Eskimo: 'If I did not know about God and sin, would I go to hell?' Priest: 'No, not if you did not know.' Eskimo: 'Then why did you tell me?'Collection: God
As soon as beauty is sought not from religion and love, but for pleasure, it degrades the seeker.Collection: Beauty
Buddhism notes that it is always a mistake to think your soul can go it alone.Collection: Alone
The notion of the infinite variety of detail and the multiplicity of forms is a pleasing one; in complexity are the fringes of beauty, and in variety are generosity and exuberance.Collection: Beauty
The surest sign of age is loneliness.Collection: Age
You can't test courage cautiously.Collection: Courage
It's a little silly to finally learn how to write at this age. But I long ago realized I was secretly sincere.Collection: Age
I would like to learn, or remember, how to live.Collection: Education
Appealing workplaces are to be avoided. One wants a room with no view, so imagination can meet memory in the dark.Collection: Imagination
There is a muscular energy in sunlight corresponding to the spiritual energy of wind.Collection: Environmental
It is ironic that the one thing that all religions recognize as separating us from our creator, our very self-consciousness, is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution.Collection: Birthday
A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time.
Crystals grew inside rock like arithmetic flowers. They lengthened and spread, added plane to plane in an awed and perfect obedience to an absolute geometry that even stones - maybe only the stones - understood.
Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality?
I noticed this process of waking, and predicted with terrifying logic that one of these years not far away I would be awake continuously and never slip back, and never be free of myself again.
As a life's work, I would remember everything - everything, against loss. I would go through life like a plankton net.
'Fecundity' is an ugly word for an ugly subject. It is ugly, at least, in the eggy animal world. I don't think it is for plants.
The painter... does not fit the paints to the world. He most certainly does not fit the world to himself. He fits himself to the paint. The self is the servant who bears the paintbox and its inherited contents.
A writer looking for subjects inquires not after what he loves best, but after what he alone loves at all.
When I teach, I preach. I thump the Bible. I exhort my students morally. I talk to them about the dedicated life.
Just think: in all the clean, beautiful reaches of the solar system, our planet alone is a blot; our planet alone has death.
Our family was on the lunatic fringe. My mother was always completely irrepressible. My father made crowd noises into a microphone.
There is a certain age at which a child looks at you in all earnestness and delivers a long, pleased speech in all the true inflections of spoken English, but with not one recognizable syllable.
According to Inuit culture in Greenland, a person possesses six or seven souls. The souls take the form of tiny people scattered throughout the body.
How can people think that artists seek a name? There is no such thing as an artist - only the world, lit or unlit, as the world allows.
The mind of the writer does indeed do something before it dies, and so does its owner, but I would be hard put to call it living.
It makes more sense to write one big book - a novel or nonfiction narrative - than to write many stories or essays. Into a long, ambitious project you can fit or pour all you possess and learn.
I never met a man who was shaken by a field of identical blades of grass. An acre of poppies and a forest of spruce boggle no one's mind.
The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of a stunt pilot's turning barrel rolls, or an inchworm's blind rearing from a stem in search of a route. At its worst, it feels like alligator wrestling, at the level of the sentence.
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles.
People love pretty much the same things best. A writer looking for subjects inquires not after what he loves best, but after what he alone loves at all.