I'm not fond of crowds. I'm no jittery neurotic, but I don't really want to be surrounded by a lot of people if I have a choice.
I was too old to be a punk rocker. I was a mod, that's really the only youth tribe I ever belonged to - and even then, not for very long.
Literally' - I'm not having it; people can't go around saying 'literally.' Otherwise, what's literal? There's not another word for literally: if it isn't figurative or metaphorical, what is it? It's literal: there's no substitute.
If you don't like The Ramones, you don't like rock 'n'roll. They're like The Beach Boys without the sea.
It was a tedious saying among hippies: if you're not part of the solution, you're part of the problem. I was very much part of the problem.
When the punk rock thing happened, I thought, 'Right, I have one chance here to be seen as part of some wider social phenomenon.'
Where I grew up, the one unmistakable sign of homosexuality was to betray some interest in your appearance.
I write with pen and paper. I don't have a mobile or computer, because I know how great they are. If I did, I'd never leave the house - you'd find me in six months, dead under a pile of pizza boxes.
The greatest threat to any artist is surrounding themselves with people who love everything they do.
I was pushing for a career in poetry and of course the received wisdom was that you would never make a living at it.
There are only three things that stop me sleeping: hunger, the odd bad dream and cramp in the arches of my feet - it's crippling, as if somebody's trying to tie your foot in a reef knot.
I ain't got a credit card, a mobile phone or a computer. Call me sentimental. I think that's a whole world of trouble I ain't got no business setting foot in. And you know what? It feels good.
Everybody that read one of my poems went off and wrote poetry. They said that about the Velvets, didn't they? They didn't sell many records, but everybody that saw them formed a band.
Poets are supposed to be underappreciated, don't you know? There is always a strange reaction to those who become successful in their own lifetime, and so I always felt lucky that I made the living I did out of it.
Where's the mileage in an autobiography? Anyone who writes one inevitably casts themselves as a hero, and I'm not about to do that.
The first time I heard rock'n'roll on a big sound system would have been at a fairground at the seaside. That's a hell of a sensory experience right there.
By the '80s, anything to do with punk was perceived as rancid. Me being known as the 'punk poet' meant my work and I plummeted.