My grandfather lived to be late 90s on one side and on the other side, 70s or something. And my father died young, at 63. But he didn't take very good care of himself.
Other than obvious errors like forgetting a line, often I can't see any difference between take one and take 20.
My mother knew how to read music and everything. But I just kinda learned off of records. And so, I was listening to records and I'd play 'em over and over.
I hate to see anybody sink. I hate to see anybody lose their dream, lose their home, something like that.
Romney and Ryan would do a much better job running the country, and that's what everybody needs to know.
I'm not a reality-TV kind of guy. But it's almost like we're living in a reality show. Every day in this country, everybody keeps worrying about the deterioration of America, and it's like a big reality show.
People love westerns worldwide. There's something fantasy-like about an individual fighting the elements. Or even bad guys and the elements. It's a simpler time. There's no organized laws and stuff.
In past generations, people would try to play younger than they really are. My trick is, I don't try to play younger than I really am.
I want the troops from Great Britain and the U.S. to be successful, but by the same token, Afghanistan has always been a screw-up.
When I'm a director, I look at myself the actor as a completely different person. It's somebody else up there, an actor playing a role. I keep myself out of it.
When you work with kids, especially, you want to be ready to turn the camera on at a moment's notice.
I just make the pictures and where they fall is where they fall. If somebody likes them, that's always nice. And if they don't like them, then too bad.
As much as I love the Western genre, I figured if I kept doing those, I'd eventually run out of steam on that, and that would've been the end of it.
Every picture has its own demands, and every picture stimulates something within you to tell it a certain way. I don't know what that is; I don't think too much about that.
You hear about actors being late and all that sort of stuff, but you never find that with an actor who's directed, because an actor who's directed understands all the problems your production is going through.
It's much more fun to play something you're nothing like than what you are... It's much easier to hide yourself in a character.
I read every book there was on jazz, about the original players - King Oliver, Buddy Bolden and all those groups. At one time I was fairly well schooled in that... I could tell you who played where and when, historically, way before my time.
I'm not really a Hollywood person. Not that I don't like L.A., but I'm just a Northern California guy.
I'm interested in the fact that the less secure a man is, the more likely he is to have extreme prejudice.
Everybody accuses me of moving fast when I direct a picture. I don't move fast, but I just keep moving.
I have been trying to retire to the back of the camera for quite a few years, and in 1970, when I first started directing, I said, 'If I could pull this off, I can some day move to the back of the camera and stay there.'
Actors know, with me they aren't going to be allowed to rehearse a scene for a couple of hours and then get away with doing 25 takes before we get it right. So they come with their full bag of tricks.
It's always appealing to play a character that has to overcome himself as well as an obstacle. It makes the drama so much deeper.