'Badlands' is a very tangible record; a lot of the sounds were actual things: they were pots and pans, and they were rocks, and they were voices,and instruments used in a way to create a landscape of sound.
In 2016, makeup has become an incredible passion and hobby for men and women, but it hasn't become mainstream.
I consider myself someone who takes a lot of beauty risks, and I've realized what I liar I am. I change my hair a lot, from blue to blonde to bald, but I'm trying to branch out a little more with makeup.
Being a musician, people ask you a lot about what musicians inspire you, and there's plenty of musicians that I love and respect, but I think that I'm the most inspired by cinema.
I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.
It's really exciting to see all those people that exist in numbers online translate into tickets and then into faces, handshakes, pictures, stories.
My first album was called 'Badlands,' and it's something that I think I'm most proud of having done in my life.
Even if you can't relate to what I'm singing, I hope you can believe in it and see it as something that it is real.
Being a pop-leaning, female artist, you'd think that I'd have my record company breathing down my neck and trying to control everything I'm doing. Actually, they've just kind of let me take the wheel.
I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
I put so much of myself out there and make myself so accessible that sometimes I fear I make myself too accessible.
I have this first album that sells more than 100,000 copies in its first week, debuts at number two, goes gold, the single goes platinum, we're doing Madison Square Garden.
In one week, I went from being a girl who owed a guy thousands of dollars - my manager Anthony was paying for my outfits, paying for my food; I was sleeping in his parents' basement - to taking meetings with every major label in America. The next morning, I had a record deal and wrote him a cheque to pay back all that money.
I'm a musician with a very unique mental state, I suppose. I'm agoraphobic. I'm scared to leave my house. I haven't been alone in, like, two years. I'm either with my boyfriend or my assistant, my manager or my tour manager. I won't go anywhere by myself; I'm too terrified.
The cool thing about my show and me is that I'm a writer, and I'm a writer first if I don't have music.
If I go out there and am myself, and I do what makes me comfortable and what I think is true to my artistry, and they don't like it, then that's fine. I walk off stage, and I know there's nothing there's nothing I could have done differently.
Whether it's writing songs, being on stage, being interviewed, meeting fans - I just try to be myself, which is kind of exhausting because it almost feels like it never shuts off.
If I am who I am, I'm provocative, candid, and androgynous; there's nothing I can do that will make any fan think, 'I didn't expect that from her.'
I was obsessed with learning about social behaviors. I remember explaining to my mom that kids on my soccer team were fighting because of dyads and triads.
You don't know fear until it's 7 A.M. and freezing cold on live television, and you're not sure if Justin Bieber is going to kiss you or not.
I was a fan of One Direction when I was 16, but I was also a fan of Bring Me The Horizon and hardcore bands.
I put 'Ghost' online hoping to make a couple hundred bucks, but then the next day, I took meetings with five different record companies.
To be fair, I did come out of nowhere. 'Ghost' was the first song I ever did in a studio, my first time ever cutting a professional vocal.
I like writing about places, about people and environments. When I create a world, it lets me go in and define the details of that world.
I made up 'Badlands'; anything I say, goes. I came to realize I was materializing a metaphor for my mental state.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
In a city, there's more room to be, where in a small town, you have to squish yourself down a little bit. And it's exciting for me to be pursuing a career where I don't have to be small.
I was always running off to the city, whether it was Philly or New York, going somewhere where there was something more for me.
Growing up in the suburbs, I used to listen to punk rock, Brand New, Taking Back Sunday. And no one from my high school listened to it.
There's a booming, rotating, never sleeping city in the center of my brain and no body can come in and I can't escape. I have a strange sense of pride that my brain works that way, but I'm also terrified of what would happen if I ever tried to think in another way.Collection: Sleep
It doesn't matter how many private jets you take, how much money you make, how famous you get, keep putting in the hours.Collection: Hours
It can be difficult going through a period of time where you feel depressed because it can become your identifier. In the sense that you wake up, you're depressed; you talk to your friends, you're complaining that you're depressed; you talk to your parents, you're unmotivated. You know what you could do to try to overcome it - although obviously there's no cure - but you start to feel like, 'what will happen to me if I feel better? Who am I when I'm happy. I'm so used to feeling like this.'Collection: Feel Better
I wake up every day and think about what I am to other people. What I am to the people I employ, who depend on me to wake up and do my job that day and keep this career going? I think about what I am to the kids who listen to my music and all the other people involved in this project.Collection: Jobs
If I start writing a song and you try to have a conversation with me, you're a bad person.Collection: Song
As an artist you very much want to have control over your dialogue and your image and when you become exposed in a way where other people are manipulating your brand or the public perception of you that's where it can be frustrating. It's when you want to tell everyone to shut the f*** up and say "hear it from me, not from them." That's all.Collection: Artist
If I want to hang out with people, they unfortunately need to be working as often as I am.Collection: People
Being an artist and having a following can be a very scary thing because idolization makes you question your inner role in the universe. A lot of people get caught up in this idea of, "Wow! This world does revolve around me," and it most certainly does not. It's the exact opposite; these people don't exist for you, you exist for them.Collection: Artist
Pop music really is a love and a joy and a science [of songwriting].Collection: Joy