Actors are supposed to be these runaways that get in a covered wagon filled with hats and tambourines and go from town to town making people smile.Collection: Smile
I grew up speaking Korean, but my dad spoke English very well. I learned a lot of how to speak English by watching television.Collection: Dad
I have a few go-to moves like jazz hands, shake the booty, stupid eyes. It was once a mating ritual, but now it's all about looking silly and making the kids smile.Collection: Smile
The key to doing 'Harold and Kumar' movies is you make it earnest. Primarily what we do is make Harold and Kumar's relationship and friendship believable, and we don't actually work on being that funny.Collection: Friendship
With acting, you are a small part of the creative process, and sometimes it is hard to feel like you are making an impact.
I feel like there's this need that the Asian-American community has to feel like people. It's something that Asians in Asia do not understand about us.
You know, I always root for the older athlete. I root for the second album. I root for solo careers after the rock star breaks the band apart.
For me, the most interesting thing is longevity and sustaining a career, because that's what's truly difficult.
It'd be nice if Asian actors could be perceived as profitable, which is the bottom line. We're perceived as not mattering much fiscally.
I just didn't see anyone on TV who looked like me, and then I saw George Takei being cool and piloting the spaceship on television.
The goal of Asians in the arts is plurality of roles. I've always been hindered by me over-thinking what is a stereotype and what isn't.
When I started acting... the community was largely Chinese-American or Japanese-American, so even then I felt like a minority in the minority.
You're trying to grow up, and you don't want to be like your parents, and that gets mixed up with being Korean... They brought their values from Korea, and I accepted them because I didn't know anything more. But as I grow older, I feel more Korean every year; it's very strange.
For a while, I was feeling like I was always playing characters that weren't specifically Korean or specifically Asian, even - that they were characters who were originally written white, and then they would cast me. And I used to consider that a badge of honor because that meant I had avoided stereotypes.
I wanted to explore Korean-American characters. And 'Columbus' did address that. The father-son dynamic felt very real to me.
There's only so much I can do to effect change - and really, the thing that I can do that's most effective is to work and to do good work. That, I feel, is speaking out in its own way.
With 'The Exorcist,' a lot of things went into it. I hadn't seen the show until they asked me, and then I checked the show out and thought it was very well done.
I have this nightmare that one day I will have to look at every picture I've ever taken with people in an airport or in bars or restaurants, and it will make me very sad.
When I saw 'My Fair Lady,' I was surprised at how mean and misogynistic Henry was. Maybe that's why it's dropping out of public consciousness.
It's so funny that Hollywood has become so entrenched in its formulas. Because what I've experienced is that the good stuff comes from places you don't expect.
I've found it to be true that sometimes a stranger can give you advice that stays with you, utter truths the closest people in your life have trouble saying.
I've thought for years, sometimes against my will, about what kind of son I'm supposed to be, what's expected. Being Korean, that's a particularly charged question. Is your duty to your culture or to your parent? Is your life your own, or the second half of your parents' life? Who owns your life?
It's hard in America as a writer of color, an actor of color, not to get caught up in race and culture. But you're also supposed to be able to write characters and scenes in a way where it's just a matter of fact, a component.
The message of 'Star Trek,' if there is one, seems to be that we should try to live up to the very best that we're capable of.