John Darnielle
People do all sorts of things impulsively and follow those impulses into strange places.
To me, everything is always new. People involved in my personal life make fun of me a lot for not being jaded.
Wrestling's a form of expression, and it expresses vastness.
Most of my interests in terms of writing are dark, so it's discordant how much I try to lock into the vibe of wherever I'm at. Inhabiting the life of the imagination is the nature of survival strategy - you build yourself little worlds to enjoy.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday, and you're 17 years old.
I used to break three or four strings a night, and the show would be over because I didn't know how to change the strings.
'Heel Turn 2' is about a person who's in a match, and he's playing as though the match were real. But it is real! If you're standing in the middle of a ring, and you're playing the villain, and everyone is booing and throwing things at you, that's real.
One of the great things about wrestling is how it interrogates this silly idea that you have one authentic self.
Your intelligence doesn't override your desire to destroy yourself.
I was a huge comic book fan. It's weird because the era of 'Marvel' I was into turns out to be very important in the long run, but it's not the one that anybody romanticizes.
Metal has its own code of cool, but it's not really trying to be cool. And that was very refreshing to me, that metal is very much about expressing something that seems awesome to you even if, at the time, much of the world was going to mock and reject it.
I hang out and sign records for an hour or two hours every night, and I like to hear as many people's stories as I can, because if somebody wants to share their story with me, I want to honor that.
At 23, you can completely, literally reinvent yourself if you want to.
I still can't manage to keep a journal, and people have been telling me to since the fourth grade.
There's the dual challenge of wanting to speak from an authentic place, and then being able to be honest about it. Even in the most mannered art, I think that's what people value, is a voice that comes from a real place.
I always assumed people wanted to hear me tell stories, but then I had 'The Sunset Tree.' It turned out, my own stories were the ones that registered with people the hardest.
I get nostalgic about having lived in Ames, Iowa, even though being a vegetarian in Iowa is not fun. But I really love Durham more than any place I've ever been; some small towns can be really provincial and strangling, but Durham is the best city in the world.
If I go see a band, and they play, like, zero from any of their old albums, I'm very happy about that. I do not want to see the bands of my youth playing the songs of my youth. I hate that.
To me, the only good reason to be touring is if you still have something good to share instead of just revisiting past glories.
It's not my style to be thinking about what a record is while I'm making it: I just write songs.
I think youth will always be connected to the strongest music at the time because... I don't want to use the word 'tribal,' but there was this sort of familial affiliation that people would feel with the music they were listening to.
A song is fire. You react to it primally, instantly. You don't have to decide whether you like it, and you don't really have to sit down and think about it much after you're done listening to it. It really does run through you like wind.
My songs tend to sprint toward some epiphany and then explode.
A book is a journey: It's a thing you agree to go on with somebody, and I think every reader's experience of a book is going to be different.
People think of me as a nice person because, I think, I have grown into a nice person.
Adulthood is interesting to adults. But I would never want to write about stuff I don't feel everybody can connect to.
Younger songwriters will ask me, 'What did you do?' And it's like, 'Well, I worked a day job, and I didn't stake anything. I didn't quit my day job. I didn't have any hopes at all. I just did the thing that I believed in, and I waited a long time.'
I want to make sure people know I don't think I have any magic powers. I just have a story that I share.
Back in the '90s, if you did mail order in music, you could make a good living doing it if you could hustle.
Readings are more like weaving a tapestry. Possibly people are getting a cathartic release - but music is physical. Music pummels you. It's got a beat; it's loud. Whereas this is more cerebral.
To me, creative work is labor, like any other kind of labor. It's got value, and it takes your time, and it's useful to people, depending.
I always worry that I'm a dilettante: I know something about lots of things but don't have exhaustive knowledge of much.
I think I read too much Arthur Conan Doyle when I was young and got this idea that a gentleman should know a lot about one thing and plenty about most everything else.
I got a promo of 'Nichts Muss' in what would have been 2002 or 2003 and fell totally in love with it after listening to it on an airplane that took me to Australia via Taipei and Kuala Lumpur.
More and more, I enjoy hearing people who are good at their instruments and who've found a distinctive voice. In death metal, a lot of guys are Eddie Van Halen disciples, but they take his style to really expressionistic places. It's a real pleasure for me to hear people pushing their craft.
A band's first album's usually not great. When you made the first album, you had a day job and you were still trying to be serious about it.
I watched 'Fame,' and I just love the choreography. It just gives me a place to be in another zone.
Opera combines pretty basic theater and poetry, but the storyline itself is actually quite poetic and, after some digital research, taking that actual content and seeing it as undeniably poetic.
It usually happens that I have multiple different projects going on at once, and one can be referencing the other.
You get this really cool groove when you're playing just piano, bass, and drums where everyone's sort of feeling each other's space, which is the only way to put it, but it really is true, and everyone's sort of sitting in their own pocket. It's kind of jazz-like.
I'd played with Jon Wurster as a duo just for a lark.
As an idea occurs to me, I'll either follow it or not, but I'm more instinctive than master-planner about stuff.
Life is entirely unthinkable without any of the creative arts, and they're all a continuum - the force in question is creativity, not its mode of expression.
I think, taking too long to work on a record, you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour, and I write, and I write.
I'm finding things out about myself as a person - as a writer - as I write, and so are the people who listen to what I do. But they have this additional aspect of how they take the stuff that I do, and so it broadens the work, and it creates this strange connection.
Most of 'All Hail West Texas' was written during orientation at a new job I had. I had basically worked this job before, I knew this stuff, so I was writing lyrics in the margins of all the Xeroxed material.
If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
This is why improvisational music and comedy is so inspiring: You are seeing something being born, and that energy, there is no substitute for. These songs, most of them, are about a minute old when you hear them.
You want the song to be at least at the same level of goodness throughout. Whereas with something you're doing live, a song dips and rises and that can actually be worked to the song's benefit.
I think all writing is necessarily autobiographical to a greater or lesser extent, and the less it tries to be confessional, the more likely it is that you're somehow sneaking the things you need to say in there.