I'm hardly the most notable person in 'Zombieland.' The other actors in it are way more famous than I am.Collection: Famous
I meet people who are in movies, and the stuff that they write is terrible, but nobody tells them that because they're famous. So I worry that my stuff might be like that, too.Collection: Famous
I tend to be pessimistic about everything: If things seem to be going good, I'm worried that it's going to end; if things are bad, then I'm worried that it's going to be permanent. It's not a very comfortable attitude to have all the time.Collection: Attitude
If you went to Harvard Medical School, chances are you'll be a doctor at some place. There's a career trajectory. Acting, there's nothing. It's constantly trying to procure jobs - it's very disconcerting.Collection: Medical
Mother Teresa was asked what was the meaning of life, and she said to help other people, and I thought, 'What a strange thing to say' - but maybe it's the right thing to say.
I did children's theater when I was younger, and then when I was about 14 I started doing theater in New York City.
Nothing is harder than working with an actor who doesn't take it seriously or show up in the same way that you are.
I always thought Woody Harrelson is quite a persuasive guy. He's the kind of guy who can call you up in the middle of the night and tell you, 'Let's all go get a donut!' And you're thinking, 'It's the middle of the night,' but somehow you still get up and go get a donut.
I often think if you have time to sit around the house feeling bad for yourself, you have time to tutor a child. I'm guilty of that exact thing. I will spend more time sitting around feeling bad for myself than actually helping somebody.
As an actor, you are in a unique position because you're not only memorizing dialogue but really embodying it. You naturally feel the rhythm of good writing.
Acting is a weird, kind of alienating job because you're in an isolated place. Even if you're working with a lot of other people, you're kind of alienated. Actors say that a lot, and I kind of find that to be true.
In 'Zombieland,' it was such a freewheeling plot it almost didn't matter what the characters were doing scene to scene as long as there was a consistent banter.
My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
It's really hard to copy another actor and be successful. In fact, that's usually the reason people are not good, because they're copying something they've seen, but, for some reason with their face and their body, it doesn't work.
You can tell when you watch a movie, usually, what the actors' experience was on the movie, because even the smallest of roles were interesting.
My feeling is... when you show up to a movie set where there's, like, 50 people standing around and months of preparation gone into it, you want to be as prepared as possible, so you should make a million baguettes. That might not actually help in any explicit way, but it'll make you feel more prepared.
I personally don't feel the need to be radical for its own sake, but I probably couldn't if I tried anyway.
I made the mistake of writing something very, very short about Obama for this website that I write fiction for, and my father told me never do that again. And he was right. I have nothing to add to a political conversation because it's not my area.
Any time you play a character for a long period of time, regardless of how close it is to you, it infiltrates your life. It's impossible for it not to.
Actors dread working with studios because they dictate what you do in a way that independent movies can't.
The only suggestions I get on my plays is to make them more of what they already are, and that's wonderful.
I see writing and acting as different parts of the same continuum. Writing is better for intense emotion. If you're very angry about something, you shouldn't present it as strongly when you're acting. But if you're really angry and writing about it, that's the best way to get it out and across.
I don't concern myself with thinking ahead to the finished product. I focus more specifically on what the character is experiencing. Once you relieve yourself of the very arbitrary and always punishing pressure of what an audience is expecting you to do, acting becomes a lot more fun and pure.
I always think the second worst thing in the world is to go on stage at night, and the first worst thing in the world is sitting at home at night. For me, it's scarier to not be doing it than doing it.
As for environmentalism, I'm only an environmentalist by accident. I live in New York, so I bike, and the closest grocery store to me sells organic produce. I also shop with a book bag because I ride a bike, and it's hard to carry the paper or plastic bags.
I don't watch the movies I'm in - ever. Sometimes I keep pictures, but that's it. I used to watch my movies, because I didn't want to be rude to the people making them, but I stopped a few years ago. I think it's pretty common among actors. It's like listening to your own voice, but multiplied by a million.
I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
The happiest moments for me, creatively, are doing readings of a play around a table where there's no audience.
I write all the time because I'm lonely. When you're acting, you're working every day all day. But then you have long amounts of time off.
I grew up in a secular suburban Jewish household where we only observed the religion on very specific times like a funeral or a Bar Mitzvah.
I like driving; I don't drive since I live in New York. I don't have an opportunity to drive, like, ever.