I have written about Chile extensively, and therefore I have read many books on the subject, mostly for research.
If this world is going to be a better place for our grandchildren and great-grandchildren, it will be women who make it so.
I have travelled all over the world and one thing that amazes me is that I can communicate with people. My story may be different but emotionally we are all the same.
I never thought that I would come to live in the United States. I was not pursuing the American dream.
We want a world where life is preserved, and the quality of life is enriched for everybody, not only for the privileged.
The fact that I am a writer comes from the experience of being cut away from my roots and living in Venezuela, where I couldn't find a place for myself, for years and years.
Nice people with common sense do not make interesting characters. They only make good former spouses.
For real change, we need feminine energy in the management of the world. We need a critical number of women in positions of power, and we need to nurture the feminine energy in men.
The world starts to exist, for Americans, when we are in conflict with a place. And then all of a sudden, Afghanistan pops up on the TV screen and it becomes a place. And it exists for three weeks, and then it disappears into thin air.
Everything I write has to be connected to my life. One of the things that always comes up in my writing is the search for freedom, especially in women.
All summer, I read fiction because you must read for the pleasure and beauty of it, and not only for research. I don't read thrillers, romance or mystery, and I don't read self-help books because I don't believe in shortcuts and loopholes.
If I can write it, I can cope. And I've been writing many books, but in every book, I try to explore something in my own soul that I need to solve, I need to understand.
The longest, most solid and complex relationship in my life is with my mother. It started before I was born, and now, when I am 71 and living in California and she is 92 and living in Chile, we are still in touch daily.
Before the military coup in Chile, we had the idea that military coups happen in Banana Republics, somewhere in Central America. It would never happen in Chile. Chile was such a solid democracy. And when it happened, it had brutal characteristics.
I read on my iPad when I travel. I listen to audiobooks in the car. I read books in my bedroom, where I have a comfortable couch, a lamp and two dogs to keep me warm.
All stories interest me, and some haunt me until I end up writing them. Certain themes keep coming up: justice, loyalty, violence, death, political and social issues, freedom.
Feminism is not dead, by no means. It has evolved. If you don't like the term, change it, for Goddess' sake. Call it Aphrodite, or Venus, or bimbo, or whatever you want; the name doesn't matter, as long as we understand what it is about, and we support it.
One of the characteristics of North American culture is that you can always start again. You can always move forward, cross a border of a state or a city or a county, and move West, most of the time West. You leave behind guilt, past traditions, memories.
I was not supposed to be in any way a liberated person. I was a female born in the '40s in a patriarchal family; I was supposed to marry and make everyone around me happy.
I try to let go of the intellect and just tell the story. I only read the page I have in front of me on the screen. Then when the whole story is told, I print it, wait a week and read it.
I was a very bad journalist. Awful. I would just invent everything. If I did an interview, I had a preconception of what that person should say and I would put my words in his mouth.
I write to understand my circumstances, to sort out the confusion of reality, to exorcise my demons. But most of all, I write because I love it!
The media could do a much better job, that's for sure, especially the media that targets women... Human rights? They couldn't care less!
I have more freedom when I write fiction, but my memoirs have had a much stronger impact on my readers. Somehow the 'message,' even if I am not even aware that there is one, is conveyed better in this form.
The fact people think that when you sell a lot of books you are not a serious writer is a great insult to the readership. I get a little angry when people try to say such a thing.
I am an American citizen and it is my home now. I like the U.S.A., which is not a place too many people have liked since Bush. The U.S. has a young population, and everything can change within a year.
I'm interested in people who have to overcome obstacles, people who are not sheltered by the umbrella of the establishment, marginals.
Americans have a warrior's mentality, most of them. That's how this society was built. The fact that you own a gun and shoot to defend your life is a very American way of thinking.
I'm very optimistic because I think that the real strength of a nation like the United States comes from blending cultures. There's no way that you can close the frontiers anywhere. The borders are there to be violated permanently.
I don't think the world will destroy itself in a nuclear cataclysm. On the contrary, we have the capacity to save ourselves and save the planet, and we will use it.
From journalism I learned to write under pressure, to work with deadlines, to have limited space and time, to conduct and interview, to find information, to research, and above all, to use language as efficiently as possible and to remember always that there is a reader out there.
Many fiction writers write for the critics or for themselves; they forget the common reader. I never do. I don't think journalism clashes with my fiction; on the contrary, it helps enormously.
Men's memoirs are about answers; women's memoirs are about questions. Most male authors want to look good in their memoirs and have a place in posterity, while most women know that posterity is what happens when you no longer care. Women want to connect with others here and now; they couldn't care less about legacy!
I never try to convey a message, I just want to tell a story. Why that story in particular? I have no idea, but I have learned to surrender to the muse. I become obsessed with a theme or with certain stories; they haunt me for years, and finally, I write them.
In 2011, I announced that I was going to retire, and my agent panicked. So she says: 'No, no, no. You have to write a book with your husband.' My husband is a writer of crime novels. His name is William Gordon. And so I had to accommodate to his style because that's what he writes. So we decided we'd give it a try. Well, we almost divorced.
On a Tuesday, September 11th, 1973, we had the military coup in Chile that forced me to leave my country eventually. And then, on a Tuesday, September 11th, 2001, we had the terrorist attack in the United States.
I write until the first draft is finished, and then I feel that I can get out. But, during the time of the writing of the first draft, I don't go out. I'm just locked away, writing. It's a time of meditation, of going into the story.
I want to have an epic life. I want to tell my life with big adjectives. I want to forget all the grays in between, and remember the highlights and the dark moments.
I'm a writer. In Latin America, they say I'm a Latin-American writer because I also write in Spanish and my books are translated, but I am an American citizen and my books are published here, so I'm also an American writer.