Colin Firth
We all know the dangers of sequels. Lightning doesn't strike twice in the same place too often, and I think you've got to move beyond it, go the extra mile and have the courage not to just repeat the first one.Collection: Courage
I always thought the biggest failing of Americans was their lack of irony. They are very serious there! Naturally, there are exceptions... the Jewish, Italian, and Irish humor of the East Coast.Collection: Humor
If you don't mind haunting the margins, I think there is more freedom there.Collection: Freedom
My parents and grandparents have always been engaged in teaching or the medical profession or the priesthood, so I've sort of grown up with a sense of complicity in the lives of other people, so there's no virtue in that; it's the way one is raised.Collection: Medical
We are actors who show up for work in our sloppy gear, and we've got this extraordinary tailor. It's someone else who's done the design; someone else who's cut the suit; someone else who's measured it. Basically, your job is to just wear it.Collection: Design
I was delighted to become a popular-culture reference point. I'm still delighted about it actually, and I still find it to be weird.
People have the idea of missionaries as going out with the Bible and hitting natives with it. It's not really what they were doing. They were all doing something rather different.
To be bothered wherever you go - it's not a rational thing to want at all.
If one lazily thinks of what a fashion designer might do if he's going to conquer cinema next, it would be taking the opportunity to display his fashion sensibilities.
Something like 'A Single Man,' it was tiny; it was financed by one guy. We all lost money doing it.
I'm not patient, and some things drive me crazy. In my work, I get incredibly upset when people don't get it right or don't respect others' needs.
Growing up, my mates and I would have rather been Sid Vicious or members of the Royal Family.
People coming up and saying something nice is always welcome. But when you're being secretly photographed, that's not so nice. I would rather shake hands with someone and exchange a few words than take a selfie.
If I were to write a book about the progress of getting to a third film, it would be a long one.
I think England has served me very well. I like living in London for the reasons I gave. I have absolutely no intentions of cutting those ties. There is absolutely no reason to do so. Certainly not, so that I can have a swimming pool and a palm tree.
I absolutely don't care about my looks and I'm so used to them that I wouldn't change a thing. I would end up missing my defects.
I do think I'm a character actor.
The only reason I'm in 'Kingsman' is because Matthew enjoys playing with the unexpected. I'm not playing Harry Hart because I'm the butchest actor in Britain. I'm playing it because he said I'm the last person anyone would expect to see in that role!
I have a kind of neutrality, physically, which has helped me. I have a face that can be made to look a lot better - or a lot worse.
I have a very long relationship with America. My mother grew up there and I felt to some extent that I partly belong there. I was schooled there briefly for about a year.
I haven't had to struggle very much. I haven't paid my dues. I think I have been lucky.
My singing voice is somewhere between a drunken apology and a plumbing problem.
I would definitely do TV, at the drop of a hat, if I was offered a good role.
We've always been involved with America - I have a son who lives there and it's a big part of my life.
I think it's quite extraordinary that people cast me as if I'm Warren Beatty: until I met my present wife, at the age of 35, you could name two girlfriends.
My primary instinct as an actor is not the big transformation. It's thrilling if a performer can do that well, but that's not me. Often with actors, it's a case of witnessing a big party piece but wondering afterwards, where's the substance?
A life of very, very serious, po-faced films would drive me nuts. I need - and I'm fortunate to have - a fairly varied menu in that respect. I mean, I was shooting 'Mamma Mia!' at the same time as I was doing Michael Winterbottom's 'Genova'. That was a very, very bizarre summer.
I'd love to try my hand at something else.
'A great British icon' is not the phrase I'd use about anybody, but there are people you admire that happen to be British. I think it's a phrase that gets attached to anyone who's been around long enough to become overfamiliar.
I feel more comfortable in drama. Comedy is a high-wire act. I find it stressful. It's a precision science in a way.
Some people would say comedy draws from some dark places, from your dark stuff. Life's great optimists aren't necessarily the funniest people.
I think that London is very much like that. I find there's humour in the air and people are interesting. And I think that it's a place which is constantly surprising. The worst thing about it? I think it can be smug and aggressive.
I work with the options I have in front of me and my reasons for choosing a job can vary enormously depending on the circumstances. Sometimes I take a job because it's a group of people I'm dying to work with, and sometimes it can be a desire to shake things up a bit and not to take myself too seriously.
Hollywood hasn't aggressively pursued me. Neither have I aggressively pursued Hollywood.
Bridget Jones is part of literary lore now and actually to be a part of it is enormously flattering.
The thing is that anybody looks good in the right clothes. It will affect your bearing. It will affect your demeanor. It informs the way you behave.
I can't imagine seeing Batman in black and white. It was such a colourful TV series. I know. I'm ancient. It wasn't abnormal to be without a television in those days. People who had colour were special.
One of the things that makes you want to be an actor, speaking only for myself, is that there's something infantile about it. You're suspending disbelief, pretending and entering into a story world.
Almost every comedy you see is about people making all wrong choices and making all the errors of judgement possible. Good comedy is when it works on this scale. Because it is psychologically very real.
I don't want to sound smug but I am reasonably satisfied with how it's gone. I think it's fine.
It's a film called 'Kursk', which is a true story about a submarine disaster. There was an accident on board a Russian submarine in the year 2000, and it stranded a large number of sailors. That's next.
I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.
Forget trying to be sexy. That's just gruesome.
My looks aren't something that come dazzlingly through in everything I do. I can be made to look one way or the other fairly easily... I am still not recognised on the street that much.
The English people, a lot of them, would not be able to understand a word of spoken Shakespeare. There are people who do and I'm not denying they exist. But it's a far more philistine country than people think.
The last thing I would attempt to do is to buy clothes for a child I didn't know well.
One of my grandfathers, actually, having gone out there as a minister, decided he would better serve the people as a doctor. So at a very late age - at the age of 38 in fact - he changed course and decided to become a doctor.
My grandmother was a minister as well, which was not that common in the 1930s.
Most actors will tell you they have some sort of dream of doing something other than what they're doing.
It used to be that I was always paranoid or a loser or something so there's usually something that you seem to associate yourself with at one time or another.