Drama can be an addiction. It's so, so sneaky. Jealousy - all of those things can really send you in a lot of different crazy directions.Collection: Jealousy
It's always a leap of faith when you get involved with somebody.Collection: Faith
As I've gotten to know myself over the years, I realised I'm kind of a sweet, sensitive guy, a shy guy, and communication is not something I'm so good at.Collection: Communication
Sometimes people come up to me and say, 'You were my teen crush.' I'm honored and I'm touched, but I also ask, 'What happened? Why'd you take the poster down?' I get a little heartbroken in that situation.Collection: Teen
I'm not a religious person by any means. But I certainly believe in some kind of a higher power and something looking out for me. I've definitely had angels that have either guided me or helped me through moments in my life, without a doubt.Collection: Power
If you can help guide somebody through a challenging moment because you've been there, that ends up becoming a great gift.
There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.
When I did 'Young Guns II,' I hung out with Emilio and Kiefer, and I once took a trip with Rob Lowe - we jumped trains.
As you get older you learn some balance and mediation in your life - that's where I am right now. I feel pretty comfortable about things.
An actor equals, sometimes, an entitled baby. People take care of things for me, and they pay greater attention to things than I was ever capable of doing. But in the last few years, I have learned a great deal more about taking care of things. I pay my own bills now.
I had such a lack of respect for women that I just treated them as a hobby, trying to live up to the supposed image of Jack Nicholson and all those guys who were womanizers.
I did regret not graduating high school, but I made a point of going back and getting my GED later. It was important for my kids.
If I make a move, like raise my eyebrows, some critic says I'm doing Nicholson. What am I supposed to do, cut off my eyebrows?
After I did Untamed Heart I wanted to do a film that was outrageous. I really wanted to do, you know, a performance. I don't want to allow my image to rule the choices that I make.
Art does imitate life, it has to come from somewhere. To put boundaries and limitations on it doesn't make a lot of sense to me.
Hopefully, that people could see a progression in my performances because that's how it's always felt to me.
I don't think of myself as offbeat and weird. As a kid, I saw myself as the type of guy who would run into a burning building to save the baby.
I had such a good time working with John Woo and John Travolta, and it was so professional. I want to work with people who are real professionals.
I have brought a PS2 on set with me before. But games can be really addicting, and that's dangerous. So I tend to keep it fairly limited on a certain level.
I think games are starting to branch out. It's not just guys sitting at their computer stations. Games are so fun, that everybody gets into them a little bit.
I took a lot of time off after Mobsters and although I did something I had never done before, which was to direct a play, The Laughter Epidemic, it felt like a vacation.
I was a shy, quiet kid. I was happiest playing by myself with my toys, rather than hanging around people.
I'm blown away by the graphical detail of today's games. I can't imagine that it's going to get any better, but it's just going to continually progress and soon we'll be living in that world.
I've been taking my time now between projects looking for stuff that has a little bit more substance, that isn't surface. Some of the films that I've done in the past really were surface.
It's almost like these games are the modern day comic books, especially when you play Alone in the Dark. There's a real story that goes along with it and a movie seemed like the right kind of transition to make.
The guys from Atari that are making the next Alone in the Dark game came and we had a great meeting. I'd love to do that. I'm a fan of videogames. I like them. And to get to be part of one of them would be a fun and exciting thing.
The movies I've made at a certain time of my life were exactly right for the stage of my life, the frame of mind I was in at the time. Each character I've had to play has been me in that time in my life.
There was a time when I felt I should do everything that was offered to me, you know, ride the wave.
This is what Hollywood tends to do. It tends to disregard tradition, history and anything factual, twisting it and turning it and making it all okay regardless of what the English may think of it.
Well, obviously, as soon as I'd finished the script I read a lot of books on Winston Churchill, and started to gain weight and really prepare emotionally, mentally and physically for the role.
It still amazes me when I look at some of the films I've been a part of, and some of the people I've gotten to meet and work with. I also look back sometimes and realize that I was lucky to have lived through them and even to have survived them, at times.
I thought I'd get over being insecure if I became famous, but it hasn't happened. It just gets worse, really. You get more and more on edge, more nervous. These are all the things I'm dealing with. You think if you get famous, fear will go away and problems will go away. But they don't.
My dad was a theater actor, so I would follow him backstage. And my mom was a casting director. The moment I heard the applause and realized it would get me out of school, I was hooked.
Tony Scott was one of the best directors I've ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and people's lives are sometimes difficult.
Eighty-five per cent of the time, people want to talk about 'True Romance.' That's the film I've made that really seems to have stuck with people.