I think there's some people that absolutely love attention, and I'm not necessarily one of those people, but we're so, so lucky to be able to do this with our lives. There are certain aspects that maybe are not amazing, like having to represent us.
IHeartRadio was a mind-blowing experience. We're just this little band in England, and we played in between Alicia Keys and Nicki Minaj. It was incredible and surreal.
'Fire Walk With Me' was so divisive because the tone was so different than the TV series. But now television is almost more of a free medium than cinema.
The Backstreet Boys posted a cover of our single 'Good Grief.' It was so cool, and they reached out to us, saying, 'When you're in town, come to the show.'
Reading interviews with other people, I see them say, 'All I want is for our band to be massive', but it was never an ambition of ours to be in a band that's this big. That's so far from how my mind works that I find it puzzling. There's nothing wrong with being ambitious, but we're not.
When 'Flaws' went to No 21, we thought it was the most chart-bothering thing we'd ever do. We had a little party and started thinking about the next album.
I know who buys our music: we have such a diverse fanbase.
My songs used to be significantly more bizarre. I used to play a big electric piano and a loop pedal. I was really into Regina Spektor, and I liked her narrative lyrics that were quite off the wall. I used to layer things up and try and replicate what I'd been doing with my bedroom recordings.
I'm not interested in writing overtly autobiographical songs. I would rather explore interesting stories. I like the idea of the songs being evocative and distinctive, so I have in my mind the atmosphere that a film could evoke. I like to think of them existing in their own little world.