What is amazing for a woman of my age is that I change as the world is changing-and changing very, very fast. I don't think my mother had that opportunity to change.Collection: Amazing
Beyond the beauty, the sex, the titillation, the surface, there is a human being. And that has to emerge.Collection: Beauty
Living is risking.Collection: Chance
Death is an absolute mystery. We are all vulnerable to it, it's what makes life interesting and suspenseful.Collection: Death
To go out with the setting sun on an empty beach is to truly embrace your solitude.Collection: Alone
It's like climbing a staircase. I'm on the top of the staircase, I look behind me and I see the steps. That's where I was.
My life is very exciting now. Nostalgia for what? It's like climbing a staircase. I'm on the top of the staircase, I look behind and see the steps. That's where I was. We're here right now. Tomorrow, we'll be someplace else. So why nostalgia?
Nostalgia is when you want things to stay the same. I know so many people staying in the same place.
You don't have to be a wreck. You don't have to be sick. One's aim in life should be to die in good health. Just like a candle that burns out.
Although for some people cinema means something superficial and glamorous, it is something else. I think it is the mirror of the world.
I don't like going where I've already been. Life is a myriad of territories to discover. I don't want to waste time with what I already know.
As long as you don't make waves, ripples, life seems easy. But that's condemning yourself to impotence and death before you are dead.
Acting deals with very delicate emotions. It is not putting up a mask. Each time an actor acts he does not hide; he exposes himself.
Every night I go over what I did in the day, in ethical or moral terms. Have I treated people properly? Did I tell the truth?
Aging gracefully is supposed to mean trying not to hide time passing and just looking a wreck. Don't worry girls, look like a wreck, that's the way it goes.
As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean.
Characters who are on screen from start to finish are not necessarily the ones who have the greatest impact.
I am subject to very powerful lows. When you have highs, you have terrible lows. When you pinpoint that you are responsible for everything that happens to you, it is very frightening.
I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
I think more and more people want to live alone. You can be a couple without being in each other's pockets. I don't see why you have to share the same bathroom.
I'm always amazed when young women who are having babies want their husbands to watch the babies come out. I would never allow anything like that.
If you get trapped in the idea that what is most important is what image of yourself you're giving to the world, you're on a dangerous path.
My face has changed with the years and has enough history in it to give audiences something to work with.
Something pretty... that's just the surface. People worry so much about aging, but you look younger if you don't worry about it.
To give and receive love, you have to be in touch with pain, you have to be capable of provoking it and feeling it.
When I'm acting, I'm two beings. There's the one monitoring the distance between myself and the camera, making sure I hit my marks, and there is the one driven by this inner fire, this delicious fear.