's like a dumb puppy that has big teeth that can bite and hurt you - aggressive. My daughter is four; my boy is one. I'd like them to see America as a toy - a broken toy. Investigate it a little, check it out, get this feeling, and then get out.
I want to be Ruler of the Exumas. I like the sound of it. I want to become Kurtz and live like in 'Lord of the Flies.'
It's all kinds of these profound things crashing on you when your child arrives into the world. It's like you've met your reason to live.
Wes Craven was the guy who gave me my start, from my perspective, for almost no reason in particular.