It would be beautiful to be able to walk up and down Peckham still, because I love it; it's where I grew up. But it just doesn't work. There are a lot of people who love you but there's jealousy too.Collection: Jealousy
The fact that 'Small Island' is 'period' is amazing for me because it's something that I've never been involved with before. Also, half my family is Jamaican and this story is essentially a story about Jamaican people, and it's portraying a part of history that I was not that familiar with myself.Collection: Amazing
I'm inspired by the fact that for every kid we see committed to crime, there's kids determined to go to uni and not follow their peers.
Top Boy' isn't the type of programme that is trying to be righteous and have a happy ending, it is just real.
When I was young I wanted to be a bus driver, because my grandad was a conductor on the Routemasters.
There was a danger when I was in So Solid and we made '21 Seconds.' But we're just showing a slice of life.
When I was young, I would go to youth clubs after school, run by my teachers and there were places to go where you could talk things out or enjoy sport with kids from different areas so territorial barriers were broken down.
It was tough: I had to kiss a man, and I got a mixed reaction from the black community. But I have to be ready to play any role, or I can't call myself an actor.
My dad had a real big reputation as being the hard man, street fighter, the gangster. My stepdad was quite timid, and I wanted a bit of the gangster in my life.
I find it really, really, really hard to have relationships with other men. That's one of my biggest problems. Women I seem to get on with quite well.
There was a long period where every time someone was shot or stabbed the BBC would call me. I started to think, 'I'm an actor and a musician, I don't want to be a politician or a spokesperson.'
I don't want to say I'm a role model because I've not been the most clean-cut person, and there were times I could have gone the other way.
I have grown up being a father. When my first son was born I was 17. I was a child bringing up a child. I was not capable of understanding what a dad was meant to be.
I heard stories about my dad. I wondered why he never protected me. I loved the man and I have still not got over the fact he wasn't there for me.
I never wanted my kids to have the experience of not knowing me or where they came from. I never want them to wonder, 'Did he love me?' I want to be there at the pivotal moments, for them to know how proud I am of who they are becoming.
There's a lot of negative things which happen in the show we're not trying to lie about that, that's the beauty of 'Top Boy,' it's unapologetic.
The strength of 'Small Island' is the fact that it deals with heavy issues in a way that is appealing to watch, and it's a story that people can relate to no matter what colour you are.
I stayed well clear of roles like 'Top Boy' for years before I did it, but I had to do it because the script was amazing. It was the most authentic thing that I've ever read when it comes to that sort of life.
I remember at a very early age ringing up record labels I found in the Yellow Pages, and asking them for a record deal.
With So Solid, we had overnight success and I bought stupid stuff with my money, I bought a 35k car while I was still living in a council flat.
Drake and his camp are people of their word. I've never seen them say they're going to do something and not do it.
In my opinion, gentrification can sometimes affect what's happening on the ends. You're placing people in different places, moving them around, and you're taking them out of their comfort zone and into places they're not used to being in.
Once you've been at the top, you're always gonna know what it's like to be at the top. If you've never been at the top, you're not worrying about what it feels like being there.
As a rapper, you're taught and you practice being hard all the time. You're not crying on your tracks, you don't sound like Neyo singing an R&B song about what you've lost or whatever.
There's always that romantic Hollywood element to it. But people appreciate 'Top Boy' because it is what it is.
Politics isn't about helping people, it's about maintaining whatever people have got, whatever it takes to maintain their position at the expense of us.
I used to eat under my grandmother's dining room table. I wouldn't eat at the table ever until I was about 10.
I had an inkling that I was going to prison before I actually did, because I'd witnessed my father and my elders going through it. It seemed like that's the way that you got respect, which is a sad thing.
My mum was well-travelled, well-educated and made me understand from books, from my imagination and from just taking me away on holiday once a year, wherever she could, that the world was bigger than Peckham.
I didn't actually rob anyone but once I was kidnapped by two older boys for half a day and they were trying to get me to steal or mug someone.
I was driving along and I got a random call on my way to my mother in law's for dinner and it was Drake. He wanted to help and he said he'd do anything to get 'Top Boy' back on screens and then got a call from Netflix, who wanted to do the show. For U.K. culture, it's a huge thing.
Selling out is a myth. Bill Gates isn't selling out, is he? Richard Branson isn't selling out. Why can't black people make money?
I had a good three or four months of mad depression where I thought, I'm not doing this any more, it's brought me nothing but problems, I can't take it. My own label didn't want to touch me. A lot of people just shut doors.