Musicians are so well covered in the press, it would be great to see more outspoken practitioners of green life.
In my relationship, I was giving myself away to make the relationship better, but in actuality, wasn't doing better by doing that. I became less of a man.
If you have nothing but love for your avocados, and you take joy in turning them into guacamole, all you need is someone to share it with.
I didn't know if I had the music for it or if I could pull off the larger concert experience. Then I realized if I can just continue to be myself, I'll be all right.
As an American citizen, one has to vote. If we don't vote, we're not doing our part. We'll become some sort of oligarchy.
A lot of those ideal towns are all starting to look the same, the specifics are starting to disappear. So we need to retain a love for life, a love for one's family, a love for where one's really from.
I do feel most at home playing live, but the feeling of getting into the studio to see the new songs take shape was really incredible.
If I'm in a relationship, that girl gets showered with letters from the road. I pour my heart into it.
Genre-spanning is the effort to make the live show interesting. It's also a great way to challenge yourself as a writer.
Well, I've been happily supporting myself for ten years now on the hustle and trade of live entertainment. I guess my breakthrough moment was when I decided to go for it once and for all.
A rescue mission doesn't involve going in and just taking a child and leaving. You can't just choose any child at random. Every kid has a case that is based on that child's original family. So, we made it over to a village, found the child; we were interacting with the child.
What I'd love to do is work with kids in the U.S. to raise their awareness and encourage them to be global citizens. We're all connected these days; we can listen to the same music as kids all around the world and share our ideas.
When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe. It resonates in your body in a way that feels extraordinary.
I recently read that it's the left brain that does all that calculating, and the right brain that does the poetry. Somehow I've veered way towards the left. I've been doing it for years. Maybe I do art to balance it out.
My whole career began because I was always putting my music on the Internet. By the time I had my first tour, I had an audience everywhere I went, because people were listening online.
I meet people every single day who have heard the music and incorporated it into their lives. I feel like I have a tribe all around the world.
I have an amazing social-media wing man who manages my Facebook fan site. All my blogs get copied there.
I started with a website, Jasonmraz.com, pre-YouTube. You could e-mail me directly, and I would send you a CD.
I have a very awesome seat in the house every time I play. When the lights come up, and the sound turns on, I'm playing for a roomful of human beings. And geographical and political borders just all dissolve. And we unite through rhythm inhalation. I mean, I'm so grateful that, you know, audiences around the world connect to English music.
I get my most creative sort of energy after a show. So I love to go back to the hotel and compose new material. Generally in a rush, exactly. I have to get it out somehow, otherwise I can't sleep, you know.
In one of my songs, I say fame is nothing more than loving someone. So I'm grateful every day that there's so many fans of people out there that love my music and feel they're connected to me through that.
Thanks to 'I'm Yours,' I'm probably set for a really long time. The pressure I put on myself, or what I hope my 'I Won't Give Up' does, is to make a difference in people's lives... With 'I'm Yours,' I got to go out and set my feet on different continents, and expose myself to different cultures and causes.
I guess my music career is my personal life. You know, I've always been a writer who wants to write about my experiences. And so this experience being added to that, I - I want to live extraordinary experiences. And when I give advice to people, I want it to be sage advice.
I think our storytellers - our songwriters should be great storytellers, and they should be mountain climbers and explorers, because music is something that can cross all different borders.
I always write to understand my place in the world. I can see myself and my life unfold on the page, and I can understand my strengths, my weaknesses - I can see where I need to step up a bit.
There's not much cooking in our household. We do a lot of raw food, so it's more about putting the right ingredients together to create something scrumptious.
Whether or not I tour forever, I'm not sure. I would love to spend more time living in harmony with nature rather than flying all over the world and contributing to global warming, you know what I mean?
When all of us are acknowledged as the human equals that we really are, there will be no space left for bullying. It will no longer be wrong to choose one thing over another.
I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
I don't think love is a tricky issue at all. Love is best understood when we share: Share time, energy, food, resources, insights, information, whatever. It's usually thought of as something that exists between two people, but that's just because it's easier to see and feel in the space between them. Each person is sharing a lot with the other.
I try to acknowledge both the sacred and the silly in my work. That goes for the live show as well. If I find myself in my head or dwelling in seriousness, I think of my friends back home and how they'd be laughing at me.
I've always enjoyed singing and can't recall a time in my life where I wasn't singing. I'm most grateful for the strength I have in that department. I have a lot of bad habits on the guitar which limits my playing ability. But I get a little better each year.
The more I travel around the world, the more I see people want the same thing - to be happy. We wouldn't be in a monetary system if we didn't have to work, so if my music can contribute to happiness, then that's my main responsibility.
I want to know why we exist and what I can do while I'm existing. Basically. it's learning how to exist, wholely, consciously. Growing up on fast food and television shows, you can easily forget to exist. You can even be treated as if you don't.
Anytime someone uses one of my songs for anything - a ceremony or a sacred moment - that, to me, is a high honor. I'm proud of the song at that point because I'm trying to write something for humans - whichever humans want to get on board and put this in their soundtrack to their soul's development or spiritual lives.
Steven, my friend who came out to me my senior year, was a huge Madonna fan. So I may know all the words to 'Bedtime Stories,' 'Erotica,' and a few more of her albums - and we may have watched 'Truth or Dare' a thousand times.
By the time my children are born, I know it's possible that they can grow up in a world where they don't understand that there were ever any dividers between people and why we have the issues we do today. That's my goal in this life.
Paul McCartney and John Lennon would often write a song a day, so I have the same workmanlike philosophy.
There's a certain feeling of giving, a certain feeling of generosity in love songs. When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe. It resonates in your body in a way that feels extraordinary.
I've been making demos at home for many albums now. So over those years, I've learned how to record music, and I love being at home. I excel when I can make things at home.
I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
My whole career began because I was always putting my music on the Internet. By the time I had my first tour, I had an audience everywhere I went, because people were listening online. I started with a website, Jasonmraz.com, pre-YouTube. You could e-mail me directly, and I would send you a CD.
I have an amazing social-media wing man who manages my Facebook fan site. All my blogs get copied there. My e-mail in-box exploded, and I don't have that kind of time. My mom and sister have their whole life on Facebook, and I'm not there.
I've played Madison Square Garden and Jones Beach several times, but I personally don't enjoy those larger venues. I much prefer theater or a performance space.